Wu Ruilong

Wu Ruilong

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(158511666) the word Guokai, also known as Tieshan, is from Xiangshan (now Zhongshan, Guangdong). In the first year of Tianqi (1621), he was the first in the township examination.

brief introduction

(158511666) the word Guokai, also known as Tieshan, is from Xiangshan (now Zhongshan, Guangdong). In the first year of Tianqi (1621), he was the first in the township examination. He visited Henan Province. Thank you for your illness. The Ming Dynasty died and never returned. He was born in Mt. Jiuai and was also a Taoist of Mt. Jiuai. He is good at calligraphy and painting, especially peony. The strokes are elegant and vigorous. He wrote books such as Huai Xian Ting Cao, Yu Le Lin Cao, Lin Yun Ji, Bi Chen Ji and Jin men Cao. It is more than 80 years old. Xiangshan county annals, Dinghu Mountain annals, Guangdong general annals, Wang Yuyang's old collection and notes on yuyanlou

Poetry, calligraphy and painting wine

Wu Ruilong was born in the 13th year of Wanli in the Ming Dynasty (1585) and died in the 5th year of Kangxi in the Qing Dynasty (1666). The name is Guokai, and the name is Tieshan. Xiangshan County dalandou xitoufang (now Yongning, Xiaolan Town, Zhongshan City) people, tomorrow's first year of Qi (1621) xinyouke Jieyuan. In 1637, Ding chouke was appointed as an official of Huazhou. In the next year, he was appointed as an official of Huazhou. He was also appointed as an official of Huazhou. He was appointed to revise the annals of Gaozhou County, which was known as the Xinshi. Chong Zhen was promoted to the Imperial Academy for fourteen years (1641). He was promoted to the Ministry of household affairs, Yuan Wai Lang (Guan warehouse), Henan's Liang Liang's military road, and the two division of the Department. In 1644, he visited Huangshan and lived in Nanjing. During that time, he often formed associations with famous scholars in Jinling to attack Ma Shiying and Ruan Dacheng. In the first year of Shaowu in Guangdong Province, Wei Jinyue, the king of Tang Dynasty in the Southern Ming Dynasty, was the official of Taipu temple and the official of Zhongyi (zhengsipin). After Nanjing was captured by the Qing army, he returned to Guangzhou. When the Qing army entered Guangzhou, Wu Ruilong was arrested and released. He returned to his hometown, xitoufang, at the foot of feituoshan mountain in dalandou, Xiangshan County. He lived in seclusion between Jiushan mountain and Aishan mountain. From then on, he became a Hatoyama man. During this period, he often sang poems with Dinghushan and shangdaoqiu. The poem says: "I was born in the summer of Yiyou, and my teacher was born in the spring of bingxu. After nine months of struggle, I was a man of seventy. How can an old official make up for it? A famous monk has his own truth. The moon is white in the Dinghu mountains. It's just like robbing dust. " It shows the poet's negative emotion in his later years. Wu Ruilong is good at poetry, calligraphy, painting and wine. In his hometown, Xiaolan, he opened the Yuxi poetry club. He is good at writing bamboo branches and chanting the local customs of Lanxi. His Zhuzhi CI is generally titled with "Zhuzhi Ci" or even with a miscellaneous chanting title. There is no place name in front of the title. His works are representative of Lingnan Zhuzhi CI in the late Ming Dynasty and the early Qing Dynasty. He is the author of Huai Xian Ting Cao, Ling Le Lin Cao, Lin Yun Ji, Bi Chen Ji and Jin men Cao. "Bai Yu Cao", "Shi Long Cao Fu", "tie Di Cao" and so on. Wu Ruilong is good at cursive calligraphy. His calligraphy is imitated by Wang Xianzhi of the Eastern Jin Dynasty, and combined with the style of Zhang Xu and Huai Su of the Tang Dynasty. His structure is elegant and natural, and he can use his pen freely. He is good at making great efforts in the size and thickness of the font and the shade of the ink. His cursive is different from the general painter's cursive, but strong and vigorous, clear and pure ink rhyme, with a different interest. According to Li Lu'an's research on the historical traces of he Wugu and Wu Ruilong, "Ruilong '. After 80, he can still make grass, which is exquisite. Although it is said that old people don't like to write words, and their relatives and friends don't like to write words when they see the clues, they shouldn't do it after many years. However, the book's spirit and light are separated and combined, which makes people see and dance. " Wu Ruilong's painting style is similar to that of "Ivy white sun" in Lingnan Painting trend after late Ming Dynasty. In the preface of his poem Mo peony, he said that he had studied Mo peony for 50 years (see Wu's genealogy). It is precisely this skill that he drew Mo peony with a bold and unrestrained style. His ink is incisive and incisive. He focused on the expression of peony with the shade of ink color, and transformed it into a noble and refined state. Liu Yixuan, a scholar of Kangxi in the Qing Dynasty, once called Wu Ruilong's ink peony: "the brush is flowing, vigorous as a general's spear, and graceful as a