Cinnabar

Cinnabar

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Zhu Kui (1940.10-2014.5) was born in Nanjing, Jiangsu Province. Good at Chinese painting. Social part-time jobs: Vice Chairman of Jiangsu Artists Association, director of Jiangsu creation center of China Artists Association, visiting professor of Nanjing University, erudite member of American Asian art society, etc.

brief introduction

Zhu Kui (1940.10-2014.5) was born in Nanjing, Jiangsu Province. Good at Chinese painting. He studied in the Department of fine arts of Nanjing Normal University in 1955 and graduated from the Department of fine arts of Nanjing Normal University in 1960. He studied under the guidance of Chen Zhifo, Fu Baoshi, Yang Jianhou and other professors. In 1979, he was transferred to Jiangsu Provincial Art Museum to engage in art creation. Later, he served as the deputy director of the Art Department of Jiangsu Provincial Culture court, in charge of the province's art work. In 1991, he served as the director of Jiangsu Provincial Art Museum. Vice chairman of Jiangsu Artists Association, first class artist. He was praised as "Chinese green country love poem painter" by critics. At present, he is a national first-class artist and enjoys the special government allowance issued by the State Council. Social part-time jobs: Vice Chairman of Jiangsu Artists Association, director of Jiangsu creation center of China Artists Association, visiting professor of Nanjing University, erudite member of American Asian art society, etc. as a famous Chinese landscape painter, his works have been selected in national exhibitions, overseas exhibitions and international exhibitions for many times. "Xinyu Chuji" has been selected into the "20th century Chinese Painting Exhibition for 100 years", and has published more than ten volumes of landscape painting monographs, including "Zhu Kui's selected landscape paintings of Chinese hometown", "Zhu Kui's selected ink and wash paintings", "Zhu Kui's collection of Chinese famous artists", and "Yan Cha Ju Tan Hua Zhu Kui's art collection". His representative works include "clear dawn in fishing village", "source of Yarlung Zangbo River", "clear summer in Xingjiang River", etc. He has been invited to paint for the Great Hall of the people, Zhongnanhai, general office of the State Council, Tiananmen Gate Tower, Chairman Mao Memorial Hall, Central Military Commission building, etc. He has been to the United States, Canada, Australia, Germany, France, Russia, Italy, India, Belgium, Austria, the Netherlands, Yugoslavia, Slovenia, Switzerland, Japan, Singapore, Nepal and other countries to hold exhibitions, visits and lectures. He has exhibited and published many landscape paintings, which are collected by foreign art museums and museums. CCTV's "Oriental time and space" and "channel 10" feature reports. In November 2006, Zhu Kui donated more than 180 pieces of his landscape works to Wuyuan, Jiangxi Province. Wuyuan museum built "Zhu Kui Chinese painting art museum" for Zhu Kui for permanent preservation and exhibition. Sponsored by the Chinese Artists Association, Jiangsu Provincial Department of culture, Jiangsu Provincial Federation of literary and art circles, Jiangsu Artists Association and Jiangsu Provincial Art Museum, the "special exhibition of Chinese landscape painting for the 55th anniversary of Zhu Kui's 70th birthday as an artist" was solemnly opened in the new museum of Jiangsu Provincial Art Museum in Nanjing on November 18, 2010. "Zhu Kui art album" and "Zhu Kui art album" published by Shanghai People's fine arts publishing house were also published. Comrade Zhu Kui, a member of the Communist Party of China, former director of Jiangsu Provincial Art Museum and famous painter, died at 11:00 on May 22, 2014 at the age of 74.

