Sun Yuanxiang

Sun Yuanxiang

Sun Yuanxiang (1760-1829) was a poet of Qing Dynasty. Zi Xiao, a word long true, late name Xinqing, self sign Gu she immortal waiter, Zhaowen (now Changshu, Jiangsu) people. In the 10th year of Jiaqing (1805) of Qing Dynasty, he became a scholar. The Imperial Academy is a place where the common people are good friends, and the martial arts hall is a place where they help to build. After a short time, he was ill and couldn't come back. He successively presided over lectures in Yushan, Yuwen, Zilang, Loudong, Youwen and other academies. Many of the students made great achievements. He is good at poetry and advocates that "temperament is the master of poetry". He is also good at parallel work, prose, calligraphy and fine painting of Meilan and Narcissus. His poems and essays are in full harmony with Wang Tan and Shu Wei of the same period, and are also called "the latter three schools" or "the three kings of Jiangzuo". He is the author of the collection of Tian Tian Ge.

Profile

Sun Yuanxiang was born in the 25th year of Qianlong reign of Emperor Gaozong of the Qing Dynasty and died in the 9th year of Daoguang reign of Emperor Xuanzong of the Qing Dynasty at the age of 70. He was known as a child prodigy when he was young. At the age of 4, he was able to recite the poems of Li Du in Han, Wei, Jin and Tang Dynasties. At the age of 8, he studied Mencius, the Analects of Confucius, the four classics and the three rites. Later, he lived in Fengtian (now Liaoning) and Shanxi with his father SUN Hao. He experienced the singing of famous mountains and rivers. In his youth, he became famous in Kyoto, but failed repeatedly.

In 1776, at the age of 17, sun Yuanxiang married Xi Peilan in the same city. After marriage, he also wrote poems because of his wife's influence. Sun Yuanxiang said in the preface to the collection of naive Pavilion: "when Yuanxiang was twelve or thirteen, he didn't know what poetry was. Since bingshen and dongpeilan came back, he began to learn poetry. " Husband and wife have the same interests, like each other, often in front of the window lamp, singing poems together, exchanging views with each other, leaving a lot of good stories. Yu Biyun wrote in Qing Dynasty boudoir Poetry: "Yushan, Xi Daohua, after returning to Sun Tzu, Xiao Taishi, read together, exchanged teachers and friends, and composed many works. Zixiao's "poem of giving to Nei" says: "if you have a boudoir, it's like a study house. You can see it for two people in one series." In 1788, Yuan Mei came to Changshu. According to Wu Weiguang, both husband and wife joined Yuan Mei. His wife Xi Peilan is known as "the first female disciple of Yuan Mei".

In 1805, when sun Yuanxiang was 46 years old, he won the first place in the list. He was a scholar in the Imperial Academy and an assistant XiuGuan in the Wuying hall. After a while, he returned home from leave, and was very sick, so he didn't come out. Yufeng Academy in Kunshan, Yuwen Academy in Jingde, Zilang Academy in Tongzhou, Youwen Academy in Benyi.

Literary achievements

Sun Yuanxiang's poems are deeply influenced by Yuan Mei. He believes that temperament is the "master" and the meter is "fur". In Tang Dynasty, Li Bai and Li Shangyin. It's fresh and beautiful. It's super beautiful. He was as famous as Shu Wei and Wang Tan. In the Qing Dynasty, FA Shishan once wrote "three Jun Yong" for them. The biography of the draft of the history of the Qing Dynasty is called "Wei Yan, Tan Kuang, but Yuan Xiang wrote with talent, and could win with rhyme".

The content of sun Yuanxiang's poems is mainly about his travel, his chanting of the ancient times, his expressing of feelings and his reward. There are also some poems reflecting Lu Yan's sufferings and satirizing the current politics, such as poor girl, flood in Xiongxian County, flood in pingtian County, lament with emotion, tiger's journey, bird's speech, Taishou's coming, kaicang ballad, etc. In the Qing Dynasty, Zhang Weiping thought that sun Yuanxiang's poems were "not as strong as Chuanshan (Zhang Wentao), but not as clamorous as Chuanshan; not as talented as Suiyuan (Yuan Mei), but not as playful as Suiyuan" (listen to Songlu's Poetry). His poems are full of style and refined, which can be drawn out of the predecessors' masterpieces, such as Yue Zhongwu's tomb; his poems are lingering and unique, such as entering the capital to leave.

