a rarity
a rarity
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Huang Heqing, pseudonym Heqing. Professor, School of humanities, Zhejiang University. Born in 1958 in Lin'an, Zhejiang Province
Character experience
He went to the countryside, carried a gun, and stayed abroad
Educated youth during the Cultural Revolution
At the beginning of 1977, he studied French in Luoyang Foreign Language Institute of PLA
In 1985, he was admitted to Zhejiang Academy of fine arts as a graduate student of Western art history
In 1987, he studied at Sorbonne First University in Paris, France, and received a doctorate in art history in 1992
1995-1997, teaching in the Department of history and theory, China Academy of fine arts
From 1997 to 1999, he stayed in Paris for 10 years
Since 2000, he has been a professor in the school of Humanities of Zhejiang University and a part-time professor in China Academy of fine arts
Former double professor of Tsinghua University (2008-2011)
Distinguished professor of Capital Normal University (2010-2013)
Research direction
Modern and post modern: a brief history of Western art and culture (first edition of Hong Kong Sanlian, 1994)
It calls for "cultural confidence" and abandons cultural inferiority.
His academic interest is not only in the history of art, but also in a series of contemporary Chinese literature
The reality is closely related to the cultural theory.
People's quotations
In his analysis of contemporary art history, he pointed out: after World War II, the United States, with the powerful power of cultural propaganda and art market, in fact, the great power of capital, recognized the original non artistic daily objects and behaviors as art, declared the European classical art "out of date" in the name of "anti art" and "anti painting", and regarded the "wave" that originated in the United States in the 1960s as "art" The world art center was forced to move from Paris to New York. Behind this process, Americans cover up their "Americanness" with the characteristics of the times and the world, and equate "American Art" with "contemporary art" and "international art", so as to dispel the legitimacy of the existence of other cultures and arts. The ultimate conspiracy is to make the "statue of liberty", which represents American culture, stand all over the world and replace different cultural forms.
He justified the value of Eastern civilization and the relationship between Eastern civilization and Western civilization. He believed that the relationship between eastern and Western cultures was "difference" rather than "gap", and tried to eliminate the cultural inferiority of the Chinese people in the past century.
Main contributions
Main works:
Modern and post modern: a brief history of Western art and culture
，
Hong Kong Sanlian, 1994; China Academy of fine arts press, 1998; renamed "modern, too modern China", China Renmin University Press, 2004
Utopia of democracy,
Ming Pao press, Hong Kong, 1994; China Social Sciences Press, 2004; renamed
Utopia of Western democracy
，
Shanghai People's Publishing House 2014
Globalization and the decline of national consciousness
，
China Renmin University Press, 2003
Breaking the theory of progress: rectifying the name of Chinese culture
，
Yunnan People's publishing house, 2004; Central Compilation and Translation Press, 2012
The plot of Art
，
Guangxi Normal University Press 2005; Jiangsu People's Publishing House 2012;
Updated version
Contemporary Art: deception of the century,
Shanghai Ancient Books Publishing House 2016
Main translations:
Pierre Bourdieu: containing wildfire (Guangxi Normal University Press, 2007),
Jean Claire: on the status quo of Art -- Criticism of Modernity (Guangxi Normal University Press, 2012)
Baskar Boniface: the intellectual of counterfeiting (Commercial Press, 2013)
Stefana Hessel: please be angry (Central Compilation and Translation Press, 2015)
French monograph
: < I > images Du Silence - pens é eetartchinois < / I > the image of stillness - Chinese thought and art, harmatan, Paris, 1999.
L'eau'un puITs ancien anthologie depo è me depaysage en China Ed.You -Fong,Paris,1996
(two books in the National Library of Pompidou Centre, Paris)
Main video:
"Is a urinal a work of art?" (youth network open class of the Central Committee of the Communist Youth League, 2017)
Important article:
“
Should architects be hanged?
——Query on the winning construction scheme of CCTV new building (Wenyi Bao, August 23, 2003)
“
Back to China
”(preface to the return to China series, 2012)
“
The disastrous Pritzker Prize
”(Shanghai Oriental Morning Post, April 2, 2012)
“
Duchamp: a deified French gangster
”(art studies, No.1, 2013)
“
Suing China Minsheng Bank -- please don't be fooled by strange art
”(Shanghai Oriental Morning Post, July 15, 2015)
“
Overthrow the Western pseudo history and support the Chinese civilization
——
Turn the history upside down again
”(preface to the fictional history of Western civilization by Zhu xuanzhi)
“
Heqing answers late
”（2017）
Since 2012, 12 articles have been published in the global times
Chinese PinYin : Huang He Qing
a rarity
