Annie

Qingshan

Qingshan (Annie baby), whose real name is Lijie, was born on July 11, 1974 in Ningbo, Zhejiang Province. She is a contemporary writer.

Since 1998, he began to write and publish works on the Internet, and gained attention with such novels as farewell to Wei'an and July and Ansheng. Since 2000, he has published works such as Weiyang in August and flowers on the other side. In March 2006, he published the novel lotus. In March 2011, he edited the literature and Art Book Dafang and published the novel spring banquet in August. In January 2013, he and book collector Wei Li launched an interview essay collection the beauty of ancient books. In June 2014, it was announced that its name was changed to Qingshan, and a collection of essays was launched. In January 2019, the novel summer valley will be published.

Character experience

Born in Ningbo, Zhejiang Province on July 11, 1974. Since 1995, he has successively served as a member of the business department of Ningbo Branch of Bank of China, department director of Shanghai RongShuXia Computer Co., Ltd., planner of Beijing Department of new classic culture, and director of Beijing fashion health magazine.

In October 1998, she began to write and publish her works on the Internet under the pseudonym of "baby Anne".

In January 2000, the first collection of novels, farewell to Wei'an, was published. The book includes July and an'sheng, nuan'an, and seven years. With farewell, vagrancy, and fate as the themes, it describes the heroines' secret life and inner excavation and display. In the same year, he left the Internet and entered the period of paper publishing.

In January 2001, he published a collection of novels and essays called "Weiyang in August", which included "instant blank", "Southern August" and other novels and essays; in September, he published his first novel "flowers on the other side", which respectively tells the ups and downs of Qiao's and Nansheng's fate and emotional entanglement in the city.

In January 2004, he published the novel Er San Shi, and in October, he published the collection of essays sober. In 2005, he joined the Chinese Writers Association.

In March 2006, the novel lotus was published, and its writing style gradually turned to maturity. Taking Motuo as the background, the novel tells the story of Qingzhao and Ji shansheng visiting shansheng's old friend inland river. In September 2007, he published a collection of essays called Su Nian Jin Shi, which is divided into four chapters in spring, summer, autumn and winter. Essays and novels coexist to talk about the feelings and thoughts of childhood, family, nature and other topics. More than one million copies were sold. In October 2008, he visited Japan for the first time at the invitation of Japan International Exchange Fund.

Since March 2011, he has been the chief editor of literature and Art Book Dafang, and then stopped publication in November of the same year; in August, he published the novel spring banquet, which tells the emotional change and life process of Zhou Qingchang and others.

In January 2013, he published a collection of essays "miankong", which tells about family, reading and life, and more integrates the author's own stories and feelings; the incarnation interviewer and the book collector Wei Li jointly launched "the beauty of ancient books", which popularizes the common sense of ancient books, expounds the aesthetics of ancient books, and reflects on the cultural inheritance. In August of the same year, taking "the book of songs" as the compilation context, the prose anthology qieyongri was first published.

In June 2014, it was announced that the pseudonym was changed from "Anne Baby" to "Qingshan", and then the collection of essays was published.

In June 2016, the collection of prose novels "Yuetong Duhe" was published after nine years.

In January 2019, the novel summer valley was published and published in the first issue of harvest in 2019. Main works of Qingshan

Personal life

In September 2007, Qingshan wrote on his blog that he decided to have a child. On October 1, he gave birth to his daughter in a Beijing hospital.

Main works

Published works

Chief editor's works

translation works

Creative features

theme

Qingshan's early novels mostly take the city as the background, describing the rootless people wandering in the desolate and indifferent stone forest. These vagrants, suffering from rebellious passion, indulgence, and even struggle, are all striving to pursue, but they are confused and perplexed, suffering from anxiety and emptiness. They are contradictory and lonely on the way to seek the answer to the spiritual core. The novel farewell to Wei'an tells about the love entanglement between Lin, Qiao and Wei'an who only appear on the Internet. In the atmosphere of reality, fantasy, uncertainty and even blood and decadence, readers feel the loneliness, emptiness and contradiction from the hero's heart.

