Tao Kai
Tao Kai
Tao Kai, digital tiger image new media director, dance designer, visual director. His main works are magic bishuan, the road of rejuvenation, the eternal love of song city, etc. He has been involved in TV advertising production, TV film shooting and post production, independent production and other fields. In 2005, because of participating in the multimedia creation of "Tianchan" project in the eastern overseas Chinese town, he turned to stage career. He has been devoted to the exploration and research in the field of multimedia technology support and stage multimedia dance design.
Profile
Tao Kai, a new domestic director of visualshow, has many years of experience in creative video directing, and has profound artistic creativity and expressiveness. Creation is not confined to the stage and multimedia art presentation, but to make an accurate and artistic re creative overall control of the performance effect. was born in Qiqihar, Heilongjiang Province in 1982. Since 1998, he has been engaged in audio-visual technology research, participated in many projects and served as audio-visual technical support. He has been involved in TV advertising production, TV film shooting and post production, independent production and other fields. After finishing his studies in NYU poly, Tao Kai devoted himself to CG. In 2000, Tao Kai worked as a post production studio in Beijing 5DS packaging company, completing the channel and column packaging and studio projects of central and local TV stations. In 2003, he joined Shenzhen universal digital, participated in the production of China's first full CG animation film "Mobius circle", served as the post technical support and film editor. In 2006, he completed the film production and DVD production of "Mobius circle", served as an independent producer, and completed the planning, directing, photography and editing of "Mobius circle production special". Many years of visual work experience has brought Tao Kai different artistic perception and visual language expression ability. In 2007, after joining Shuhu, Tao Kai began to concentrate more on the exploration and research in the field of multimedia technology support and stage multimedia dance beauty design, combining multimedia technology with stage art, and innovating the expression form of stage dance beauty. Previous years of video creation, directing, photography, editing and other work have cultivated his profound artistic creativity and expressiveness, as well as superb film and television language expression skills. He created the stage and multimedia art as a whole, not sticking to the application of technology, but with the cross-border concept. He introduced the installation art, space art and post-modernism art concepts into the creation of multimedia dance performance. He participated in Tianchan, 4D Qin opera evening "dream back to Chang'an", multimedia design of Hangzhou Liangzhu Museum and 4D film "ancient country surprise" The design and technical support of multi-media dance stage, dance beauty and other projects, such as dream, Qingdao Olympic Sailing Center's "blue imagination 2.0" holographic dance beauty, Songcheng group's "Wu Yue eternal love" multi-media dance beauty, large-scale dance magic drama "dream back to qin island", multi-media dance drama "ancient City durian dream", large-scale multi-media song and dance show "Jinyan". in many years of research and events on the combination of multimedia technology and stage art, Tao Kai has grown into a leader in the industry and is a domestic cutting-edge director of visualshow.
Related projects
Since 2009, Songcheng group's "eternal love" series (including "eternal love of Songcheng in 2009", "eternal love of Wuyue in 2011", "eternal love of Sanya in 2013", "eternal love of Lijiang in 2014", "eternal love of Jiuzhai in 2014", "eternal love of tanhe in 2017" and so on), multimedia visual director "blue imagination 2.0" of Qingdao Olympic Sailing Center, and "2010 Changsha Red Sun performing arts group"《 Adventure Tour, 2011 OCT dance poem Oriental nishang, 2011 OCT Taizhou ancient Shousheng temple, 2011 Tai'an Shuihu Tianfeng, 2011 Changsha Tianhan Grand Theater adventure tour, 2011 movie thriller, visual design and production, 2012 Shijiazhuang hongtaiyang Grand Theater's regular performance night of Letai, 2012 OCT Chengdu large-scale music and dance poem and painting Tianfu Shu The opening visual show of the third China International New Media Short Film Festival in 2012, the visual director 2012 large-scale multimedia symphonic musical drama "Water Margin and sky wind" 2012 dance magic drama "dream back to Qindao" 2012 multimedia dance drama "ancient city durian dream" 2012 the opening ceremony of the fifth Kaili original ecological ethnic culture and Art Festival 2012 Korea Lishui World Expo dance drama "Ningbo tells you" 2013 Beijing power TV's 2013 Spring Festival Gala dance image; 2013 large-scale multimedia song and dance show "Jinyan"; 2014 Kaifeng tower structure projection "tower legend"; 2014 large-scale multimedia theater show "Ji · Li · Dao" visual director; 2014 Oriental satellite TV star fashion reality show "goddess's new clothes" visual director; 2014 large-scale landscape live performance "dream seeking dragon and Tiger Mountain" visual director; 2014 large-scale animation musical《 Visual director of 2015 Canadian multimedia musical "Alice in Wonderland" Chinese version chief director of 20153d parent-child musical "oz too big adventure" chief director of 2015 Oriental satellite TV star fashion reality show "goddess new clothes" visual director of 2015 big music and dance poem "eternal romantic" visual director of 2015 large original 3D acrobatic magic drama "golden cudgel" 》Chief director 2016 Hefei Wanda theme park multimedia black light drama "dream butterfly" chief director 2016 Nanjing Dabaoen Temple site live performance "gratitude ceremony" visual director 2016 Yangzhou large scale music and dance poem "Universiade Yangzhou" multimedia director 2017 Harbin Wanda theme park "clove Wonderland" chief director 2017 large scale song and dance show "tanhe eternal love" visual director
