He Xun
Liang poet of the Southern Dynasty, whose name is Zhongyan, was born in Tan county of Donghai (now Lanling County, Shandong Province). He Chengtian, the great grandson of Zhongcheng, the imperial historian of the Song Dynasty, he Yisun, the member of the Song Dynasty, and he Xunzi, the lieutenant general of Qi, joined the army. At the age of eight, he was able to write poetry. He was a scholar in a weak state. He was an official in the Ministry of water. Poetry and Yin Keng are equally famous. Du Fu called them "Yin he". Wen is as famous as Liu xiaochuo and is known as "he Liu" in the world. His poems are good at describing scenery and refining words. Du Fu recommended that there are eight volumes, which are lost today. The Ming people compiled one volume of he Shuibu. Later generations called "He Ji Shi" or "he Shui bu".
Life of the characters
He Xun was a litterateur in Qi and Liang dynasties. Zhongyan, a native of Donghai Tan (now Lanling County, Shandong Province), lived in Dantu. Cheng Tian, the great ancestor of the Song Dynasty, was Zhongcheng, the imperial censor of the Song Dynasty. At the age of eight, Xun was able to write poems. At the age of about 20, he was a scholar. At the same time, fan Yunlan, a poet, tried his strategies and praised them highly, so he became a good friend for forgetting his youth. The poem is appreciated by Shen Yue. He was born in a poor family and was not proud of his official career. In order to be invited by the imperial court, Cao Xing, king of Jian'an, moved to Jiangzhou (now Jiujiang, Jiangxi Province) to join the army. Later, Jiankang (now Nanjing), once appreciated by Emperor Wu, was abandoned. He joined the army by Xiao Xiu, King Cheng of Anxian, and served as minister to Shuibu lang. in addition to Xiao Xuji, king of Renwei Luling, he returned to Jiangzhou and died in Renwei. Later generations called it "He Ji Shi" or "he Shui bu". His poems and essays are as famous as Liu xiaochuo at the same time, and are known as "he Liu" in the world. Du Fu called them "Yin he". In fact, the reason why he's poems are full of "bitter and bitter" words is due to his sufferings. His poems are full of grievances, not moaning without illness. Today, there are more than 110 poems, most of which are written as gifts and travel notes. They are good at expressing parting feelings and describing scenery. Their characteristics are that they set off the author's subjective feelings through the description of objective things. They often contain the eye as a book, and do not like to use allusions. They are very exquisite in scenery and lyric, and their style is fresh and graceful, such as the famous sentence "the rain drops on the empty steps at night, and the light leaves the room at dawn" (from zhenjiangzhou and travel) "Farewell to Hu Xing'an night", "farewell to Hu Xing'an night", "dark rain on the river, white waves and the beginning of the wind" ("seeing each other off") and so on. They blend feelings and scenes, and reflect the feeling of parting and melancholy in the scenery. They seem to come at will, but they are sincere and unforgettable after reading. He was good at using fluent language to describe the natural scenery carefully and accurately, but he was not aware of its flat, which had a significant impact on Du Fu. He also wrote some scenery poems, such as xiafangshan, Huandu Wuzhou, Pukou and langgong in Fuyang, cilaoji and so on. The artistic conception of the poem is quite close to Xie Tiao's, and it is very elegant. It is a representative work of the landscape poetry school in the Southern Dynasty, but its writing ability is a little weak. Zhong Rong's comments on Xie Tiao's poem "the last chapter is too many" and "the meaning is sharp but the talent is weak", which seems to be more obvious in He Xun's works. Under the influence of Yongming style, Xun's new style of poetry is a transitional genre between the poetry of Six Dynasties and that of Tang Dynasty. The Japanese monk took three poems of ShangXu Zhubo as examples when discussing the rhythm of poetry in Wenjing MiFu by King Kong, and song Hongmai mistakenly selected his song Sima Changsha as the five unique poems of the Tang Dynasty. Du Fu of Tang Dynasty used some of his good sentences in his poems and said, "why bother to study Yin so much?". In Qing Dynasty, Shen Deqian called his "love words are like twists and turns, shallow words are deep" (the source of ancient poetry). There are still a few Ci Fu and parallel prose handed down by He Xun. It seems that qiongwu Fu is a fragment, not a full text. The better one is the book for the Marquis of Hengshan and his wife, but it has no distinctive features, and its achievement is far less than that of poetry. After he Xun's death, Wang sengru, a contemporary, compiled a collection of eight volumes, and Sui Shu Jing Ji Zhi was described in seven volumes. The book was incomplete by the five dynasties at the latest. Huang Bosi's Dong Guan Yu Lun in Song Dynasty contains He Xun Ji, which contains two volumes of Tian Fu in later Jin Dynasty. Today's edition is earlier than that in Zhengde period of Ming Dynasty, followed by Xue Yingqi edition, Zhang Xie edition and Zhang Pu's collection of three hundred masters of Han, Wei and six dynasties. There is a printed version of He Xun Ji published by Zhonghua Book Company.
