Prelude to Water Melody(shuǐ diào gē tóu)

Prelude to Water Melody

The title of shuidiao song, also known as "yuanhuiqu", "Kaige" and "shuidiao song", "Huabing niannu" and "Huabing". It takes Mao Pang's yuanhuiqu, Jiujin zengsongchong, as the main style, with 95 words in double tone, nine sentences in the front and ten sentences in the back. In addition, there are ninety-five characters in double tone, including nine sentences in front of four level rhymes and two level rhymes, and ten sentences in back of four level rhymes and two level rhymes; ninety-five characters in double tone, including nine sentences in front of four level rhymes and five leaf rhymes, and ten sentences in back of four level rhymes and five leaf rhymes. His representative works include Su Shi's shuidiaotao when will the moon come, Chen Liang's shuidiaotao: seeing off Zhang De Mao's envoy, Mao Zedong's shuidiaotao: swimming, etc.

Evolution of CI Pai

The tune of "Shui Diao Ge tou" comes from "Shui Diao". Shuidiao was composed by Emperor Yang of Sui Dynasty. Liu Fan of Tang Dynasty said in the Jiahua of Sui and Tang Dynasties: "Yang Di chiseled Bianhe River and made his own shuidiaoge." He Shuo also said: "shuidiao and hezhuan were self-made by Emperor Yang when he was lucky to be the capital of the Yangtze River. Wang Lingyan, the musician, said to his disciples, "never come back, but shuidiao and hezhuan have gone." (Volume 4 of bijimanzhi) Du Mu's poem "who sings shuidiao" in Yangzhou also says: "Yangdi chiseled Bianhe River and made shuidiao by himself." (Volume 3 of notes to Fan Chuan's poetry anthology) although there are different opinions about whether shuidiao was made before kaibian river or after kaibian river was built, it is no different that shuidiao was made by Emperor Yang. in the Tang Dynasty, shuidiao became a popular song. Wang Changling of the prosperous Tang Dynasty wrote the poem "listen to the water melody of the flowing people": "the color of the mountains is thousands of times heavy, and the broken strings are closed and the tears are deep." Xu Hezi, a musician of Xuanzong Dynasty, was elected to the palace at the end of Kaiyuan Dynasty and was renamed Yongxin. After an Shi rebellion, he fled to Yangzhou and "played" shuidiao "in the boat. When general Wei Qing of Jinwu heard it, he knew it was" Yongxin song "(Duan an Jie's" Yuefu zalu · song "). It can be seen how familiar shuidiao was at that time. Xuanzong himself also liked to listen to this song. Before he fled to the middle of Sichuan, he went upstairs to buy wine, and made those who were good at singing "shuidiao" go upstairs to sing, "smell it, and shed tears" (Li Deyu's old news about the second Liu family). See also "the second sense of things" and "miscellaneous records of the Ming emperor". In the middle Tang Dynasty, Bai Juyi wrote a poem "listen to the water melody": "I can't translate the meaning of the melody at that time. Who is this heartbreak?" In the late Tang Dynasty, Luo Yin also wrote "Xi Shang Ge Shui Diao": "if the soul of emperor Yang is there, you should cross the river." Until the Five Dynasties and Northern Song Dynasty, shuidiao was still sung. Zheng Wenbao's "old stories of the Southern Tang Dynasty" recorded that Yuanzong "tasted and drunk, and ordered musician Yang Huafei to play" shuidiao Ci "for drinking". Feng Yansi's "throwing ball music" also has the sentence "water tune sound long drunk in listening". Zhang Xian's "Tian Xian Zi" in the Northern Song Dynasty is more familiar with "water tune, several sounds, holding wine and listening". At the same time as Zhang Xian but later, Liu Chang's gongshiji contains the poem "Yangzhou Wenge": "Huainan used to be in Zha dance, Sui custom is now in shuidiao sound." A piece of music can be sung for four or five hundred years, and its charm is not hard to imagine. In Tang Dynasty, shuidiao can be divided into Daqu and Xiaoqu. Daqu "shuidiao" song, "where eleven fold, the first five fold for song, after six fold for break. Its