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Gu Xuan, a CI poet of Five Dynasties. The year of birth and death, native place and trade name were not known. When Wang Jiantong of the former Shu Dynasty was in the position of emperor (916), he gave a small minister to the inner court. He saw a vulture flying on the Maha pool and wrote a poem to stab it. He suffered several unexpected disasters. Later, he was appointed governor of Maozhou. After entering Shu, the officials were tired to Taiwei. Gu xianneng is good at poetry. In Huajian Ji, there are 55 poems, all of which are about love between men and women.
brief introduction
Gu Xian, a ci writer of Five Dynasties, was named qiongzhi. The year of birth and death and place of birth are unknown. When Wang Jian, a former Shu Dynasty official, gave a small minister to the inner court. It happened that there was a bald bunting bird flying on the Maha pool. He made sarcastic remarks and suffered several unexpected disasters. Later, he was appointed governor of Maozhou. After entering Shu, he served as Gaozu (Meng Zhixiang) and tired officials to Taiwei. He is good at filling in all kinds of words with different structures. The style of the words is beautiful but not floating. The images are very fresh and vivid, and the feelings are extremely sentimental. Some of the words (such as Lotus Leaf Cup) are colloquial and catchy, which increases the humor and readability. Gu Xian is a rare craftsman of Ci, whose diction and technique are worth studying. There are 55 alternative words in huajianji, the same as in quantangshi. All the words recorded are excellent works.
Work evaluation
Kuang Zhouyi was named "shangsiye of erotic CI in Five Dynasties". The author thinks that it is characterized by "the style of work is perfect, the style of time is clear and the style of time is sparse". The beauty of the spirit and the bone as the Qing, its beauty is beneficial to the spirit and the bone. Its physique is like that of the Song Dynasty academy painting, and its fine brushwork is small, which is beyond the reach of the Yuan people's color design. Such as [Lotus Leaf Cup] No. 9: "once you go, you will be obedient, and the spring will be over. Full of raspberry moss, hands and skirt wandering alone. Come on, come on, come on The language is straight and vivid. Another example is "where to leave people at night" written by Wang Shizhen: "change my heart, for your heart, you will know each other's deep memories". Wang Shizhen praised it as "self is a deep feeling language" (flowers and plants Mengshi). This kind of CI has been in the Liu Yongyi School of Song Dynasty, and has a great influence on Yuan Xiaoqu. In addition, for example, in Zui Gongzi, "the golden thread of an Liu" was rated by Zheng Wenzhuo as "extremely ancient and clumsy, but also extremely light, which could not be found in the Five Dynasties" (quoted from selected Ci Poems of Tang and Song dynasties). His deeds can be seen in the spring and Autumn Annals of the Ten Kingdoms.
Appreciative Remarks
Where to go in the night
Where are you going? Juelaiyin. Xiangge cover, eyebrow convergence, the moon will sink. You can't help fighting? I hate the lonely bed. Change my heart, for your heart, just know the deep memory. This is a monotonous little song. The first five sentences play the main melody of emotional sound - resentment. "Eternal night" two sentences, on the suspense of the whereabouts of the ungrateful. "Long night, heartbreaker, where have you left me?" He asked himself and answered, "I've heard no more. What can I do?" The word "Jue" points out the lack of faith and heartlessness of those who are dissatisfied. The three sentences of "Xiang Ge Yan" are about the situation of the people in the boudoir. From three aspects: the description of the environment (the boudoir door is closed), the description of the facial expression (the brow is wrinkled), and the passage of time (the slanting moon will fall, and the long night will end), they describe the unbearable waiting all night. These two works come down to one point - the resentment against those who are angry. Under the sentence of "struggle for tolerance", it is written that Xinchi is on the rise again. "Fight for tolerance" is the first wave, characterized by endless thinking, love and resentment. "How can I not have the heart to pursue it?" This monologue shows that there is love in her resentment, which is hard to understand. But after a little research, the boudoir door is closed and the room is clear at a glance. What can I find? "Search" this action, just shows that she has been trapped in the mental state of self-determination. When she was a little clear headed, she had to face the heartbreaking reality of being alone, so the word "resentment" came back to her mind. The third sentence of "change my heart" is the second wave, which is characterized by love and sudden infatuation. If you change your heart, you can change it. How the protagonist wishes to put his heart into the other's heart, so as to get the deep understanding of his missing. It seems unreasonable to talk about things as they are, but the hero's wishful thinking just shows his deep love and true feelings, which is the so-called "unreasonable and affectionate". Of course, however, the tragic fate of the protagonist will be inevitable. This point, Tang Xianzu in the Ming Dynasty in the "huajianji" review of the book once said: "if to change heart field, change with him may not be good." However, the ideological tendency of the work is very clear. Sympathy is completely put on the side of the weak women who are tortured and damaged, which castigates Bo Qizhi from the side. through the oral inner monologue of the heroine, this poem reveals the spiritual trauma of a weak woman who was tortured by a heartless person, and shows one aspect of love tragedy in the old society. There is love in the protagonist's resentment, which is complicated. The work is of great ingenuity in artistic conception and expression techniques, which has won the praise of post pronoun critics.
