Wisdom and simplicity

Zen master Zhipu

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Zhuo'an, a native of Xuzhou. There is Pangu collection. Monk Zhipu, surnamed Zhang, was born in Yangzhou. He was a senior general under Hong Chengchou. After he was defeated in the battle of Songshan and Xingshan, he refused to surrender and fled alone. At the age of 35, Fang became a monk at Qinggou temple in Panshan. He is good at poetry and painting, versatile and has written a lot. He had a deep relationship with Emperor Kangxi's poems. Every time Kangxi went to worship Dongling, he would go to Panshan to sing with monk Zhipu. At the site of Pangu temple, there is still a stele of "giving monk Zhipu" by Kangxi. The inscription is: "qianduoming mountain, Tianchou rain Lu en. After the sound even quiet house, French closed chaimen. Yin trace an unintentional, Qingsi Li Lao Zun. When the spring breeze comes, it's still heaven and earth. "

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Monk Zhipu and the literati "Nanzhu Beiwang", "Nanhong Beikong" often return their poems and wine. According to Wang Yuyang's Ju Yi Lu, the monk of zhuo'an (Zhipu) in Panshan, who returned to the mountains from the south of the Yangtze River, asked for the title with the album of Canglang Gao Chang. Master Gai visited Mu Zhong of Song Dynasty and opened his residence in Wumen. He came from Hezhong to write poems in Canglang Pavilion. Song Shiyun: "the clear ditch opens up the old haze, and the ladybugs cross the road on credit. Destroy a bottle of bean sprouts (dish name, out of Panshan), to see March peony. Because of the great event, I feel sorry for myself. Good to Canglang Pavilion, Zhan sandalwood in the cassock. After walking in the slanting sun and watching the fish, the yellow bird is very popular. Then Xi Jinfeng old Pavilion long (Zhutuo), Huai rencanwei old Shangshu (Ruan ting). Spring deep jade version Rong enlightenment, late flower palace to be swept. With a flick of the brush, I'll stay in my arms, and the moon in the empty forest will be at dusk. "

A dream of Red Mansions

In the 41st year of Emperor Kangxi's reign, monk Zhipu's trip to the south of the Yangtze River was called "sweeping the pagoda". In fact, he visited his old friends Zhu YIZUN, Wu Yufeng, song Luo, Hong Sheng and others who had returned to the south of the Yangtze River at that time. He once sang with song Luo, Zhu YIZUN and others in Canglang Pavilion in Suzhou, and formed a poetry album Canglang chanting. After returning, he invited Wang Yuyang to taste it. After returning to Panshan from the south of the Yangtze River, monk Zhipu stayed behind closed doors and concentrated on commenting on novels. Wang Yuyang once jokingly called it "Jingjin Shengtan", which means Buddhist Jin Shengtan. Jin Shengtan is a famous storyteller in the late Ming and early Qing Dynasty. He once commented on the novel outlaws of the marsh. What novel is it about? The author speculates that it is Hong Sheng's newly completed "the story of the stone". The first two years of Kangxi's 41st year are the year of Jimao and Gengchen, and the two versions of the story of the stone have just been sold. Monk Zhipu began to comment after he had transcribed from Jiangnan, which is completely consistent with the conclusion that Mr. Zheng Qingshan's analysis of Lisongxuan's version was based on Jimao's and Gengchen's version. In the process of commenting, monk Zhipu used "Songzhai", "xingzhai", "Lisongxuan" and other famous works for criticism, which fully conforms to his identity and experience, and can be proved by the painting of Qingsong and Hongxing. I will read the records of Taoist Kongkong in a dream of Red Mansions: first, monk Zhipu's dual identities of humble monk and humble Taoist monk are consistent with the bizarre plot that Taoist Kongkong changed his name to love monk in a dream of Red Mansions; second, monk Zhipu went to Jiangnan to sweep the pagoda, which is consistent with "Taoist Kongkong visited Taoism to seek immortality" in a dream of Red Mansions; third, monk Zhipu's "pure gold saint" The behavior of commenting on novels is consistent with that of Li songxuan; the origin of monk Zhipu and Qingsong and Hongxing is consistent with the room names of commentators such as Songzhai, xingzhai and Li songxuan; fifth, monk Zhipu's identity as a monk and poet is consistent with the style of Buddhist and poetic language used in Li songxuan's comments; sixth, monk Zhipu's identity as a general of Ming army is consistent with that of stone The nationalist emotions expressed in the book of songs and its comments are consistent. I'm afraid that there are so many similarities that can't be explained by coincidence. The academic circle's research on Li songxuan's version is limited by the author Cao Xueqin and the theory that the book was written in the Qianlong period. Many problems, including Li songxuan's identity, are not clear at all. If the creation time of the story of the stone is advanced one year, it is easy to see the clear traces of brother Shi, Taoist Kongkong, kongmeixi, Wu Yufeng and Tangcun in Hong Sheng, monk Zhipu, Wang Yuyang, Wu Xiuling and Liang Qingbiao. In the Redology circle, it is generally believed that quhusuo's "Ding Hai Xia" commented: "in a few years, Qinxi, Zhiyan and xingzhai all left one after another." this xingzhai is Songzhai, and Lisongxuan is probably the name of Songzhai. Therefore, Lisongxuan, xingzhai and Songzhai are actually three pseudonyms of a person. Mr. Zheng Qingshan identified more than 830 comments of Zhongli songxuan in the early fat manuscripts. He thinks that this Lisongxuan is the source of all versions of a dream of Red Mansions. Who is Li songxuan? Which dynasty did he come from and what kind of status did he have? All this is still a mystery in the Redology circle. After a detailed interpretation of Li songxuan's comments, the author points out that these comments have three common characteristics: first, they have written a large number of comments before and after going back; second, they use more Buddhist language; third, they use more poetic language and write a large number of poems. According to these three characteristics, it is inferred that this Li songxuan is a legendary "Kongkong Taoist" who transcribed a dream of Red Mansions from "brother Shi". His real identity is monk Zhipu, the abbot of Qinggou temple in Panshan, eastern Beijing in the early Qing Dynasty. Monk Zhipu's name is zhuo'an, commonly known as zhuo'an, also known as Zhuo daoren. He is indeed a man with dual status of monk and Daoist. In a dream of Red Mansions, it is not a myth that Kongkong daoren changed his name to Qingsheng. Is it possible for monk Zhipu to name his study Songzhai? It's quite possible. There are three wonders in Panshan: strange stone, strange pine and beautiful water. Qinggou temple is located in zhongpan. It's where Matsushita is famous. It is recorded in the annals of Panshan written by Zhipu that "the pines of Panshan are in the millions, and most of them are marvelous. They are swollen and curly, and their potential can not be extended, and their branches are drawn from each side. They are like the grab of angry dragons, and they are born from the soil of Pituo. They are surrounded by large numbers, and their scales are mottled, or they are towering up, or green and green. "Even Emperor Qianlong once praised:" where there is no pine in the world, the pine of Panshan, the pine of the world. ". It can be seen that monk Zhipu of Qinggou temple has every reason to regard himself as Songzhai, and he can also name his study Lisongxuan. Is it possible for the monk Zhipu to name his temple xingzhai? It's totally possible. Qinggou Temple of monk Zhipu was named "Pangu Temple" by Emperor Kangxi, and another plaque was inscribed "outdoor peak". According to the records of Panshan written by monk Zhipu, there are abundant apricot flowers in Pangu temple. Zhipu once painted the picture of red apricot, and wrote a poem: "apricot flowers are blooming in thousands of trees, reflecting the bright sunlight, the east wind is coming over the mountains, and the ground is covered with clear snow. "It can be seen that monk Zhipu of Qinggou temple has every reason to regard himself as xingzhai. As for Cao Xueqin in the Qianlong Dynasty, he did "read, add and delete" a dream of Red Mansions on the basis of the story of the stone. This "dream of Red Mansions" is his own title "Jinling twelve hairpins", which is the "dream of Red Mansions" seen and chanted by Mingyi, Yongzhong, Yun Zhu, song mingqiong and others. However, Cao Xueqin's "dream of Red Mansions" has long been lost. The popular fat version of "the story of stone" is a work created by Hong Sheng and copied by monk Zhipu during the reign of Kangxi. It is the base of Cao Xueqin's "reading, adding and deleting". This is consistent with the records in a dream of Red Mansions and many historical records about it.

