Fangjia Hutong

Fangjia Hutong

No. 46 courtyard of Fangjia Hutong, the former site of China machine tool factory, covers an area of 9000 square meters, and the existing building area is about 13000 square meters. It is an important "machine tool Hutong" in the industrial history of Beijing. Once known as HongRi North Road, it is located in Andingmen sub district office, close to the street, starting from Andingmen inner street in the west, adjacent to the branch office lane, and reaching Yonghegong street in the East.

Historical evolution

Fangjia hutong is east-west, which was opened up when the capital was built in Yuan Dynasty. It's not good for the Fang family. They are only known as people before the early Jiajing period of Ming Dynasty. It is not correct to quote suowenlu in toponymy annals as saying that it was named after Fang zhengshangshu who lived here at the right time in Wanli period of Ming Dynasty. In the ninth year of Yongzheng reign of Qing Dynasty (1731), nanxue was set up in the north of East Road of Fangjia Hutong, with 190 houses. In the Qing Dynasty, the horse brigade of the internal fire weapon camp was also in this lane.

No. 13 and No. 15, Fangjia Hutong, xunjianwangfu. Yongzhang was the third son of Emperor Qianlong. After his death, he was granted the title of Yongzhang. Later, Mian Yi, who succeeded the king of Xun County as his son, was built according to the level of Baylor house. The building layout of the mansion is regular, deep and broad. Now it is well preserved. The west main courtyard (No.15) is a few existing Baile mansion style mansion, with five main halls (demolished), main rooms and auxiliary rooms in the backyard, and gardens and living quarters in the East. In the East is a complete group of large quadrangle courtyard, which is divided into main courtyard, middle courtyard and backyard. The layout is similar, with north room and east-west room. It is a key cultural relic to be protected in Beijing. No. 13 and No. 15 are the second batch of designated protection areas and construction control zones in Beijing.

In September 1918, after graduating from Beijing Normal School, Lao She was appointed president of the 17th Beijing public primary school (now Fangjia Hutong primary school). Lao she lived here for two years. And often go to the capital library next door to read. In the novel Zhao ziyue, there is a "Zhangjia Hutong to the north of Beixinqiao", which is Fangjia Hutong.

Characteristics of Hutong

No. 25 of Fangjia hutong is a Xixiang room in the former site of xunjunwangfu, now called triangle Cafe Le'er western restaurant is a couple's shop. On the basis of preserving the original appearance of typical Chinese northern architecture, the architectural design of the restaurant is cleverly integrated with the southern natural landscape, with antique tables and chairs and the unique embroidered yarn flag of southwest ethnic groups. It integrates Chinese northern and southern cultures. The restaurant, which can accommodate 50 people, exudes "pure Chinese" under the light of scattered light ”The smell of the wind. Combined with the music background of jazz, blues and folk songs, the guests can enjoy the pure Western dishes and special dishes in the Chinese and Western atmosphere. Cheese sweet eggplant, special fruit salad, Mexican pork chop, fried salmon, signature fried rice, and special sago are all recommended dishes in the restaurant, especially the delicious food "little animal fried noodles" passed down by the owner. Art exhibitions and theme salons on photography, painting and folklore are held from time to time. No.19 Fangjia Hutong, China Machine Tool Corporation, construction machinery department.

Hutong culture

Art Lane Beijing

"Yixiang" culture is quietly rising in 2003, which is characterized by Beijing Hutong literature and art industry, and carries out beneficial cultural and artistic dissemination and practice activities. The integration and dialogue between avant-garde art and urban life has become a unique cultural landscape in Beijing. Beijing Huaya art foundation, together with relevant art institutions, launched and held various forms of cultural activities under the theme of "art Lane Beijing", focusing on and continuously focusing on the integration of various forms of modern art and ancient City cultural accumulation, and promoting the connection and development of traditional and modern culture.

