Gao shunzhen
Gao shunzhen (after 1821-1874), a poetess in Qing Dynasty. Dehua was born in Qian'an. Jiaqing 23 years (1818) Ju Ren Gao Jiquan female. Zhili county magistrate Nanzhi Liu chuiyin's successor. The 13th year of tongzhi (1874) is still alive. His works include two volumes of cuiweixuan poetry notes and three volumes of cuiweixuan poetry manuscript.
Personal profile
Gao shunzhen (after 1821-1874), a poetess in Qing Dynasty. Dehua was born in Qian'an. Jiaqing 23 years (1818) Ju Ren Gao Jiquan female. Zhili county magistrate Nanzhi Liu chuiyin's successor. The 13th year of tongzhi (1874) is still alive. His works include two volumes of cuiweixuan poetry notes and three volumes of cuiweixuan poetry manuscript.
Life experience
Gao shunzhen, the word Dehua. Qing Daoguang first year (AD 1821) was born in Zhili Baodi (now Tianjin Baodi). Grandfather Gao Zhankui, word about Zhai. During the reign of Emperor Qianlong of the Qing Dynasty, people were raised in Bingwu. He once served as the magistrate of Zhanhua and Guanxian County successively, and was promoted to Mufu of Jining Prefecture because of "being honest and clean, being cautious of the old and the new", and later died in Jinan. Father gaojiquan, word after Heng. I'm from Baodi. He is a famous poet in Daoxian period of Qing Dynasty. He wrote twelve volumes of peigenzhai Shichao, one volume of Haitian QinQu Ci and one volume of yangyuantang anthology. The elder brother Gao Mingding and Gao mingpan, and the younger brother Gao Mingjian are all able to learn from their families, and the poems of mingpan are especially famous. Gao mingpan is the author of Xiao Cang Lang Guan Shi Chao. Under the instruction and edification of his father and brother, Gao shunzhen was familiar with all the famous works, historical books and documents of the pre Qin, Han, Wei, Jin, southern and Northern Dynasties, Tang and Song Dynasties, besides reading the five classics and four books, Zhou Li, filial piety and other Confucian classics. According to Yongping Fu Zhi, Gao shunzhen was "young and intelligent. When he was five or six years old, he read Mao's poems, women's commandments and Tang and song's poems from his father and brother. After reading all the famous poetry collections collected by his family, I learned to rhyme occasionally. I didn't wait to order them, but it was really comfortable. " Gao shunzhen was born in the late Qing Dynasty, when the corrupt and mediocre Emperor Daoguang carried out the policy of autocratic dictatorship and bloody suppression at home, and the policy of compromising and shaking, losing trees and humiliating the country at abroad. Since then, China has become a semi feudal and semi colonial society. So that the nation is in a critical situation, and the people are in dire straits. Gao shunzhen was there in person at that time. She used the poet's keen observation and indignant pen to reflect the dark reality at that time. In 1865 ad, Yongping house was her home. The first printed edition of diecuixuan poetry collection no longer exists. The existing version of cuiweixuan poetry anthology in the 13th year of Tongzhi has 125 poems. Gao shunzhen's poems were valued by Guo Gongxu, a famous Jiangxi poet at that time. "It's a pity that I lost this chapter.". This is Guo Gongxu's regret for his failure to include Gao shunzhen's poems when Cai mei'an, the then Tai Shi, compiled 100 poems of this dynasty. According to Gao shunzhen's poems, she is not only a talented woman with "a bright pearl of ten thousand trees" and "a few poems about shame girls", but also has a keen political vision. Although she was born in the world, she was full of contempt and hatred for the rulers of the Qing Dynasty and those officials who specialized in fish and meat villages, and had deep sympathy for the working people. At that time, it was commendable that she could write poems about the angle and reality. During Gao shunzhen's youth, the Opium War broke out. The corrupt and incompetent Emperor Daoguang's imperialists signed the Nanjing Treaty, which was humiliating. Gao shunzhen, who is concerned about the country and the people, wrote the poem "reading the palace Ci of the whole history" from the beginning of reading history books to express his deep feelings for the country's glory and error: "in the history of Gansu, his eyes are burning and his spirit is like a rainbow. "Praise and ridicule" and "farewell" imply the purpose of autumn, and "legacy" can really complement the national style. the author seems to stand on the height of time and space, overlooking the vicissitudes of thousands of years, expressing his own views on history. Under the terror of the literary inquisition created by the Qing Dynasty's relocation, Gao shunzhen, with his foresight and smooth writing, pointed out frankly that we should learn from the ups and downs of several thousand years' history of changing dynasties, clean up and get rid of the shortcomings of the Qing Dynasty's rulers, such as mediocrity, extravagance and so on, in order to correct the national style, which is full of the author's criticism of current politics. It's hard to imagine that this poem is written by an official girl. Facing the decadence and decline of politics in the late Qing Dynasty, Gao shunzhen wrote a seven character poem reading the legend of Peach Blossom Fan with sharp brush. This paper, based on the past and the present, criticizes the emperor's crimes of extravagance, obscenity, corruption and damage to the country at that time: the emperor's family in Yinghua grottoes, forgetting the happy state and declining the day by day. A deep palace song swallows, willows are flying in Sui dyke. The Qing Dynasty's discussions have brought disaster, and the eunuch's ambition is like thunder. In the middle of the night, the Qinhuai government took a break, and the eunuch party recovered the society. The flames of war spread all over Kyushu, and he was in a hurry to avoid chaos. never see a beautiful woman again, lonely east wind lock