beauty's graceful dance." In the early Qing Dynasty, Cheng Jiu (commonly known as Fang Zhuankai), a poet monk in the south of the five ridges, once had such an evaluation: "iron mountain writes iron dry, leaving color but not fragrance.". Mo miaozhuan three flavors, Lingtai put a light. Tianxiang is not fragrant, and the color of the country is also changeable. it's true and illusory. Why should we go to Luoyang. Generally speaking, it is difficult for peony painters to break away from the barriers of vulgarity or wealth. Only in Wu Ruilong's peony paintings handed down from generation to generation, it is almost known that it is ink painting, which shows that it is fresh and refined. This is also the difference between his peony paintings and others. Today, Guangdong Provincial Museum, Guangzhou Art Museum, cultural relics museum of the Chinese University of Hong Kong, Hong Kong Art Museum, Tianjin Art Museum, Suzhou Museum, Guangdong Foshan Museum and so on all have his paintings handed down from generation to generation, but the number is small. Among the handed down works, the earliest one was the painting of peony (collected by Guangdong Provincial Museum) in the early summer of the 15th year of Chongzhen (1642) of the Ming Dynasty, and the latest one was the painting of prosperity and peace (collected by Guangzhou Art Museum) in the third year of Kangxi (1664) of the Qing Dynasty. Wu Ruilong's paintings didn't change much in the middle and late period. Most of his ink peonies were vertical axis. In terms of composition, he also wrote a folded peony on the left or right side of the center of the painting. There was a large amount of white space on the top and bottom and on the side of the center of the painting. His style was mostly on the other side of the center of the painting, and most of them were cursive. He was also ingenious in using brush and ink Although there is no color rendering, the style of the king of peony has been completed in the ink. This is the originality of Wu Ruilong's ink. This almost procedural style has become a major feature of Wu Ruilong's ink peony. According to records, Xiaolan was rich in Lagerstroemia before Jiajing of Ming Dynasty. The low flower field at the southern foot of Luoxia peak in Xiaolan is moistened by Yuxi River and fertile in soil all the year round. The quality and yield of Lagerstroemia are the highest in Xiaolan. In his later years, Wu Ruilong built "Yuxi garden" in the article of xitoufang (near the south foot of Luoxia peak) in dalandou. When he sang with celebrities, he liked to inject the syrup of Lagerstroe into his own liquor, which made the liquor fragrant and made the celebrities more interesting. Since then, local distilleries have followed suit and tried to make Lagerstroe. Lagerstroe produced in the early Qing Dynasty is better than chrysanthemum wine. In the latter half of 1940s, there were more than 50 wineries in Xiaolan, which has a population of more than 10000. He is the founder of Xiaolan Lagerstroe. It is said that the five ancient Wine Koji racks preserved by Zhongshan distillery are his own brewing tools and the inheritance evidence of Xiaolan Lagerstroe. In the third to the eighth year of Kangxi reign, LAN township was robbed because of the sea ban (Wu Ruilong died in a foreign land when he died, and later generations moved him back to Xiaolan for burial after he was restored). In addition, the vicissitudes of life since then have changed, so Wu Ruilong's former residence has no longer existed. Xitoufang, where the former residence is located, is today's xitoushang village in Yongning community. In the article is today's wenshe. Yuxiyuan, yuleyuan, lvyucheng and baiyanchi are all in xitoufang. Yuxichi is located in the fish pond opposite to master Chen's Temple (commonly known as Dakou Temple) in xitoufang, but there are many buildings in this place. In fact, Luoxia mountain, which is often said in his poems, is the Feituo mountain in Yongning. Yuxi River is the stream flowing down the mountain. Today, the name of Yuxi community still exists in the South Village of Yongning. According to Daoguang's Xiangshan county annals, Ruilong was "built in Jiuai mountain in Yinan in the late Ming Dynasty." Where is Hatoyama? The county annals are not available. However, the place of Ruilong's seclusion can be found in Li Lu'an's Yu Le Lin Cao Xu, a preface to Yu Le Lin Cao by Li Wencan in Panyu. The preface is "Mr. Ruilong refuses the world atmosphere and goes to the top of Dajian mountain alone, chanting for a long time, carrying the blue sky and playing with the white sun...". According to Qianlong's "Xiangshan county annals · mountains and rivers", Guifeng mountain was originally named dajianshan. It was 40 Li in the south of the county and more than 300 Zhang high. It was a case before the administration of the county. In the east there was yeniujing, in the south there was xiaojianfeng and ruoyeling. It is speculated that Jiuai mountain may be in Dajian mountain. In the early Qing Dynasty, dajianshan belonged to renliangdu, Xiangshan County (now Wuguishan Town, Zhongshan City).

