Lu Qian

Lu Qian

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Lu Qian (from March 2, 1905 to April 17, 1951), formerly known as Zhengshen, was born in Nanjing, Jiangsu Province. Wu Mei, an expert in the history of Chinese opera, a writer of Sanqu, a playwright, a poet and a master of Ci and qu. Former director of Nanjing Tongzhi Museum.

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Since childhood, he has been smart, "writing at the age of ten" and "good rhymes at the age of twelve or thirteen". In 1921, he was admitted to the Department of Chinese language and literature of National Southeast University. Although he got excellent grades in Chinese, he was not admitted because of zero marks in mathematics. The next year, he was admitted to the Department of Chinese language and literature in the name of "special student". He studied under Wu Mei, Wang Bohang, Liu Yizheng, Li Shenyan and Chen Zhongfan. After graduation, he was employed to teach literature and drama in Jinling University, Henan University, Jinan University, Guanghua University, Sichuan University, Central University and other universities. On March 29, 1942, the commemorative day of martyr Huang Huagang's death, Baisha Music Education Promotion Association cooperated with the music education committee of the Ministry of education to hold the "ten thousand people chorus of China Music Month" at the venue of Jiangjin normal school in lvxi peninsula. The lyrics of Baisha Town song was written by Lu Qian and directed by Wu Bochao. This is the first ever ten thousand people chorus in the history of Chinese music. Lu Qian also served as the chief editor of "Central Daily · great", the fourth member of the National Political Council of the national government, the president of the national Fujian Conservatory of music (incorporated into Shanghai Conservatory of music after 1949), the director of Nanjing literature Committee, and the director of Nanjing Tongzhi Museum. On April 17, 1951, Lu Qian, a long-term alcoholic, died of hypertension and kidney disease complications at Nanjing NANDA Medical College (Sanpailou Railway Medical College). He was only 46 years old.

Lu Qian inherited Wu Mei's mantle and devoted his whole life to the study of opera history and the creation of poetry, CI and qu. he became a master of Qu and wrote a wealth of works. Main plays: five kinds of drinking rainbow, sixteen legends of Chu Fenglie, peeping at the curtain or female melancholy Cuan, peacock girl. His works on the history of Chinese opera include: the history of Chinese opera in the Ming and Qing Dynasties, an introduction to Chinese opera, a little knowledge of reading opera, a jueju on Qu, Yinhong quhua and Yecheng Huajiu. Zhonghua Book Company has published Jiye Wenchao, which is divided into four parts, namely, four kinds of Quxue, essays on literature and history, notes and miscellaneous notes, and selected poems and songs. Lu Qian was a very active figure in the literary and academic circles at that time, especially in the Jiangnan cultural circle with Nanjing as the core. But for nearly half a century, he seems to be gradually forgotten. " Because the author "has both the scholar's talent and the scholar's broadness", his works "can make the readers appreciate the knowledge, the interest and the esthetic many kinds of reading pleasure", the old book reprints, the publisher undoubtedly has the contribution for the cultural inheritance and the dissemination.

Lu Qian is a famous fat man. He and his friends prefer to use his appearance and posture as the material of his articles. They are not only playful, but also witty and vivid, which can best enlighten his detached and refined nature. Lu Qian once composed a set of Sanqu - "Zhao Dechang like me" (included in Jiye Wenchao: Selected Poems and songs). The author explained the origin of the title: "if you see the copy of song Zhenzong in the palace of Qing Dynasty, you think it is very similar to the former, so Mr. Ma Shuping called the former song Zhenzong. Xia luzhang's opera is said to be imperial in the past, and Luo jimeijun, a famous photographer, made a picture together. It was written on a set of northern Ci poems. In other words, not the king is like the emperor, but the emperor is like the king's ear. " No matter who looks like them, they are all chubby. Qu Yun said, "if you look at the stars with thin eyebrows, your nose will be two inches long. The sparse beard set off Pang er's fat, followed by a small round mouth "I'm just a green shirt guest. I've never been a thin emperor, but you are the same as me. It is not because he seems to be poor and humble that he is short of fame. What's the use of this book? We should make our own efforts. " "For you to live in the temple, let me live in the grass, I have a lot of money for both of us, and let me advocate resurgence and boast." During the Anti Japanese War, the author wrote a collection of Sanqu, Zhongxing Guchui, and a collection of National Poetry, which strongly advocated the style of National Poetry and showed the national spirit. Here, we still use the appearance of our own family as a reference, revealing the heroic spirit of "making the voice of 45 million people" (Lu Qian Yu) when the country is in crisis.

