Wang Qingyuan

Wang Qingyuan

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Wang Qingyuan, male, is a native of guoguoyu village, Yeyuan Town, Linqu County. In his early years, he joined the army and successively served as typist, Secret Keeper, secretary, director of Political Department, deputy political commissar, Secretary of enterprise party committee, etc. He is now deputy inspector of Qinghai Federation of literary and art circles, chairman of Qinghai provincial Book Association, director of China Book Association, and deputy director of Industry Development Committee of China Book Association.

Calligraphy works have been selected into calligraphy exhibitions organized by China Federation of literary and art circles and China Calligraphy Association for many times. Many calligraphy works have been published in newspapers and magazines inside and outside the province. Many of them have been collected by China Art Museum, Hong Kong Xinfeng publishing house, Guizhou Provincial Museum, Qinghai Provincial Archives, etc., and many of them have been engraved with steles and stones. He has published more than 20 articles on calligraphy in newspapers and periodicals at or above the provincial level, and his calligraphy papers have been selected into two national calligraphy theory seminars. In 2002, he was awarded as a member of "double happiness of virtue and art".

Personal resume

Wang Qingyuan is the director of China Calligrapher Association, chairman of Qinghai Calligrapher Association, member of Qinghai Writers Association, member of the Party group, secretary general and director of Human Education Department of Qinghai Federation of literary and art circles.

Achievement and honor

In recent years, he has been selected into various calligraphy exhibitions sponsored and undertaken by the China Federation of literary and art circles and the China Calligraphy Association for many times. He has participated in cross provincial calligraphy exhibitions, such as the calligraphy works exhibition of ten western provinces, the calligraphy joint exhibition of seven provinces, the calligraphy and painting exhibition of Party and government leaders in central and Western China, Tianjin Art Festival, Dunhuang Art Festival, etc. In the above exhibitions, he has won the second prize and excellent award for many times. He has published more than 20 calligraphy reviews in newspapers and magazines at or above the provincial level, and his calligraphy papers have been selected into two national calligraphy theory seminars. He has published more than ten works in newspapers and magazines inside and outside the province. Calligraphy works have been collected by Chinese Calligraphers Association, Hong Kong Xinfeng publishing house, Qinghai Provincial Archives, Qinghai Provincial Art Museum, etc. In 2002, he was awarded as a member of "double happiness of virtue and art" by Chinese Calligrapher Association. In 2004, he won the literature and Art Award of Qinghai provincial government. He has organized calligraphy exhibitions at or above the provincial level for many times, such as the exhibition of calligraphy and painting at the 80th anniversary of the founding of the Communist Party of China in Qinghai Province, the exhibition of Western calligraphy in Henan Province, the exhibition of representative works of the calligraphy Congress of Qinghai Province, the exhibition of calligraphy works of six people in the central and western regions, the exhibition of calligraphy and art in Qinghai Province celebrating the founding anniversary of the people's Republic of China, and the exhibition of calligraphy and art photography of the national tax cup in Qinghai Province. He edited the collection of calligraphy, fine arts and photography works of Qinghai Province. China art appraisal center organizes professional and professional appraisal, Wang Qingyuan's calligraphy works: 4500 yuan per square foot

media coverage

On November 25, 2009, Qinghai Legal Daily celebrated the 60th anniversary of the founding of new China with a special report "ink Qinghai - volume of Wang Qingyuan".