List of works
Yu Meiren's Thoughts on the beauty of spring in her boudoir and her hatred for the growth of spring. Oriole singing, mud Fang Yan, apricot picturesque, leaning on smoke, lock the window. on the fence, the two moths are thin, and the willow shadow is slanting. Yulang still doesn't return home. teach people to dream of chasing Yanghua and circling the ends of the world. The river, the boat, the wave, I don't know where? The flowers and grasses on the bank depend on each other, the rain is light, and the partridges fly by each other. The end of the world from hate River sound pharynx, cry ape cut, this intention who said? Leaning on the orchid, only boring, soul selling, small stove incense burning. Where are you going to leave me at night? Juelaiyin. Xiangge cover, eyebrow convergence, the moon will sink, struggle to find each other? I hate you. Change my heart, for your heart, just know the deep memory. Drunk childe two head, indifferent autumn clouds Dan, red lotus root incense invasion threshold. The pillow is against the hill screen, and the gold shop is facing the evening. sleeping is slow, but I can't wait for you! The withering willows, the cicadas, the soul like last year. The willows on the bank hang on the golden line, and the warblers sing in the rain. I live by the green poplar and have been traveling for many years. The grass is far away, and the curtain of tall buildings is half rolled. It's hard to meet you! Lotus Leaf Cup spring as small court flowers fall, lonely, with the threshold convergence eyebrows. endure to teach, become sick, remember the good time, know Mo, know mo. Let's not hate you for a long time. LAN Chen's back account month when the building, worry about Mo worry, worry about Mo worry. Weak willows, good flowers, clear Mo, young man. covered with orchid musk deer, they are crazy, crazy. I remember meeting at that time, bravely fighting, disordered temples and soft limbs. the clay figurine does not look up when he is speechless. the night is long, the song is bitter, the moon is fading, the chrysanthemum is cold and the dew is faint. look at the wet golden clothes, return to Mo GUI, return to Mo GUI. I remember that your poems are the most bitter. I care every word whether I know it or not. the red paper is written to express deep affection, chanting Moyin, chanting Moyin. Golden Duck, fragrant Mandarin quilt, greasy pillow, small bun, flower and mother of pearl. My waist is like a willow, and my face is like a lotus. 〝〝〝〝〝〝〝〝〝〝〝〝〝〝〝〝. Flowers are like two faces, willows are like waist, Jiao Mo Jiao, Jiao Mo Jiao. once gone, I have a good letter. Spring is over, and it's covered with moss. move your skirt, Pei Hui alone, come to moraI, come to moraI. Embroider mandarin duck tent and draw peacock screen. When people are quiet, when the moon is bright. I want to laugh in the past and hate the separation today. Silver back, copper leak forever, blocking the good season. The smoke of the small stove is thin, and the curtain of the empty Pavilion is hanging. How many thoughts, secretly thinking. Being led by jiao'e, my soul dreams like a fool. In the golden boudoir, on the pillow of the mountain, we should know.
Chinese PinYin : Gu Xuan
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