a snipe and a clam locked in combat(yù bàng xiāng zhēng)

essential information

Synopsis

Snipe and Kingfisher are fighting for a big fish by the river. After the fisherman found it, he stabbed it with a harpoon and missed it. The snipe snatched the big fish and ran away. A clam is basking in the sun on the beach. Kingfisher pecks another loach, and the loach struggles to slip, just falls on the mussel and is caught. Kingfisher wants to recapture the loach from the mussel, and snipe flies to drive Kingfisher away, trying to compete with the mussel for loach. So the snipe and the clam had a battle of wisdom and psychology on the beach. Although the loach was swallowed by the snipe, one of its legs was injured by the clam. Both sides refused to give up, and the struggle continued. The snipe pretended to doze, and the clam slowly opened its shells, waiting for an opportunity to attack. The snipe suddenly turned back to peck, and the prepared mussel immediately closed and clamped the snipe's long beak. At this time, the fisherman who had been waiting in the reeds took the opportunity to catch them together.

Role introduction

• < DT > fisherman

  Actors---

  Dubbing - < / dt > fishermen fishing on the river.

• < DT > mussel

  Actors---

  Dubbing - < / dt > the mussel, who likes to eat fish by the river, fights with the snipe and is finally caught by the fisherman.

• < DT > snipe

  Actors---

  Dubbing - < / dt > a waterbird who likes to snatch other people's food is caught by a fisherman in the fight with a clam.

Reference < / I >

Creative staff

Cast list

Staff list

open

Reference < / I >

Behind the scenes production

< / I > since its birth, Chinese ink animation has enjoyed a high reputation in the world film world, and audiences at home and abroad are eager to make more such films. However, the production of an ink animation is not easy, high cost, time-consuming, complex production process, so it can not meet the needs of the audience. Hu Jinqing thought about the effect of ink painting with the method of paper cutting. First, he tried to draw colors on the rough edge paper to make it produce the strong and faint charm of traditional Chinese painting, then tear it off along the edge of the outline, and then assemble it. This is the new technology of paper cutting. the characters produced by this method have strong texture and the beauty of ink image, which is a pioneering work in paper-cut production technology, and it opens up a new prospect for the style of paper-cut pieces. It is against this background that snipe and clam are born. < I > references < / I >

Original music

Animation music < I > reference materials < / I >

Award winning record

Reference < / I >

Production and distribution

Play information < I > reference < / I >

Film evaluation

With its rich national style, delicate and witty actions, and implicit philosophy, the ink and paper-cut film "fight between the mussels" gives the audience fresh, elegant, meaningful and unique artistic enjoyment. (he Yuwen) with the birth of cartoons such as "making havoc in heaven", "Little Tadpole Looking for his mother", "pastoral Flute", "snipe and clam fighting", Chinese animation, which absorbed traditional skills such as ink and wash, origami and paper-cut, gradually showed its Chinese style, so it was called "Chinese School". From 1950s to 1980s, it created the brilliance of Chinese national animation. (< I > People's network < / I >)

Film evaluation

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Chinese PinYin : yù bàng xiāng zhēng