Artistic achievements

His works include clear dawn in fishing village, early spring of new rain, source of Yarlung Zangbo River, summer solstice in fishing village, etc. He has published six albums, including Zhu Kui's selected works of Chinese local landscape paintings and selected works of Zhu Kui's ink and wash paintings, as well as a collection of Zhu Kui's art works. He has held individual exhibitions and lectures in the United States, Canada, Australia, Germany, France, the Netherlands, Yugoslavia, Slovenia, Austria, Japan and Singapore. He was a deputy to the Eighth People's Congress of Jiangsu Province. He is now a national first-class artist and enjoys the special government allowance granted by the State Council. He is a part-time social worker, vice chairman of Jiangsu Artists Association, visiting professor of Nanjing University, and a learned fellow of "American Asian Art Society". The representative works of Chinese paintings include: clear dawn in fishing village, early spring of new rain, source of Yarlung Zangbo River, clear summer of Xingjiang River, etc. many of them have been collected by art museums and museums at home and abroad.

Art excerpt

Yaming: (painter) looking at Zhu Kui's works, we can see that the green is unique and beautiful, the green is pure and clear, the green is quiet and interesting, the green is far and peaceful. Shao Dazhen: (art critic) Zhu Kui's rural landscape seems to have the charm of the southern school and the grandeur of the northern school He not only pays attention to the potential of landscape painting, but also seriously deals with the quality of landscape painting. He deals with the effects of foresight and shortsightedness in a proper way. He pays attention to the brush power, ink color and composition, which shows that he is an artist with great skill and learning. Ma hongzeng: (art critic) the first characteristic of Zhu Kui's landscape painting is the strong local feeling, which exudes the poetic flavor of returning to nature and the quiet and warm atmosphere of life. The second feature is green as the keynote, which contains the fresh atmosphere and vitality of the world. Zhang Wenjun: (painter) Zhu Kui pays more attention to the unity of water and ink. The ink is light but not thin, thick but not dead, and full of layers. Sun Ke: (art critic) the spirit of mountains and rivers in his paintings is natural and unrestrained, forthright and elegant. Inheriting the style of Jinling painting school and expressing the beautiful and green landscape of Jiangnan is a breakthrough of traditional landscape painting. Xue Yongnian: (art critic) Zhu Kui's paintings have a broad artistic conception. As different from the first generation painters in Jiangsu, the second generation painters are in line with the requirements of human nature and the times. Dong Yulong: (art critic) he is still far away from the old generals of Jinling painting school, but he doesn't do very modern things like the younger generation. He uses ink and color to go his own way. Zhang Shizeng: (art critic) the orientation of nostalgia is very good. His works in the aesthetic, human, theme, their own psychological pursuit are in line with the positioning. Zhang Daoxing: (painter) he brings the feeling of sketching into his paintings. I always feel that there is a basis, getting rid of the traditional landscape is not ideal pure symbolic. Zuo Zhuangwei: (art critic) there are no flashy words in Zhu Kui's paintings, but his sincere temperament and simple temperament endow his works with a special aesthetic outlook. The artistic effect of freehand brushwork and lyricism can be achieved by means of figurative and slightly deformed modeling techniques. Jia Dejiang: (art critic) with everyone's brushwork and straightforward brushwork, he shows the extremely common mountain village, water village, trees, countryside, farmhouse, fishing village and wild ferry in his paintings, which has become a kind of program of his, which not only integrates the thinking of the country, but also shows a clear life. Shi Yanping: (art critic) as a student of Fu Baoshi, Zhu Kui has learned from him. He takes the whole meaning of life he has experienced in the countryside for a long time and uses the spirit of "Zhu Mo" to create the "spring mountain" style. I think he is the most persistent and loyal artist for his love for the motherland and the hometown. Liu Jichao: (art critic) the layout of his works, the mountains and rivers, the overall consciousness of great opening and closing, the flowing free space, the rhythm and momentum of his works are almost all from the tradition of song and Yuan Dynasties. In Zhu Kui's works, the combination of western style sketching and classical landscape painting is almost seamless. Huang Hongyi: (art theorist) with his love for the magnificent mountains and rivers of the motherland and his beautiful hometown, he has constructed a poetic realm of works with the combination of "emotion" and "scenery".

Appreciation of Zhu Kui's works

Chinese PinYin : Zhu Kui