resonant

resonant

This data is participated and reviewed by the artist data authority and certification network platform.

Hongliang, named jiuniu and xiuzhutang, was born in April 1961 in Anji, Zhejiang Province, the hometown of Mr. Wu Changshuo in Jixi, Anhui Province. Under the influence of his father, he loved calligraphy, painting and seal cutting since childhood, and was enlightened by his neighbor Mr. Jiang Dagong.

brief introduction

Basic information

Hongliang, named jiuniu and xiuzhutang, was born in April 1961 in Anji, Zhejiang Province, the hometown of Mr. Wu Changshuo in Jixi, Anhui Province. Under the influence of his father, he loved calligraphy, painting and seal cutting since childhood, and was enlightened by his neighbor Mr. Jiang Dagong. In the late 1970s and early 1980s, he often traveled between Anji and Hangzhou. He was taught by zhulesan, Yu Rentian, Zhou changgu, pan Yun and Liu Jiang. In 2005, he moved to Beijing from Mr. Jin Kaicheng, a famous scholar and professor of Peking University. In calligraphy, Chinese painting, seal cutting, poetry has a profound foundation and cultural heritage. Visiting scholar of Peking University from 2005 to 2006, executive director of Chinese calligraphy from 2007 to 2011,. In 2005, he began to teach Chinese culture and the art of Chinese calligraphy, painting and seal cutting in universities at home and abroad, and compiled the university calligraphy textbook. More than 1.5 million words of papers and comments have been published in professional newspapers and periodicals. His works have participated in national exhibition, youth exhibition, Xiling Seal society review exhibition and won prizes. He was invited to give lectures on calligraphy at Peking University, Tsinghua University and CCTV. He was also invited to give lectures in the United States and South Korea for calligraphy and painting exchange. The work has been collected by many museums at home and abroad, and carved steles in Leshi scenic area.

Social position

He once served as vice president of Wenlan calligraphy and Painting Academy of Zhejiang Provincial Committee of Jiusan Society, director and member of Academic Committee of Zhejiang Calligrapher Association, member of Huzhou CPPCC Standing Committee, director and vice chairman of Huzhou Calligrapher Association, chairman of Anji Calligrapher Association, deputy director of Anji cultural center and President of Changshuo printing society, and was employed as a visiting professor by Zhongshan Literature Institute. He is now a member of the Central Committee of culture and vice president of the Central Academy of calligraphy and painting of the Jiusan Society, a member of the tutor Committee of the seal cutting Institute of the Chinese Academy of Arts, a visiting professor of Tsinghua University, an honorary professor of Confucius Institute of Pfeiffer University, a visiting professor of Capital Normal University, a member of Xiling Seal printing society, and a member of the Chinese Calligrapher Association.

Main achievements

In 2006, the paper "on folk calligraphy" won the "innovation achievement award" of Peking University. In September 1996, Wu Changshuo, editor in chief, was awarded the first prize of excellent literature and history books in Zhejiang Province. In November 1996, his paper "Mr. Wu Changshuo's calligraphy art" was compiled into "the 20th century calligraphy classics · Wu Changshuo" edited by Zhu Peier. he has successively given lectures at o'daming University, Confucius Institute at Pfeiffer University, marivenger high school in North Carolina, Waddell Confucius school, Asian Library, etc., spreading Chinese calligraphy, Chinese painting, philosophy and other Chinese culture. He has published 11 kinds of works, including Wu Changshuo, Hongliang Yincun, Hongliang volume, Hongliang Xingshu Taohuayuan, and selected poems on bamboo in the past dynasties. He should be invited to write nine columns, including the history of Chinese painting bamboo slips, folk customs and calligraphy, interpretation of Wu Changshuo, foulu Yinhua and jiuniu Yinhua, for the professional newspapers of calligraphy and painting, such as rongbaozhai, calligraphy daily and fine arts daily.

style of art

Seal script

Based on the "Yishan stele" and Wu Changshuo's stone drum writing, and drawing on Deng Shiru's, Wu rangzhi's and Wang Fuan's writing skills. In terms of character method, he absorbed the method of seal cutting, and integrated the big and small seal characters into one pot, gradually forming his own character method which was consistent with his seal cutting method.

regular script

In recent years, inspired by Li gangtian's regular script, he simplified the writing style of Tang regular script and combined temperament with regular script, which gives people a fresh feeling.

running script

Based on the study of "Erwang" calligraphy, and drawing on the merits of Jin, Tang, song, yuan and Beibei steles, it gives people the beauty of elegance, freshness and fluency.

official script

Li Shu takes the beauty of Cao Quan's stele, while the side front takes the power, which has the charm of elegance, vigor and dignity.