song, the fifth stack of five character tune, rhyme resentment cut. Therefore, Bai Juyi said in his poem: "five words are the most attentive, and there seems to be a reason for less emotion. I don't know how to turn the tune at that time. Who's this broken heart? " According to the eleven stacks of shuidiao in Yuefu Poetry Anthology, the first to fourth stacks (Times) of songs are seven characters, the fifth stack is five characters; the first to fifth stacks are seven characters, and the sixth stack is five characters. The ditty of shuidiao is a single song (refer to Volume 13 of Tang Shengshi, Part 2 of Ren Bantang). Water tune, which Wang Changling heard, is a ditty. At that time, shuidiao was mainly played by flutes. The second song of shuidiao in Tang Daqu said that "flutes rely on the new to turn shuidiao songs". In caisangzi in Southern Tang Dynasty, Feng Yansi also said, "who plays flutes in shuidiao?" "in Tang Dynasty, there are new shuidiao and ShangDiao" (volume 79 of Yuefu Poetry Collection). The fourth volume of bijimanzhi also says that Bai Juyi's poem "watching Cailing" says that "when singing a new tune of shuidiao, it is Cailing's song to abuse humanity", which refers to "the new tune in shuidiao". the Tang Dynasty's shuidiao also refers to the tonal name, which is the general name of a piece of music (not the proper name of a song). In Volume 33 of "Tang Hui Yao", it refers to the tone. The fourth volume of song Yuzhuo's bijimanzhi says: "the song of shuidiao: the song of Tang dynasty recorded in the gist of Li Dao, the song of nangongshang, was named shuidiao. Yu Shu saw that there were different opinions about shuidiao in Tang Dynasty. Yu doubted that shuidiao was not the name of the tune, but the different name of the popular tone. Now it's decided According to Zhu Ji, a foreign history, Wang Yan made his own yinhanqu in shuidiao This "water tune" in the system of "yinhanqu" also. Yinhanqu, which was made by Wang Yan, belongs to the music part of shuidiao, so yinhanqu was preceded by shuidiao. According to this, the third volume of Mao Xianshu's "explanation of the names of Ci Poems" also says: "the name of shuidiao is a piece of music; the name of shuidiao is a piece of music." "Song head of water melody" is based on the first chapter of Daqu "water melody" and new sound. It is said in the explanation of the lyrics: "the head of the song is also the beginning of the song, such as" the head of the song in Liuzhou "and" the first in Dizhou ". "Hai Lu Sui Shi" says: "the Yangdi kaibian River, self-made" water tune ", the song is quite many, called" Song head ", one of the first chapter of the explanation. Gu Congjing's Shi Yu Jian Shi says: "when the Ming emperor wanted to be lucky in Shu, he still listened to shuidiao, until" only geese fly in autumn every year. "Because of his tears, he sighed that Qiao was a real talent! It doesn't wait for the end of the song. " Water tune is quite wide, because the song stops the first solution, so it is called "Song head". Or Yunnan Tang Yuanzong pay attention to the inner favor, attack without empty day. Yang Huafei, a musician, played the Ci of shuidiao, but when he sang "the emperor of the Southern Dynasties loves romantic style", he thought it ironic. It is widely used as a word by later generations. With its first sentence, it is called "the head of water melody." "Shuidiao Getou" is different from the palace tune of "shuidiao" in Tang Dynasty. Shuidiao in Tang Dynasty belongs to ShangDiao, while zhonglvdiao in Song Dynasty (Volume 4 of bijimanzhi). Therefore, it is said in Volume 23 of the book of songs that "every Daqu's song head depends on a new sound." There are different synonyms for the tune "Shui Diao Ge tou". The names of Mao Pang's Ci poems are yuanhuiqu, Zhang Ju's Ci poems are Kaige, Wu Wenying's Ci poems are Jiangnan Hao, he Zhu's Ci poems are Taicheng you, Wang Xiangru's Ci poems are shuidiaoge, Jiang Kui's Ci poems are huaniannu, and Ming Yang Shen's Ci poems are Huajin.