The painting of green pines and red apricots and the new proof of the tomb of King Yanzhao

The painting of red apricot by monk Zhipu, whose full name is the painting of green pine and red apricot, has long been the treasure of Chongxiao temple in Beijing. According to the records in tianzhidianwen, a book written by Zhenjun of Qing Dynasty, "Chongxiao temple, commonly known as Zaohua temple, is the most prosperous place for flowers. Once upon a time, it was named Zaohua at the beginning of the country. In the reign of Emperor Qianlong, it was named after clove, but now it is named after peony. However, the title of the paper "Qingsong Hongxing" is like a cow's waist. It is said that monk zhuo'an originally fled the general at the end of the Ming Dynasty, and wished to be sent to Panshan. This picture was made by feeling the defeat of Songshan and Xingshan. The picture shows an old monk sitting on the ground, with pine trees and clouds hanging on the top and apricot blossoms on the bottom. The first one is Wang Xiangjin's preface, and the second one is Zhulong and Yuyang. However, the golden mink grows together with the dog's tail, and the jade paper and the abortive leaf. There are even some people who write their own names between themselves and the ancients. They really don't know the likes and dislikes. There was once a gentleman who wrote a poem in the box, and no one was willing to take care of it. How did monk Zhipu of Qinggou temple in Panshan get to Chongxiao temple in Beijing? In addition, according to the records of tengyin miscellany by Dai Lu of Qing Dynasty, "Chongxiao temple has many flowers in four seasons, and its clogs are very popular. Zhuo Temple monk Hongxing qingsongzhao, when Kangxi Geng Wu, Yuyang, Zhulong, Wang haolu, chatashan, Chen Xiangquan, sun Songping all have the title sentence. Yuyang also has a poem named "Huaizhuo nunnery in the snow": "looking to the East for 300 Li, the journey ends year by year.". It's zhuo'an, a monk of mount pan who often comes to settle in tin. It can be seen that monk Zhipu walks 300 Li every year to Beijing to sing with cultural celebrities such as Wang Yuyang and Zhu YIZUN. The place where he hung his girdle in Beijing is Chongxiao temple. The painting of green pine and red apricot, painted by Zen master Zhipu, is 2 feet long. Due to the inscriptions of celebrities in the past dynasties, the volume of the painting has been extended for more than 30 feet. Zhu YIZUN, Wang Shizhen and Ji Xiaolan, the literati in the early Qing Dynasty, and Kang Youwei and Liang Qichao, the literati in the late Qing Dynasty, all left their ink on the scroll. Although this precious picture is missing, the nationalistic integrity expressed in it has been recognized by the academic circles. From the Qing Dynasty to modern times, almost all the records about this picture hold that "during the Ming Dynasty revolution, some generals became monks and painted this picture in the temple, and they felt the battle of Songshan and Xingshan.". "The picture depicts a monk, a child, a pine, a red apricot, in order to express the will of fighting against the Qing Dynasty. Ji Ping, King Zhao of Yan, was the 38th king of Yan state. After the emperor Zhao of Yan, he built Huang

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