His early novels "flowers on the other side of the river" and "two or three events" explored the themes of love and death with their nihilistic and fragmentary aesthetic outlook and gloomy writing style, and made a deep discussion on the living state and spiritual situation of people on the edge of the city. Lotus as a work of transformation, the plot of the story starts from the city to the snow mountain, and finally returns to the beauty and dignity of the original life. In this novel, Qingshan changes his melancholy narrative style and writes about different kinds of life forms, which arouses readers' calm and deep thinking about urban life. From the city to the snow mountain, from the revelation of life essence to the display of spiritual pursuit, and then to the expression of life experience, it shows the survival dilemma of people on the edge of the city and the spirit of being far away from the city.

The publication of the novel "spring banquet" has obviously alienated the works of the early youth, and has repeatedly strengthened the disorder of people's dissociation in the materialized time and space. The characters are always saying goodbye and leaving, and they are always circulating in the bustling city and the uneasiness of being in it. In the novel, the author keenly captures the loss of modern people's spiritual home. On the one hand, human life is placed in an open space-time to arouse people's yearning and impulse for the pursuit of naturalized space-time; on the other hand, it shows people who are trapped in spiritual crisis due to the pressure of materialized space-time, facing the sense of pinch and discomfort of individual life existence. A series of characters in the works are in the process of spiritual exploration and inquiry, and look forward to the collision between individual life and external material time and space, and finally rebuild the spiritual ecology of human beings. In addition, the novel interprets different types of gender relations, and especially advocates that the mutual admiration between men and women should go beyond secular tastes and sensory pleasure. The mutual attraction between men and women should first be the attraction of interests and spiritual harmony.

From farewell to Vivian, her writing has always been accompanied by a lot of controversies, but she is not influenced by outside opinions, and insists on her own writing theme, and does not change her original intention all the way to summer valley. "Summer valley" makes Qingshan's writing present a clearer and distinguishable path. She always knows what kind of story she wants to write: how to observe one's own life, and how to find the position of life in the changes of time and space through the relationship with oneself, others and the outside world. It is difficult to be easily benchmarked in the existing standards of novel writing. It is not only a bright "book of love", but also a "rebellious book" that doubts various mainstream concepts. In addition to thinking about relationship and love, the core content of the novel is about how to explore one's own heart and nature.

technique

Characters

Qingshan's early creation was deeply influenced by Duras. From farewell to Wei'an to ER San Shi, the life habits, tastes, ways of behavior, ideological characteristics and experiences of the characters in her novels are all the same, and even the use of names is the same and repeated - only Lin is a man, and only an, LAN and Qiao are women. In some details, Qingshan likes to use repeated images and metaphors to compare the injured woman to a wound, or the woman to a fragrant flower blooming in the shadow. She also likes to use repeated images to depict a person. Men wear wooden button cotton shirts, women wear cotton skirts and sneakers, and there are sentences like putting Gardenia in their hair. These metaphors and delicate descriptions give the novel a sense of picture.

The characters in Lotus all have inherent complexity, which changes with the changes of the times. They are intertwined in space and overlapped in time, and present a Duras like pattern of intertwining and complementing each other in the mental process. In the narration of the novel, the narrator with autobiographical color is integrated with the protagonist, whose name is often changed among me, her and him. This way of splitting the narrative subject into several individuals reflects the internal conflict of the subject's personality and the author's creative transformation.

Narrative performance

In farewell to Wei'an, Qingshan uses Expressionism to express the loneliness and helplessness of the characters. The scenes one by one in "falling" and the independent fragments with little correlation strongly show the detachment from death. In life is an illusion, the tense suffocation is the best use of Expressionism. Scenes of true or false images shuttle through time.

In the spring banquet, there are many overlapping between names of people and places in the two main narrative clues. As an expression of the novel's central idea, such a design highlights the image of the implied author in the text, which makes the readers strongly feel that what they want to reveal is the voice of different people's fate. This kind of narrative detail design plays an important role in understanding the real expression of the implied author to a certain extent.

Qingshan's writing has always been closely related to travel. Qingzhao and shansheng embark on the journey to Motuo together in lotus. Qingchang visits an ancient wooden bridge across the canyon in spring banquet. "The summer valley" still starts from travel, shuttling through Bhutan, Himalayas, Calcutta and other real places and the summer valley and other illusory places. In addition to the travel of these real geographical coordinates, the novel also presents the reality

Chinese PinYin : An Ni