Huainan Hill

Huainan Hill

Huainan Xiaoshan is a common name for some of the disciples of Liu An, king of Huainan in the Western Han Dynasty. Today, there is only one piece of Ci Fu, zhaoyinshi. "Han Shu · Yi Wen Zhi" describes "Huainan Wang Qun Chen Fu 44", among which "Zhao Yin Shi" is the only one. This article first appeared in Wang Yi's Chuci Zhangju of the Eastern Han Dynasty, which was written by Huainan Xiaoshan, while Xiao Tong's Wenxuan was written by Liu An. There are different opinions about the background of the article. Wang Yi said that it was the work of "minshang Quyuan" by Xiaoshan's disciples, Wang Fuzhi's "Tongshi of Chuci" said that it was written by Huainan Xiaoshan "for the Huainan king to summon the latent scholars in the valley", while many researchers think it was the work of Huainan Xiaoshan missing Huainan king.

Personage introduction

As for the hills in Huainan, Wang Yi of the Eastern Han Dynasty said in his preface to the songs of Chu: Wang An of Huainan was rich in elegance and good at antiquity in the past, and he was a great scholar in the world. Since the apprentice of Bagong, he admires his virtue and returns to his benevolence. He exhausts his wisdom. His works are divided into chapters, and his poems follow each other by category. Therefore, they are also called 'Xiaoshan', or 'Dashan' Most modern scholars think that the collective pseudonym is similar to the present one.

As for zhaoyinshi, the preface to zhaoyinshi in Zhangju of songs of Chu thinks that it is the disciple of Xiaoshan (Huainan) who sympathizes with Quyuan and blames him for ascending heaven, riding clouds and slaving gods. Although he is a immortal, he has sunk and his reputation is as good as that of the mountains and rivers. Therefore, he makes the Fu of zhaoyinshi to describe his ambition. However, Wang Fuzhi thinks that his righteousness is to recruit the hermit, and he is a scholar who lurks in Huainan valley. He has no intention of showing sympathy for Qu Zi. Wang Fuzhi's opinion is more in line with the truth. This Fu uses the technique of spreading and writing to vividly depict the desolation and seclusion of barren mountains and valleys: the mountains are full of osmanthus trees, and the branches are curled up. The mountains are full of gas, the rocks are rugged, and the valleys are full of water waves. Apes and goblins howl, tigers and leopards howl, climbing cinnamon twigs and drowning. Wang Fuzhi has successfully rendered a frightening artistic atmosphere, revealed the solitude and danger of hermit's seclusion, and eagerly expressed Wang Sunxi's intention of returning and not staying in the mountains for a long time. He has strong feelings, profound meaning, harmonious syllables, beautiful and moving. Because of his unique artistic style and high aesthetic value, Wang Fuzhi has always been treasured by people, and can be called the masterpiece of Sao style Fu in Han Dynasty Comments: it can be from the class attached to the "Lisao" after the syllable Bureau degree, Liu Li Ang Ji, Shao Chuci rhyme, not the ratio of other Ci Fu. Although they have different aspirations, they can inherit from the Song Dynasty and the Song Dynasty. Their words are magnificent and have the same meaning, which is really the legacy of the poet.

Work content

The content of the work is to depict the bleak and terrifying scenes in the mountains, summon the hermit "Wang sun" and persuade him not to stay for a long time, looking forward to his early return. The author uses exaggeration and exaggeration to write about the danger of mountains and valleys and the sadness of the tiger and the ape, which creates a terrifying artistic realm and successfully expresses his eagerness for the early return of the hermit. The artistic conception seems to be influenced by the song of Chu · evocation.

The whole story is full of strong feelings, deep meaning and harmonious syllables, such as "Wang sun You Xi Bu GUI, spring grass Xi luxuriant, year and evening Xi Bu chat, oratoria cry Xi chirp" such sentences, beautiful and moving, have always been recited. Therefore, Wang Fuzhi said that "the rhyme of the songs of Chu is not the ratio of his Ci and Fu" (general interpretation of the songs of Chu). In terms of subject matter, it is the ancestor of the poems of later generations.

Also attached is "recruiting hermits"

Osmanthus trees cluster in the secluded mountains, and the twigs curl together.

The mountains are filled with natural gas, the rocks are rugged, the valleys are filled with rocks, and the water is full of waves.

The tiger and the leopard roar, the Cinnamon Twig climbs, and the water is drowned.

When Wang sun is away from home, spring grass grows luxuriantly.

I don't talk to myself at the end of the year.

I'm rolling, I'm rolling, I'm wandering, I'm flustered.

Wang Xi Mi, Xi Li, Hu Bao Xue.

The thicket is thin and the forest is deep.

The tree ring is connected with the tree ring.

Green sand mixed with trees, grass, white deer, or Teng or Yi.

The shape of the bill is very sad.

The monkey is like a bear, and the animal is sad.

Climbing the cinnamon twigs, chatting and staying.

Tigers and leopards fight, bears roar, and animals are scared to death.

When Wang Sunxi comes back, he can't stay in the mountains for a long time.

Chinese PinYin : Huai Nan Xiao Shan