Chen Xiaoxia

essential information

Acting experience

On December 30, 2005, the third original album "mother Harley" was released. in 1981, he published his first composition work "spring, summer, autumn and winter", and officially entered the entertainment circle; in 1984, he wrote the song "the last tenderness" for Jiang Yuheng; in 1985, he wrote the song "South express" for Taiwan singer pan yueyun; in 1986, he wrote the song "friends" for singer Qi Qin; in 1990, he wrote the classic folk song "I will one day". In 1991, he released his first personal music album "big foot", which became popular in the same year because of Meng Tingwei's creation of songs such as "you look at the face of the moon". In 1992, he cooperated with lyricist Yao ruolong for the first time to create the song "can't let you go". In 1993, he wrote three songs of the same name for Meng Tingwei's album whose tears are flying, including whose tears are flying, and wrote the song "monsoon" for Hong Kong female singer Faye Wong for the first time. In the same year, he also released her second album "makeup artist". In 1997, Faye Wong's "agreement" and "he doesn't love me" for Mo Wenwei were widely circulated and attracted attention; in 1999, she wrote Anita Mui's song "don't be a woman in next life". In 2000, he wrote two songs "the beginning of man" and "dialogue" for Liu Ruoying's album "I wait for you", and wrote the song "yesterday" for Liang Jingru for the first time. In 2001, he wrote the song "dancing in the dark" for the first time for Hong Kong male singer Eason Chan; in 2003, he wrote the song "ten years" for Eason Chan again, which won the top ten Chinese love songs in the new century; in the same year, he wrote the song "can you be brave or not" for fan weiqi and the song "happiness of suffering together" for Zhou Huajian. In 2005, she released her album "mother Harley"; in 2006, she wrote three songs for fan Weiqi's album "our anniversary", including the title of the title; in 2007, she wrote the song "start" for Pang Long, a male singer from the mainland of China. In 2008, she wrote the song "next dawn" for singer Guo Jing for the first time, which was shortlisted for the "best song of the year" of the 20th Taiwan Golden Melody Award. This is also the first time that Chen Xiaoxia's works are shortlisted for the Golden Melody Award. In 2009, he wrote the song "the farthest place to see" for Taiwan female singer Zhang Shaohan, and again wrote the song "singing in the tree" for Guo Jing; in November, he wrote the song "love always exists" for singer Liang Wenyin. In 2010, he won the best composition award of the 21st Taiwan Golden Melody Award for his song singing in the tree. In 2011, he cooperated with Yao ruolong to make the songs "angel in the devil" and "the most important decision" popular for Tian Fuzhen and fan Weiqi respectively; in the same year, he also wrote songs "I'm always practicing one person" and "good night" for singer Lin Youjia. In 2013, he wrote the song "love is one meter away from me" for singer Hu Xia, which was included in his album "fool tango"; in the same year, he wrote the inspirational song "Why are you so happy" for Liang Wenyin again. In July 2014, Chen Xiaoxia wrote the song "trace" for Taiwan singer Lin Xinyang, which was included in Lin Xinyang's album "1000 suns"; in the same year, she wrote the song "youth is" for Ren Jiaxuan as the theme song of the film "Dadaocheng". in 2015, he wrote the interlude "slightly sweet memories" for the film "back to 20", which was sung by Yang Zishan; in April, he wrote the song "out of reality" for Hu Xia again; in May, he wrote the theme song "end of soul" for the film "small age 4", which was sung by Zhang Huimei. in 2016, he wrote songs "an eye" and "you wait for me at the end" for singers fan weiqi and Faye Wong respectively; in November, he wrote songs "God reply" for singer Li Yuchun.

Music works

Reference materials: note: some cover works are not included

Award winning record

Character evaluation

Chen Xiaoxia's music is based on folk songs, recording the most real life. Although the number of classics she wrote is countless, there has been a blowout change in the invitation of her works since 2010. More and more singers take her songs as a special blessing of the whole album, whether suitable or not.
Combined with the golden partner teacher Yao ruolong's words, under such works, the singer has become a vocal instrument. As for the processing of some voice changes, we can only sing according to the way provided by demo. Sometimes it's male voice, sometimes it's female voice, but at last it's Chen Xiaoxia's voice. Some people may think that this is good. At least from the reaction of the market, it is recognized and welcomed by the fans. But for people of my profession who have been listening to a lot of songs for a long time, it will become a kind of reproduction, simple reproduction, non creative reproduction, and unrestrained exploitation of "Chen Xiaoxia tune". (Morning News)

Chinese PinYin : Chen Xiao Xia