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Selected poems of Ruilong

In early autumn, I sent my younger brother to Kaier. In Changnian, I returned my uncle Liu Yanya from Yuxi and Cambodia

My uncle is also old. He was 70 o'clock last year. A hundred games of flower appreciation and a thousand games of wine. When winter is still summer, Pisces is far behind. Seeing my son and brother off at the end of the world, my tears are like silk. Note: Liu Junjun, whose name is Mao, is Yanya. In 1634, Gongsheng gave Honglu Temple preface class. Shitengzi. He lived more than seventy years. This poem was written in the early autumn of the tenth year of Chongzhen.

To Liu Liangqian

The chivalrous boy of CI Chang, who was before Liu. If you don't appreciate your pride in the world, you can only pity me in the Qing Dynasty. Song is jiziyun and LAN is compiled by Chu people. finally, I will rise by the wind and be famous by the sun and the moon.

I wish old monk Qi a happy life in his seventies

I was born in the summer of Yiyou, and my teacher was born in the spring of bingxu. For nine months, he was seventy. How can an old official make up for it? A famous monk has his own truth. The moon is white on the Dinghu Mountain, which is used to rob the dust. Note: old monk Qi is daoqiu.

Reply to the silk nunnery of Hu Ming Fu according to rhyme

the Double Ninth Festival is not autumn, the official office is as sad as the mountain city. the wine is carried without leaving the chrysanthemum beside the fence, and the poem is inscribed on the waterfront building. It's not necessary to wait for the coming year when we invite you to have a good time. Bu Zui should continue his old tour. Send a message to Zhang Jizi of Jiangdong, so as to stay in Sanzhou. note: the name of the silk nunnery is Ren, and the surname is Dai. Zhili Rongcheng people, Bagong. Shunzhi fourteen years (1657) as Xiangshan county magistrate.

Answer weekly

I'm the first person in the world today. the mirror of wisdom hangs from the sky like the sun, and the spring of literature appears everywhere like a God. When you meet me, it's not me, but it's not me. In the world, there is no need to cherish treasure and cry for the lonely minister.

Gift to all of you from Liyuan

Yangliu new cold water wind, blowing flowers, wine, painting feast red. Hibiscus washes out the blue sky, and Ficus pumila is clear in the blue clouds.

Chinese PinYin : Wu Rui Long