Representative works
Farewell to Hu Xing'an, blooming plum blossoms of facao in Yangzhou, farewell to Gu you at night
Writing features
He Xun's poems are good at expressing parting feelings and describing scenery. One of its characteristics is to set off the author's subjective feelings through the description of objective things. It often contains the eyes as a book, and does not use allusions. For example, the sentences such as "rain drops empty steps at night, lights dim away from the room at dawn" (parting at night before leaving and traveling in the past); "dew wet cold pond grass, moon reflecting clear Huai river flow" (parting at night with Hu Xing'an), etc., which have always been praised by critics, can achieve the integration of feelings and scenes, and can be reflected in the scenery Now I feel sad and sad. Seemingly handy, effortless, but sincere, unforgettable after reading. He was good at using fluent language to describe the natural scenery carefully and accurately, but he was not aware of its flat, which had a significant impact on Du Fu. He also wrote some scenery poems, such as xiafangshan, Huandu Wuzhou, Pukou and langgong in Fuyang, cilaoji, etc., and many beautiful sentences about people. Although the artistic conception of these sentences is close to Xie Tiao's, the writing ability is a little weak. Zhong Rong's comment on Xie Tiao's poem "the last chapter is too many" and "the meaning is sharp but the talent is weak" ("Shi pin"), which is also obvious in He Xun's works. He Xun's poems were as famous as Liu xiaochuo's at that time, which was called "he Liu". Yan Zhitui's "Yan's family precepts · articles" holds that although he's poetry has the advantages of "Qingqiao", it is more "bitter and bitter" and "sparing the poor and cold", which is inferior to Liu xiaochuo. In fact, the reason why he Xun's poems are full of "bitter and bitter" words is due to his frustrations. His poems are full of grievances, not moaning without illness.
Influenced by "Yongming style", he Xun's poems pay much attention to sound and rhythm. Some of his works are closer to mature modern style poems than Shen Yue and others. When discussing the rhythm of poetry, Japanese monks have cited three poems of Vajra's ShangXu Zhubo as examples; in Song Dynasty, Hong Mai's Wanshou jueju of Tang Dynasty mistakenly selected his song Sima Changsha as five unique poems of Tang Dynasty.
In addition to poetry, he Xun also has a small number of Ci Fu and parallel prose handed down from generation to generation. His "Ode to poor Wu" seems to be a fragment, not a full text. In his parallel prose, the better rhetoric is "for the Marquis of Hengshan and his wife", but there is no obvious feature, far less than his poetry.
According to the biography of He Xun in the book of Liang, the collection of He Xun was compiled by Wang sengru, a contemporary, after his death. It consists of eight volumes. There are seven volumes in Sui Shu Jing Ji Zhi. The book was incomplete by the five dynasties at the latest. Huang Bosi's Dong Guan Yu Lun in Song Dynasty contains He Xun Ji, which has two volumes of Tian Fu in later Jin Dynasty, with poetry but no text. Today's printed edition is earlier than that published by Zhang Zhen of Zhengde in Ming Dynasty. There are Xue Yingqi's edition, Zhang Xie's edition and Zhang Pu's collection of three hundred schools in Han Wei and six dynasties. Zhonghua Book Company has a printed edition of He Xun Ji.
Selected Poems
The story of Shi Yun
The forest is dense, the house is a little overcast, the grass is nourishing, and the steps are dark. The scenery is light on the pistil, and the color of the sun is disordered among the flowers. Acacia is not alone, standing empty for sigh. Talk without reason, and play with complicated prose. Singing from the light, after the sound to be afraid.
Farewell to Hu Xing'an
The residence of the people changed to Shi, and the Hakka son temporarily defended the boat. Read this feast laugh, divided into two sorrow. The road is wet, the pond is cold, and the moon is clear. Fang Baoxin left hate, alone in autumn.
Nine days banquet
The emperor's virtue was too much to yield, and he followed the rules to attack the emperor. I'll change my clothes into a house, and I'll take care of you. The flowers and lotus are equally divided. Chen Jin move when Yu, the order of the year is cool atmosphere. The city is bright and the locust mist is dense. Luanyu and eight attack, Phoenix driving Kai thousand groups. The plume cup is full of joy and dew, and the dance carries on the clouds. The Forbidden Forest banquet is late, and Huachi is looking for sunshine. Sparse trees turn high leaves, cold gathered fine lines. Qingxuan even auspicious, with the Royal fragrance. The sun slants to the sky, and the wind blows the clouds. I'll take the service of marquis, and I'll listen to the toilet. Thanks to many blessings, you can travel to Fen at the end of the year.
Cilaoji
Evening smoke from the remote shore, oblique sunshine flow. One heart to enjoy the evening, temporary solution to rural worries. The wild shore is flat and the sand is close, the mountains are far away and the fog is floating. When the guest is sad, he looks back on the river.
Farewell at night
The experience rengong follows, once the words group match. If water was injected into the East, there was no return to Japan. Night rain drops empty steps, dawn light dark out of the room. When should we drink together.
see sb. out
The guest's heart has been full of thoughts, and the solitary journey weighs thousands of miles. River dark rain is coming, wave white wind is beginning to rise.
All in one
Ling often trapped under the mulberry, picking up grubs in the mausoleum. Li tooth Fang ho base, moxibustion back do not know Hao. The servants are lack of travel ability, and they are afraid to work in the market. There is no bean rice in a long time, but there is no robe in winter. Clear day open Peng Piper, eyes want to suffer. The cardinal is careful to serve the officials, and the mediums are afraid of their friends. All the ways are out of the way. How can he praise one thing. In a hurry yesterday uncertain, negative rod out of Penghao. Every application is in the same ravine, but the value of setting is in the same ravine. The way of life is a little slow, and the passing water is surging day by day. Xianyan and other wood and stone, who should be a feather.
the seventh evening of the seventh moon
Fairy car in Qixiang, Phoenix out of the sky. The moon reflects nine little fires, and the wind blows a hundred fragrant flowers. Come to Huan to smile, but also tears have been stained clothes. Vaguely like Luo, suddenly like the high Tang Dynasty. If you don't get a word of parting, you'll get a better taste of it.
Chinese PinYin : He Xun
He Xun