Phoenix singing(luán yín fèng chàng)

Phoenix singing

Luanyingfengchang is a Chinese idiom. Its pinyin is Lu á NY í NF è ngch à ng, which means that luanyingfengchang sings harmoniously and refers to beautiful music. From Prince Jin temple.

The origin of Idioms

The poem "Prince Jin Temple" written by Bai Juyi in Tang Dynasty: "the singing of the Phoenix and the singing of the Phoenix without a beat are mostly like the sound of the scattered preface of the nishang."

Idiom story

The opening repertoire of the concert is Shi Wanchun's "Festival Overture", which is based on the folk suona tune "Tao Ji Ling", and is written into traditional music in sonata form, showing the festive atmosphere of universal celebration and jubilation. Chinese string music plays lyrical and beautiful melody, which complements the humor of cello and bass.

Young performer Wu Lin's Harp Solo "three lanes of plum blossom" surprised the audience. Kongho is a very old stringed musical instrument, and its timbre is recorded in Ancient Poems: "the jade in Kunshan is broken, the Phoenix calls, the lotus cries, the dew and the orchid smiles. In front of the twelve doors, the cold light melts, and the twenty-three silk moves the purple emperor. Konghou was widely used in ancient court music, and it was also widely spread among the people. However, it gradually died out in the late 14th century. Even Chinese audiences did not see many konghou. With this huge musical instrument, Wu Lin shows the noble character of plum blossom to be extremely graceful and moving. Some Chinese students studying in St. Vincent palotti high school in North Carolina were shocked by the beauty of ancient Chinese music. "We only saw the design of konghou on the murals and reliefs before. Today we know that the music of our motherland is so moving, and we are very proud of it."

Zhao Cong, the pipa player who won the gold medal in the national Pipa competitions, performed a piece of swan like a cry. This piece of music has a subtitle "dedicated to the upright", Zhao Cong has integrated his own unique understanding and application in music playing. In the crisscross of positive and rebound, the colors change at random. The beautiful Swan moves from low lying and wandering to gently shaking off the dew on its wings, and then to singing and flying. The subtle scenes are vividly displayed under the dazzling fingertips.

"The" trans Pacific "Sino US cultural exchange can be regarded as a model, reflecting the harmony and interaction between Chinese culture and world culture." Zhang Xin, President of Goldman Sachs Group in China, one of the sponsors of the event, said with such emotion. Li Hong, Minister counsellor of the Cultural Department of the Chinese Embassy in the United States, also commented: "going out of Chinese culture is an important channel for China to communicate and exchange with the world, and" crossing the Pacific "is a meaningful exchange activity, including a series of rich and diverse Sino US cultural exchange projects. Its success has benefited from the strong support of the Ministry of culture."

Using national classics

On Contemporary China

With culture as the carrier, the vigorous process of contemporary China is entering the daily life of Americans in various ways. It's the first time that Warren figsson and Alan Malone, the deputy chief Viola of the Carolina International Symphony Orchestra, have met the harp and guzheng. "In recent years, with the warming up of cultural exchanges between China and the United States, we have been fortunate to see Chinese musical instruments that we have never known, such as flute, erhu and pipa, but the harp and guzheng are even more eye opening." Bernard Valentine, deputy chief violinist, even made Guzheng music into a mobile phone RBT. "How beautiful! The feelings expressed by Chinese musical instruments are quite different from those expressed by Western musical instruments. I look forward to learning to play them one day. " Bernard Valentine. In every concert, he brings his wife and 3-year-old daughter, hoping that they will share the delicacy and elegance of Chinese music with him.

"Sino American cultural and artistic dialogue is a grand model for cultural exchange and cooperation." American music critic John W. Lambert said. Since 1977, Lambert has written a number of art review articles, published in news and observation, leaders, fanfare, FI and other newspapers and magazines. In recent years, what interests him is Chinese culture, especially Chinese music. "Chinese musical instruments are very old. They appeared earlier than most Western musical instruments that we think are very old. It is quite unusual to use these instruments with the accompaniment of Western orchestral music. However, the music people hear on this occasion also reflects the Chinese people's wandering about the charm of European music tradition, which has also inspired many American cultural spirits.

Chinese PinYin : luán yín fèng chàng