Life experience
Experience of film and television production creates cross boundary creative thinking
his involvement in TV advertising production, TV film shooting and post production, independent production and other fields has enabled Tao Kai to have an accurate grasp of the image production technology and process, and cross-border application of technology to the design and production of dance beauty, combining film and television art with stage art, presenting a refreshing visual effect of dance beauty, so that everyone can realize the original performance of dance beauty There are so many styles!
Make a stage performance a movie
Tao Kai, who has many years of experience in creative video directing, never sticks to the presentation of stage and multimedia art in his creation. Instead, he breaks the boundaries between various technologies and forms of expression through his unrestrained imagination and innovation ability, and introduces the concepts of installation art, space art and post-modernism art into his creation. In his design, multimedia technology and dance beauty images are important parts of stage performance, which complement each other with actors' performance, making the whole performance an organic whole, as complete as a movie. His rich project experience also enables him to have an accurate grasp of the audience's viewing habits and expectations, and design dance beauty videos that can attract the audience's attention and excite the audience, making a performance as a whole like a live movie.
Be the first to eat crabs
in each project, Tao Kai is willing to "try something new" -- constantly trying to apply new art concepts and new technologies to multimedia stage design, dance beauty image production, stage performance, etc. As the multimedia design of the large-scale multimedia song and dance show "Jinyan", Tao Kai takes the stage design and multimedia dance design as a whole, introduces the European and American visual concepts, and constructs the audio-visual vocabulary similar to the movie blockbuster. He also adopted the world's first concept of penetrating multi image superimposed multi-media imaging, using holographic film, led, rain screen, gauze screen, wall projection, water surface projection, tree projection and other technical means to make the multi-media image and stage, actor clever fusion. in the large-scale dance magic stage play "dream back to qin island", Tao Kai boldly used the mirror screen, rubber band screen and other advanced equipment, and combined the hard scene with the image, with the visual dislocation effect to create the mysterious space level. The image becomes the "helper" of the magic content of the program, allowing the actor to complete the instantaneous movement from the stage to the audience, and the image and performance cooperate seamlessly.
The balance between business and art
Some people say that art and commerce are always contradictory. Tao Kai, on the other hand, is trying to find a balance in this contradiction. "We can't sacrifice commercial interests by pursuing art that most people can't appreciate, because it's irresponsible to customers, but we can't reduce the level of art just for the sake of business. This is what I insist on. Although sometimes the balance between the two is not so easy to achieve, I still hope that the audience can enjoy the works with certain artistic standards. " Tao Kai said. Therefore, he made more efforts to explore, organically combined stage art with foreign previous art forms with creativity, looking for new forms of artistic creativity, so that art will no longer be narcissistic.
Personal quotations
I'm interested in my career——
I believe we are still in the blue ocean.
The combination of technology and Performing Arts——
Today's technology, tomorrow's performance.
About project design——
we have been seeking to root multimedia dance beauty in the fertile soil of culture, provide the overall services of visual creative design, director planning, dance beauty image production and project implementation for the performing arts projects, provide endless vitality for the stage performance, and pay attention to the combination of technology, art and culture in the multi-media design of stage performance.
Project experience——
it is necessary to ensure close communication with the director, fully understand the director's needs, and pay attention to the communication and assistance with music, dance, dance beauty, clothing, machinery and other links, because these work determine the project construction
Chinese PinYin : Tao Kai
Tao Kai