Traditional Chinese painting

Hong Liang is also good at traditional Chinese painting and is good at bamboo painting. Because of the basic skill of calligraphy, it is easy to draw the stem with the brush of Zhuan and the leaf with the brush of cursive. The branches are thin and vigorous, and the bamboo leaves are prosperous. No matter wind bamboo, snow bamboo or static bamboo, they can be managed and arranged. Although there is no wind and no snow, the branches and leaves can show the state. In particular, the wind bamboo is the most wonderful, the bamboo leaves are swayed in one direction by the wind, and the bamboo stem is curved and elastic, showing the tenacious struggle and vitality. In the Qing Dynasty, there is a hollow heart in the poem It is obvious that Hong Liang inspired himself by painting bamboo. Humility is one of the virtues of human beings. The ancients attached great importance to it and talked about it extensively. For example, "those who are not complacent benefit from it, and those who are not self righteous are knowledgeable." (Song Lin Bu's the record of mind saving) "those who are complacent will suffer; those who are modest will benefit." Hong Liang's painting of bamboo is not only a reflection of the connotation of Chinese traditional culture, but also a principle of life and a lifelong goal.

seal cutting

With the diligent copying of the ancient seals of the Han Dynasty, the seal cutting works have a vast and ancient charm, and the layout is quite different and unique. There are more name seals in France and Chinese. The squareness, simplicity, broadness and atmosphere of Hanyin are in line with the common aesthetic pursuit of our nation. The forms of Chinese seal, such as Manchu white, coarse white and fine white, can be used freely with one mind. The seal of words and sentences is mainly made of ancient seals. The ancient seal is a large seal character, which changes in size according to the number of strokes. With the interposition, transference, echo and density of the seal, the ever-changing artistic style comes into being. From the ancient seals engraved by Hongliang, we can feel his skillful use of the white law of ancient seals and his passion, wisdom and energetic spirit of Baiyou creation. Zhu Wengu's benevolent love, my daily reflection on my body, bird's voice, Jin Kaicheng's you, Bai Wengu's virtuous and flowing light, Dan Julu and so on are all commendable works. Qin Bantong seals, such as Zhu Mo, Wang Shen, and Xu Meng, use the Japanese character boundary pattern, with a degree of density and ease of retraction and release. It's only 1.1 cm square. It's flexible and flexible. It's really hard to do.

poetry

Hong Liang can also write poems. Hongliang doesn't write many plain poems, but does it in a spontaneous way. All these are his consistent artistic ideas and ways of thinking -- plain style, plain way of doing things and plain way of being.

Chanting winter

In the middle of winter, you can enjoy the willows and find new things. It's not necessary to have a spring breeze and a misty rain. It's also vital to explore physics carefully. " : enjoy the winter willow in the south of the Yangtze River. It has all kinds of buds and buds, which makes people feel full of vitality.

Yonglingfeng temple bamboo

Xiuhuang's temperament is like ancient sages, and his elegant spirit is full of vitality. New shoots sprout every spring, and Lingfeng has been green for more than a thousand years.

And the puzzle of autumn

time is like water, love is golden autumn everywhere. How many things do Acacia cause? When asked about the spring breeze, I never worry. september 9, 2007

Title Wang also presents hand tuoqiwa

Qiwa is good at painting, ink is thick, mottled and simple. What is the origin of ancient elegance? The image of the sages is in it. october 14, 2006

Ink bamboo

(on November 8, 2010, I got up in the morning to write bamboo and sing grass.) to express one's feelings and write about bamboo without seeking work, the wind in the bottom of one's heart appears under one's wrist. the leaves and branches are thick and fade out, the dragon's beard and Phoenix's tail show the spirit.

A reply to Mr. Wu Bo's morning reading of Peach Blossom Land

If you want to say that there is no holy master in Taoyuan, you can cultivate your heart with green mountains and beautiful waters. Where is Wuling today? You have to be far away from yourself.

Geng Yinchun: Zhu Zhu

Bamboo and stone research and Zhu writing, vitality rotten as Xia. His friends are rich and his character is praised.

Zhegutian, Gengyin and Yuanxiao

when the Lantern Festival is full of fireworks, it is as red as a star. all the lights of the house are full of banquets, looking forward to the first spring. Happy and happy, you know. Both humanity and nature are teachers. It's a beautiful time for the festival.

Industry evaluation

Mr. Liu Jiang

(vice president of Xiling Seal Engravers society, Professor of China Academy of Fine Arts) generally speaking, the brilliant calligraphy attaches great importance to cultural character and gives people elegant and elegant aesthetic feeling. The fine works all conform to the law of formal aesthetics.

Mr. Xu Chang

(director of Xiling Seal engraver's Association and vice president of Nanjing seal engraver's Association) he is "a hardworking and self-motivated calligrapher and seal theorist with profound learning and cultivation."

Yang Lu'an

sir

(director of Xiliang seal society and honorary president of Tianjin seal society) the brilliant seal style is "like Huang Mufu's strong and vigorous style"

Mr. Hu Zhan

(academic committee member of Chinese Calligrapher Association) elegant and self willed

Mr. Yu Weiyi

Mr. Hong Liang is the advocator and practitioner of "new literati seal cutting".

Artistic experience

1981

Since 1981, he has published more than 1000 works of calligraphy, painting and seal cutting in Chinese calligraphy, calligraphy, fine arts newspaper, Chinese calligraphy and painting newspaper and other newspapers.

1982

In October, seal cutting was invited to participate in the exhibition of calligraphy, painting and seal cutting to commemorate the 400th anniversary of Wu Chengen's death, which was collected by Wu Chengen Memorial Hall.

1983

In May, calligraphy (regular script) won the third prize of "Zhejiang primary and secondary school teachers calligraphy competition" (middle school teachers group) sponsored by Zhejiang Education. In July, seal cutting was specially invited to participate in the "art works exhibition of new China Art College Alumni Association". In November, seal cutting was collected by Zheng Banqiao Memorial Hall.

1984

In June, Huzhou calligrapher association was established as a director. In November, he served as deputy director of Anji County Cultural Center.

1985

In May,

Chinese PinYin : Hong Liang