Zhang Xiaoyou

Zhang Xiaoyou

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brief introduction

Zhang Xiaoyou was born in Shanghai in November 1935. He graduated from the five-year Oil Painting Department of the Central Academy of Fine Arts in 1959. Professor of Chinese painting, Department of painting, Central Academy of Arts and crafts (now Academy of fine arts, Tsinghua University), vice president of Beijing hushe Painting Association, member of advisory and Appraisal Expert Committee of China collectors association, and authoritative expert in textual research of Qingming River map. He learned from Wu Zuoren, Dong Xiwen, Li Hu, Li Keran and Jiang Zhaohe. He once painted the statue of Chairman Mao and the Great Hall of the people in the middle of Tiananmen Square. In the 1990s, he made more than ten long volumes of historical and religious decorative paintings. in recent years, the Northern School of landscape painting, fine brushwork painting and figure painting are well-known in the painting world. Freehand landscape painting has its own school, emphasizing structure, light and color, as well as perspective, with a wider range of subjects. His representative work "Fanlou night market" is specially broadcast by CCTV and Beijing daily. Most of his works reflect the local conditions and customs of the ancient realistic paintings in the towns and water towns in the south of the Yangtze River.

survey

Zhang Xiaoyou, a native of Ningbo, Zhejiang Province, was born in Shanghai in 1935. He graduated from the Central Academy of Fine Arts in 1959 and is now a professor of Chinese painting in the Academy of fine arts of Tsinghua University. He is a master of literature, history, poetry, painting, gold and stone. After the 1980s, he specialized in Chinese fine brushwork painting, and many of his white drawings, such as Dunhuang Buddhist rites, were widely spread at home and abroad, and most of them were collected by art museums abroad. His fine brushwork landscape paintings, pavilion paintings and figure paintings are grand in structure, vigorous in vigor and meticulous in detail. They have profound traditional skills. They are integrated with the light and dark colors of western paintings and perspective, integrating Chinese and western. His main works include Wu Yuan palace view, langyuan summer resort, landscape painting Li Bai Qiupu high meeting, Dongxian song, figure painting qingpingle, Eight Immortals crossing the sea, and long scroll murals Spring River moonlit night, Genghis Khan's battle scroll, old dream of Nanxiang, etc. His representative work, Fanlou night market, has been praised by many media as a world shaking work and rarely seen for decades. the painting has been accumulated for many years and completed in two years. It is one of the representative works of the author's fine brushwork circle. The content shows the night market situation of Fanlou, the most magnificent and famous restaurant in ancient times, in Kaifeng City and near the Imperial Palace in Northern Song Dynasty. "Liangyuan is full of romantic songs and dances, and good wine is like a knife to relieve the sorrow of separation. I remember that young people enjoy themselves so much that they go to the alum building in the dark of night. Liu Pingshan's famous poems are also mentioned in "outlaws of the marsh", "Sanyan Erpai", "Xuanhe legacy of the great Song Dynasty" and "biography of Li Shishi". There are detailed descriptions in the book "records of dream in Tokyo": the fifth floor faces each other, the four sides and three floors are connected with the main building by flying bridges. There are hundreds of Kabuki on the street gate and main corridor to serve wine and perform song and dance. The garden, corridor, wine Pavilion, water and land delicacies, official and private famous wine can serve more than 1000 guests for banquets, songs and dances. They are open day and night, that is, gold and silver wine utensils and tableware for daily table, weighing 60000 As many as two, its luxury is beyond modern people's imagination. The 72 Zhengdian and 3000 Jiaodian in Bianjing were first promoted and then destroyed by the war. The author of this painting has been brewing in the 1960s, with traditional painting, Western focus perspective, Architectural Archaeology and other methods.

Appreciative Remarks

Chinese PinYin : Zhang Xiao You