Literary theory

Love calligraphy and admire life

- Wang Qingyuan's impression of calligraphy < br > Li Xiaowei calligraphy is an ancient art of writing Chinese characters. From Li Si, Prime Minister of Qin Dynasty, to Guo Moruo, a modern literary giant, wonderful ink remains in the world, which highlights the unique cultural aura of Chinese civilization. Among the thousands of characters in the world, only Chinese characters can create this kind of writing art and show its eternal charm. Some people say it is a silent Peking Opera, others say it is a colorless painting - in a word, it has become a unique Chinese image and a quintessence of China. With the development of calligraphy, its practical function has been greatly weakened, but its artistic value is expanding. When people from different cultural backgrounds appreciate Chinese calligraphy, they are clearly not just appreciating the characters themselves, but tasting a taste and realm of life. as a famous calligrapher in Qinghai, Wang Qingyuan is neither a modern cultural man who makes a living by writing, nor a cultural man who plays with the moon in the traditional sense. However, his military career and life interest make him go with calligraphy, and gradually achieve a kind of conspiracy. If you compare his calligraphy works and understand his way of life, you will consciously or unconsciously come up with the recognition that "ink has true meaning, and admiration is life". participating in the calligraphy exhibition is not his ultimate goal, but it is a necessary form for him to communicate with the outside world. When you appreciate his calligraphy works, what you feel is not only his talent and interest, but also his character and personality, as well as his atmosphere and realm. This is Lu Xun's advice on writing and his sincere words on writing and being a man. If we apply this sentence to the advice of calligraphy, we can see that it is pertinent, because the commonness of artistic mysteries is actually interlinked. There is a feeling in Wang Qingyuan's calligraphy, that is, heart virtue, state of mind, heart image and heart voice. What his calligraphy reveals is originally caused by nature, like the sound of nature without decoration, like the meteor without trace. Heart, hand, ink, and meaning -- his calligraphy is also a result of cultivation, like the wind blowing over the sand dunes, like the spring singing over the pines and hills. Real calligraphy comes from nature and comes back to nature. We should learn from nature and not stick to it. Advocating nature, but also higher than nature - this requires subtle grasp and transcendent perception. In my opinion, Wang Qingyuan's calligraphy is by no means the random manipulation of the structure, nor the wandering of the ink, but between the intention and the unintentional, on the basis of the intention and the environment. to understand this big image, we need a big realm. Wang Qingyuan's more than 20 years of military career, more than 20 cold and hot weather, swords and halberds, climbing and rolling - that heroic spirit and dust, can be said to have nothing to do with his calligraphy cultivation? The majestic atmosphere of the Qinghai Tibet Plateau, the grinding experience of the snowy mountains and deserts, the eagle's attack on the sky, and the grass's chirping in the wilderness can be said to have nothing to do with the connotation of his calligraphy? military career has nothing to do with singing and dancing; military life is insulated from affectation; military is the most real life track - the track revealed in his calligraphy has its own broad and real background. it is selfless to comply with the dedication of a military career; it is selfless to comply with the performance of a calligraphy art. ——Between the self and the non self, and above the self and the non self, the mystery of his book meaning can only be understood and can not be explained. he came from the countryside, from simplicity, to the military camp, to the literary and art circles, to the most thorough rules and square - these information, like his palmprint, runs through the context of his calligraphy works. His experience has created the commonness between him and calligraphy, while learning from the ancients has created the individuality of his calligraphy. After all, calligraphy is not a flying thing. Everyone has his apprenticeship. In his calligraphic works, we can clearly see the shadow of the ancient calligraphers. Wang Qingyuan's calligraphy works seem to have a simple and naive flavor. Is he spontaneous or intentional? Is it the sentiment or the pursuit of chicness? It seems to be, and it seems not. When you watch his calligraphy, you sometimes feel that you are talking with an ancient farmer, and sometimes you feel that you are playing chess with an ancient philosopher. A kind sense of distance makes you move closer and farther. It seems that you are moving closer and closer in a moment. Wang Qingyuan loved calligraphy when he was young. He had absorbed nutrition from the ink of Hanli, Tangkai and Jin people, but what he really benefited from was Hanli's Ode to Shimen and Su Dongpo and Huang Tingjian, two masters of the Northern Song Dynasty. However, Wang Qingyuan believed in the ancient but not lost in it. Because of a natural guidance, he gradually formed a simple, elegant and natural style. In the final analysis, the art of calligraphy will come down to people themselves. In the realm of the cultivation of calligraphy and character, we have achieved the same goal by different paths. His calligraphy works have been selected in the National Book Fair, his name has been listed in various classics, and his works have won various awards. However, when you stroll in his humorous calligraphy intention, all the external characterization and carving will become redundant and cumbersome. Taste, realm, atmosphere, life, culture and Philosophy -- these are the value goals in his calligraphy field that he has received and pursued all his life. Facing the impetuous City, the overflowing material desire and the publicity of fame and wealth, he believes and sticks to an old maxim: be indifferent and clear minded, be quiet and far away. He believes that art rejects greed. Calligraphy is not a lottery, not a stock, not a stamp collection, not to mention gambling and prize winning. True art depends on honesty and wisdom. Real art discards fluke and luck. Fortunately, this highland where he lived was magnificent and vast, and fortunately, the road he once walked was vast and aloof. Looking forward and looking back, everything is in silence. He believes that life is limited. He believes that mountains and rivers, bosom friends at ease. He believed that he enjoyed calligraphy.

Chinese PinYin : Wang Qing Yuan