He has 54 volumes of "collection of Tian Tian Ge" and 6 volumes of "collection of Wai".

Selected Poems

[gefengtai]

Han Peng killed Huainan and cried Longyan's song. Since then, there have been few fierce warriors in the four directions.

The hero is still tired of his ambition, and he returns to his hometown with wealth. When you go to Guanzhong, don't look back. You should only love mountains and rivers with your soul.

Xiling Gorge

The sound of a beach passes the urge of a beach, and the boat sails hundreds of times a day. Chu Yunqing comes to the oar.

When the wind breaks in the penlei gorge, you are often angry, but when the sun is blocked, the wind is foggy. When you are in a dangerous place, you should not make your guests sad.

[title]

Zhang Chuanshan

Taishi asked Tao goulou

Hold the Emei moon in your hand and come to sleep from the jade. The world of poetry, the game of Wine God.

Blue eyes empty sea of people, red sand looking for Zhichuan. Mirror double smile day, tender step eight tiles.

[climbing to the top of baiyunqi mountain]

A peak inserted clouds do not wear, clouds suddenly leak mountain left shoulder. A peak through the clouds to heaven, chaos clouds again covered its top.

The peak is low, the peak is high, the cloud is mixed, and the cloud is separated from the mountain state. Attentively pull the mountain into the clouds, suddenly push the mountain out of the clouds.

The mountains are not green from the clouds, but invisible from the mountains. But feel the rain sparse, smoke Ming Ming.

I don't know how to travel in the sky in the daytime. I plucked the clouds out of the top and began to feel that the clouds were not as high as the mountains.

Ten thousand flowers fly on the clouds, and the shadow of the sky is seen below.

【

On the white stone statue of Jiang

】

Seven hundred years is like autumn smoke. There is immortal in the ashes. After six grabs, Cao Yi and Wu led him to the end.

At that time, Boyang chivalrous youth, snowflake night play awning boat. When wandering in Nanyue, you can't spin. You can pull the Dragon horn and play the Xiang string.

The Yi mausoleum was lucky to meet Xiao Dongfu, who came to visit Fanshi Lake in the East. Once fame is all over the world, who can recommend Sima?

It's often elegant to write hard, but its yellow bell is not as good as tile. Even in Wuxing, the mountains and waters are strange, and the white stone cave is inserted into my fence.

Many white stones do not cure hunger, but Yan Pan's poems. Xing Han brought his own Jade Flute, and the gull led him across the Songling bridge.

The seal of the eagle is empty and wears the waist, shining on the water and white hair, and the wind is rustling. The flowers of Macheng are blooming and fragrant, while Xiaohong sprinkles yanzhiyu.

Zhuo silent stone human language, a lonely cloud has gone through the ages. Shen Tan's carved casket and Wu Ling's clothes are deeply hidden with bright pearls.

When the wind blows, the crane and turtle move like smoke, and the ancient fragrance on the paper comes out in the Southern Song Dynasty.

【

Give Zhu Qiuping Mingjing a picture of his inkstone washing

】

The southern Liang and the northern Liu had no previous people, and later they pushed CAI and Chen. Zhongxi is old and Deqing is ill, so he pushes Qilin one after another.

Zhu Jun seldom had the habit of linchi, and he closed Xiaozhai and stroked the historic sites every day. Kill all the purple rabbit hair in the mountain, and sprinkle the residual gold ink.

Fifty heads, temples and scurf, dye Han Dynasty wrist to break. Camel bridge west piece of paper, humanity Fengshen like pine snow.

My hometown calligraphy trace two Feng, Weng Zhang Wang Shao who male and female? Although there is no trace of Xixian, the ancient method does not lose Zhonghu style.

Since the popular books show off their bearing, their children have learned from the Yao school. Petal incense only know Fenghua Pavilion, pen array who knows to seek Jin Dynasty.

Now you live in Linshui village, and list the golden stones to entertain you. Around the red persimmon, there is a white board house, and the green sky is covered with iron leaf doors.

Ginger inkstone floating cold Bi, immersed in Ming Yi up cloud color. If you want to know where your book is, look at the dark autumn water.

Chinese PinYin : Sun Yuan Xiang