essential information
Synopsis
On November 11, 1937, Shanghai fell. Chen Tianfang's training regiment was appointed as the guard regiment of the 101st group army to cover the retreat of the whole army. Chen Tianfang, who has become a broken line kite, leads Qin Feng and other special combat team members to make many strange moves and create chaos on the secret front by virtue of his Japanese advantages and special combat skills. After killing the Japanese troops in Central China, they sent dazoguezuka Jiro Fang to blow up the radar station of Anqing airport, and assisted General Zhang Zizhong to carry out "operation Langya" in Huangchuan, Hubei Province, which disrupted the deployment of banheng division and was approved by commander Liu Hongyuan to set up "Canglang" special operation team.
The film is starred by young actors such as pan Taiming, Zhang Wenqi, Wu Chengxuan, Mao Junjie and Feng Lili, and also joined by veteran actors such as sunspot, Yan Xiaopin and Hou chuangao. Make "dream boat Trilogy" vivid and colorful.
Diversity story
1-56-1011-1516-2021-2526-3031-3536-4041-4546
1-56-1011-1516-2021-2526-3031-3536-4041-4546
(source of diversity story reference)
screen credits
Cast list
Staff list
open
(source of cast schedule reference)
Role introduction
(role profile reference source)
Behind the scenes
1: Pan Taiming in a gunfight scene, because of props gun fire, bullets from the forehead, on the spot bleeding, the crew rushed to the local hospital for emergency treatment, pan Taiming learned that the forehead was stitched several times, almost broke the picture.
2: In order to alleviate the helplessness of the actors in thick military uniforms in the hot summer, pan Taiming used the break time to make all kinds of funny expressions, which made the audience laugh.
3: Mao Junjie changed his former sexy image, dressed in cheongsam, military uniform and other clothing, leaving the country in a cool and gorgeous style.
Behind the scenes production
Creative background
Mengzhou culture has produced two revolutionary war dramas snow leopard and black fox, which have attracted a number of loyal fans. As the final work of the trilogy of war, the wolf absorbed the successful experience of the first two works and summed up the shortcomings of the first two works.
shooting process
In mid November 2012, "Canglang" began shooting in Hengdian. During the shooting process, the shooting sites were all over Hengdian's many scenic spots, and also attracted many mass actors to participate in the performance. In the process of filming, pan Taiming, as the No.1 man in the play, not only has to complete the overloaded shooting plan in the bad weather environment, but also studies the script, chews the lines and takes care of the characters in the play during the interval. In order to achieve realistic effect, most of the props used in the play are real military guns with some components modified.
Broadcast information
(source of broadcast information reference)
Drama evaluation
Positive comments
The rhythm of the story is compact
Although the character of Chen Tianfang in Canglang is fictional, the history is real. Through his story, the audience can truly experience the blood, tears and love of that era. Taking the establishment and action of the "Canglang" commando as the main line, Canglang reproduces the fighting process of Nanjing, Wuhan, Chongqing and other places after the fall of Shanghai in 1937, including "assassinating the traitors", "blowing up the airport" and "grabbing food from the tiger's mouth". It connects the real history in the form of chapters, which not only ensures the restoration of history, but also improves the visibility and accuracy of the drama The rhythm of the story is compact and the climax is repeated.
Chen Tianfang in "Canglang" is an experienced Chinese Communist secret agent. His long-term latent career has forged his character of forbearance, perseverance and calmness. In the process of fighting against the enemy, Chen Tianfang is less youthful and ignorant, and more thoughtful and wonderful. The whole story abandons the introduction of causes and consequences, and goes straight to the theme. Chen Tianfang is already a mature and capable actor when he comes on the stage Show soldiers, set up suspense by the identity of secret agents, and lead the audience into a tense and latent journey with simplicity and clarity (Jinying online review).
Breakthrough in character setting
Another highlight of Canglang is the composition of the Canglang commando team headed by Chen Tianfang, including his brothers Fengzi, Qiangzi and Zhuzhu, and the red women's army he assembled for various reasons during the story, including the girl in distress Tao Yuanyuan, the female student Liu Ziying, the rich girl Chu Feier and the Japanese orphan Mu Qingqing. The addition of a large number of female characters in the masculine war drama distinguishes the black wolf from the general revolutionary drama. In addition to the female members of the "Canglang" commando team, the other female characters in the play are also impressive. Meng suihong joins the Military Commission as an agent of the Communist Party of China, and her double undercover identity is startling step by step. Lu Lanji is brave and resourceful. In order to complete the task, Bai's mother is kind-hearted and knows the overall situation. Every female character in the play is the epitome of the Chinese women of that era. They are admirable for their courage to fight and not afraid of sacrifice before their family and country hatred (sina.com).
Negative evaluation
After the broadcast of "Canglang", some audiences noticed that the background music used in the play had many episodes which were similar to the Japanese animation Naruto. Some viewers said it was too ironic. Anti Japanese drama is a justice drama that reflects the national suffering and promotes the national spirit. Its purpose is to warn people not to forget the national humiliation, so it is a very serious thing to make and direct Anti Japanese drama. However, the Anti Japanese drama "Canglang" is matched with the episode of Japanese animation. It can be seen that the writers and directors have thrown the bottom line of seriousness of Anti Japanese drama out of the air To do this is to add materials to the Anti Japanese drama, create absurdity, attract attention, and the educational significance of Anti Japanese drama is almost gone (Li Bingjie comments).
Chinese PinYin : Cang Lang
Grey Wolf