In the eyes of friends, Lu Qian always looks like a full moon, which has become his mark. Xie Bingying wrote an article about Mr. Lu Jiye. In her memory, Lu Qian was "a fat round face, thick black eyebrows, short beard on her mouth, dressed in a black cotton Zhongshan suit, holding a black cane in her hand, looking like a big old man". She recalled the article: "he is always optimistic, forthright, even if the sky falls, he is not worried, the so-called relaxed and fat, is really a bit good." He said, "he is as innocent as a child, and always keeps a childlike heart." When it comes to Lu Qian's appearance, Xie Bingying also tells a story that happened during the Anti Japanese war. In the winter of 1942, Lu Qian was the president of the National Conservatory of music when he went to Yong'an, Fujian Province. When he passed through Jinjiling, the local bandits mistook him for Chen Zhaoying, a former executive member of the National Party, legislator, and inspector of Fujian and Zhejiang provinces, and kidnapped him to the village. Fortunately, Lu Qian took his time to explain that Fang was "identified" and got rid of the bandit's hand by saying "I have a beard, Chen Zhaoying has no beard". Lu Qian also recorded this in shangjishan DIANYUE Ji.

Yi junzuo is also a close friend of Lu Qian. He is just a thin man. He once wrote a poem on his group photo with Lu Qian: "ten years of travel, everything is good. You are fat and I am thin. We are sad together. If it were not Juyi and Yuan Zhen, it would be Laurie and hatai. He wrote a biography of Lu Qianzhuan. The preface says: "there is a talented man from the south of the Yangtze River who looks like a rich man. He is near and has a little Hu. He looks like a Chaplin. His every move is humorous. If he doesn't arrive, he won't be happy." a year's fat is like a year's old man called Lu Qian. " In the article, he jokingly called him "fat brother", "wax gourd" and "gourd". He led Lu Qian to be a confidant, and even assumed that he was "unfortunate and crazy and slapped him hundreds of times, but Lu Qian only laughed". Lu Qian's words are very pompous. What he values is his character of "no tiredness, no evil image, no anger, diligent, faithful and peaceful".

Lu Qian's early death was closely related to his obesity and heavy drinking. He suffered from hypertension and his heart, kidney and stomach were not good. After the victory of the Anti Japanese War, he returned to his hometown Nanjing from the southwest. After many years of life, he returned to a sick body. After liberation, his work did not go well, and he was suddenly framed by his colleagues in Tongzhi library. The unexpected disturbance and stimulation naturally accelerated his collapse. At that time, the reporter of Da Bao once recalled in his mourning article that before his death, he was "big and magnificent, with a strong appearance, but in fact he had many problems, and he was full of decadence" (Qin Meng's mourning for Mr. Jiye). The fat man had become a serious patient, which made people sad.

More than ten years after Lu Qian's death, Zhang youluan, a famous journalist, once saw the cover portrait of Guan Hanqing's Opera Collection. He thought of his old friend, Lu Qian's picture of "sitting on the side of a chess basket, holding a piece with one hand and brushing his beard with the other". Why is the image so similar? Can the painter rely on it? Maybe it's just a deep thought of Zhang youluan! (Lu Jiye remembers master by Zhang youluan)

Talented man Lu Qian

Lu Qian was talented, so he held several positions. He was not only a writer, but also a scholar, and also an educator who preached, taught and dispelled doubts.

Lu Qian was born in a scholarly family. In 1922, at the age of 17, Lu Qian was admitted to Southeast University as a "special student" and studied in the Department of Chinese. In the autumn of this year, Wu Mei, a master of Quxue, came to Southeast University to teach. Lu qiansui went from Wu Mei to become Wu Mei's favorite student. Wu Mei once said: "Yu Jimen, Tang Sheng Guizhang's Ci, Lu Sheng Jiye's song, Wang Sheng's writing of driving me, Jie Ke passed down from generation to generation, and I'm proud of it."

Although Lu Qian died early in his prime, he wrote all his life and left people rich works. Lu Qian has been learning poetry since he was young. He is quick witted, and he always writes it in poems. In his creation of Ci and music, there are charming and graceful works such as "old nest" and "two wonders of Qinhuai", strong and forthright works such as "Zhongxing preaching", sarcastic works such as "ridicule Tao" and "one day of Mr. Kong Youyuan", some of which are deep, some of which are funny and some of which are sentimental. In addition to a large number of poetry creation, talented Lu Qian also frequently published essays in newspapers and wrote columns. He has so many short stories that he can't remember them clearly.

At the same time of literary creation, Lu Qian also wrote a large number of academic articles. His academic research has a wide range of contents, such as the study of Ci and Qu, the introduction to Chinese drama, the history of Ming and Qing opera, and the history of eight part essay From simple to deep. Many of his views still have academic reference value today.

Lu Qian went to the forum very early. He spent a lot of time in his teaching career. If it is not convincing that Lu was employed as a professor by Chengdu University at the age of 25 years ago because of his outstanding talent, then he should rely on his own talents

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