painting building. The rise and fall of the Southern Dynasties were all collected by Yunting. a legend, a thousand kinds of hate, peach blossom scattered, water flowing east. Gao shunzhen's husband, Liu Chen, is a military officer of Jiangxi origin. In the fifth year of Xianfeng (1855 AD), she followed her husband to Wubian of Juyong Pass, where she worked as a well mortar and lived for ten years. Juyong Pass is an important pass of the Great Wall. The poet came to Guansai and broadened his vision. During this period, it can be said that it was the harvest season of the poet's creation. Most of the remaining 100 poems are her masterpieces at Juyongguan. When Gao shunzhen came to Juyong Pass, it was the heyday of the Taiping Heavenly Kingdom. In order to put out the fire of the peasant revolutionary movement in the Taiping Heavenly Kingdom, the emperor of Qing Dynasty called up all the army and soldiers in the whole country and made a big fight, resulting in the separation of his family. The original poem is like this: tongqier brothers, wandering on each continent. He is afraid of going upstairs to the moon. When will the flesh and blood gather? The war has not been repaired. I can't get rid of the feeling of leaving, and I can't get back to the wild geese in the new autumn. in the poem, the whole country was sent by the Qing government to suppress the Taiping Heavenly Kingdom, and the war lasted for many years, so that the family could not be reunited. Then, the poet described the great disaster brought by the rulers' suppression of the Taiping Heavenly Kingdom. Take one of the poems as an example: a sense of vicissitudes in the extreme eyes, in the setting sun in the south. He was killed by fire in Tianlu, and he was killed by sand insects. Because it's hard to predict, I can't believe in my hometown. When will the war end? Scratch your head and ask the sky. this is a poem full of feelings, mainly due to the author's long stay in a foreign country, homesick and homesick mood. It shows the despair and indignation of the dark reality under the rule of the Qing Dynasty. In the fourth year of Tongzhi's reign, the poet wrote a humanized poem "gift to the outside": "not for food and clothing, but for traveling in the severe winter.". Although you are used to service. I don't want to be a marquis. The stronger the heart of the sword, the stronger the reward. The lanterns report all night long, and don't stay on horseback. This five character poem is very popular, clear-cut and rich in content. The poet begins by writing about the hardships of her husband's military career in the snowy northern part of the great wall outside Juyong Pass, and the difficulties of making contributions to the border, all of which are for the sake of his wife and children. Then he wrote about the special circumstances in which he didn't want his husband to worship him as a marquis, and the complicated psychological state in which he looked forward to his husband's return on a cold night. It was so pure, so euphemistic, and so cool. Thus, it reflects the poet's sincere feelings in three dimensions and in many aspects. The artistic conception of the whole poem is profound and affectionate. From the connotation of the poem to the form of expression, after reading, I feel that it is sentimental and meaningful. Give people a strong artistic infection. The poem "the first time I cherish my brothers" is a true portrayal of the hard life in the secluded deep valley of the soldiers' families in Wubian at that time. Because of her husband's hard career, she was sent to Juyong Pass for a long time. The original text of the poem is: the official situation is frequent, the class turns to be prosperous, and the secretary is in charge of Wanshan. When you close the door, you can feel the cold embrace of the crane. wine can pour sorrow and make you drunk, poetry is not for work. the reality in the poor life makes the poet down and out, and the poem has a strong sad mood. Then the poet wrote: Beiming Zhenpian lost Huanghu, brush feather South sky to wait for good wind. the first sentence and the last sentence, from reality to fantasy, are just right. It reflects the author's pessimism that he looks forward to a better future but can't put it into practice. In 1864, the poet went to Changping with her husband. At that time, a rare locust plague in a century shocked her heart. Let's take a look at her poem entitled "the painting of catching locusts by Lu Lianfang in Changping": the disadvantages of catching locusts have been passed down in the Tang Dynasty, and the official Fu urges people to go to the countryside like fire. The geese and ducks are in a state of scarcity, and the officials are like locusts. The poet uses the method of comparison to point out that those who disturb the people and hurt the people are more serious than the locust disaster in the fish and meat village, which shows that she shares the same feelings with the farmers about the locust disaster. She truly reflected the current situation of the disaster area at that time, which was really incisive and incisive. It's shocking to read and outraged. Gao shunzhen also wrote some poems reflecting the hard work of the working people in the year of "asking for peace, being an official first", and the harvest of grain after paying rent to the rulers, living in hunger and cold. The poem "giving to the outside" written by the poet in Changping is a simple and clear expression of "how difficult it is for the people to decline." he drove across the field and spent the day in the afternoon. I have compassion for the people in the field, and I don't know what hard work I have to do. It takes summer rain to hoe seedlings. The autumn wind, the harvest and the harvest were introduced into the government. We will not be forced to work hard, and we will not be forced to rent. this poem is a real record of her life from Juyongguan to Changping. And then the poet took a pungent look
Chinese PinYin : Gao Shun Zhen
Gao shunzhen