Metrical description

It has 95 characters in two tones, nine sentences in the front and ten sentences in the back. Represented by Mao Pang's yuanhuiqu Jiujin zengzhong of Song Dynasty. This tune takes this Ci, Zhou Ci and Su Ci as its proper style. If the words of congratulation steal, the words of Wang Ci and Liu CI add, and the words of Fu CI subtract, they are all variants. There is no rhyme between the front and back of this word, which is the same in Song Ci. The third and fourth sentences in the first paragraph and the fourth and fifth sentences in the second paragraph are all four character sentences and seven character sentences. However, Ge Tan's Ci Poetry "green light, for whom to come and go, for whom to stay", "jump bead turn foam, thunder and lightning when to close", LV Wei's old Ci Poetry "where is the drunken soul, should ride the end of the dustpan to the blue sky", "sorghum is not ripe, travel is in the dream soul", Liu Guo's Ci Poetry "the day is high, flowers are sleepy, crabapple wind is warm, want to open", "life is happy, and you need to drink a cup", "who", "Lei", "riding" and "riding" The words "you", "Tang" and "Xu" are all in the same tone, which is different from this. From the preceding paragraph, Mao's Ci poem has another "Golden Horse empty story", Xin Qiji's Ci poem "four sit and don't talk", and ye mengde's Ci poem "eyebrow pruning and Bi sweeping". In the first three sentences of Mao's Ci, the words "Shuang Shi Jian" and "Shi" and "Gu" all have tone. Su Shi's Ci Poems "among the birds, the real colorful Phoenix does not sing alone", "colorful" and "no" are all tonal. Xin Ci "looking back, clouds are coming out, birds are tired of flying", "Shou", "Zheng" and "tired" are different from this word. variant 1, 95 characters in double tone, nine sentences in the front and ten sentences in the back. Represented by Zhou Zizhi's song in the water melody: the work of climbing egret Pavilion at Bingwu. This word is different from Mao's. According to Su Shi's Ci, "the middle-aged relatives and friends leave, the silk and bamboo leave slowly", "the hometown goes back thousands of miles, the good place often stays late", ye mengde '. Song Ci, such as Wu Wenying, Liu Kezhuang and Fang Yue, Jin and Yuan Ci, such as Cai Songnian, Wang Tingyun, Yuan Haowen and Zhao Mengfu. variant 2, 95 characters with double tones, the first nine sentences with four level rhymes and two tone rhymes, and the last ten sentences with four level rhymes and two tone rhymes. Represented by Su Shi's when will the moon appear. The fifth and sixth sentences in the first paragraph and the sixth and seventh sentences in the second paragraph of the word are in two tones. According to Liu Zhongfang's words, "the extreme eye is thousands of miles away from the sand, only the carved bow and white feather can be seen" and "there are wise officials in the hall, and there are wise generals in the side.". Ye mengde's Ci Poems "divide the clouds and cover the thoughts of poets" and "sigh that there have been many sages like me and the public". Xin Qiji's Ci Poetry "good volume Chuihong thousand feet, only put curling color", "send a message Yanbo old partner, smell the sea bass is beautiful". Duan Keji's Ci is the same as "God comes to the courtyard, and the west wind blows rain", "the wind is outside the abyss, and the flute and drum are full of drunkenness". But ye mengde's Ci "Li", "Si", "Shi", "Yi" and Duan Keji's Ci "Yu", "Yu", "Gu" and "Shu" have the same rhyme before and after, which is slightly different from the rhymes before and after this Ci. In addition, there are the fifth and sixth sentences in the first paragraph with the rhyme of tonal rhyme, and those in the second paragraph without tonal rhyme, or there are the sixth and seventh sentences in the second paragraph with the rhyme of tonal rhyme, and those in the first paragraph without tonal rhyme. Variant 3, 95 characters in double tone, nine sentences in the first paragraph, four rhymes and five leaf rhymes, and ten sentences in the last paragraph, four rhymes and five leaf rhymes. Represented by he Zhu's "tour of Taicheng: the natural and unrestrained of Nanguo". The first sentence of this word rhymes mainly with flat rhyme, and its tonal rhyme

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