Shenxiang art garden

Fangjia Hutong in Beijing is located in the cultural core area of the ancient capital, adjacent to Guozijian and Confucius Temple in the north, Yonghegong Creative Industrial Park and Poly Theater in the East, the famous capital theater in the south, Nanluoguxiang cultural block, Zhongxi, Guohua theater and Zhonggulou in the West. It is surrounded by traditional culture in the fertile soil of rich cultural accumulation. Its geographical location and unique deep lane landscape determine the great mission of inheriting and carrying forward traditional culture.

No. 46 courtyard of Fangjia Hutong, the former site of China machine tool factory, covers an area of 9000 square meters, and the existing building area is about 13000 square meters. It is an important "machine tool Hutong" in the industrial history of Beijing. As the Yonghe palace, Guozijian, Confucius Temple, bell and drum tower are so close to each other, this workshop is virtually contaminated with the cultural charm of the ancient capitals of yuan, Ming and Qing Dynasties. Just a few months ago, it was a mixed factory area of auditorium, boiler room, constant temperature workshop, office building and other buildings built from 1950s to 1990s. It is hidden in the "loft" between red walls and green tiles and at the end of deep Hutong. Now, a "Fangjia Hutong No.46 Art District" with the orientation of "cross-border art and sharing the future" is completed here. This is a mixed factory of auditorium, boiler room, constant temperature workshop, office building and other buildings, At present, there are different artistic entities gathered in No. 46 Fangjia Hutong, Beijing, including small theater, performing art group, cultural salon space, architectural art, visual design, new media art, modern art center, etc. each of them has different innovative ideas and presents unique artistic achievements. Therefore, a good culture and art exhibition and exchange platform has been built. There are also art hotels, theme culture restaurants and other supporting facilities in the park. It also brings together the institutions and talents of contemporary performing culture and art creative industry, presenting a new cultural ecology and forming a good interaction with the surrounding tourist attractions and humanistic environment. It integrates the creative function of space art and visual art as the main body, the experience function of entertainment and cultural and artistic exchange as the main body, and the comprehensive practical function of art with unique artistic presentation, excellent imagination and creativity. Art will bid farewell to singleness here and share the future with cross-border art.

Cross border culture

Chinese culture is a treasure of Oriental and world culture. With the improvement of China's international status, the world attaches great importance to Chinese culture. China is a country of multi-ethnic cultural integration. The specificity of ethnic regions determines the different elements of various communities, and presents a variety of development trends, so as to carry the development of regional politics and economy. The unique development of community culture will become the foothold of contemporary Chinese cultural development, rooted in the heavy historical context of China, and form a cultural system with Asian (Oriental) characteristics. Under such a background, we put forward the development goals of future cultural community: comprehensive experimental exploration of spiritual creation, leading the cross-border interaction of future culture; adhering to the internal extension and external connotation of avant-garde thoughts, gathering the community system of art and culture; integrating the core concept of avant-garde and cutting-edge, spreading the harmonious mechanism of national culture; opening the thinking space of fashion innovation, creating creativity The infinite possibility of culture.

The popularity of Fangjia Hutong No.46 just reflects an individual's spiritual appeal for art and culture, and a plot to find the national cultural foundation under the city's core system (Art Lane). It is located in the second ring road of Beijing. The surrounding space contains traditional Chinese culture represented by Confucius Temple and Guozijian, Buddhist culture represented by Yonghe palace and folk culture represented by Bell and Drum Tower. With the return of spiritual culture of social noumenon, the cultural creators scattered in every corner of the city follow their search footprints, travel in the shade of a hundred years, and enter the ancient lane where Lao She once lived The story of Qingyong mansion for nearly 300 years infiltrates into the imagination of the explorers. Through the deep lane, a rare Industrial Park in the alley comes into view: the original industrial plant, boiler room and auditorium are in line with the characteristics of the international popular loft pattern, with frame structure, large bay, independence, floor height of 4-8 meters and free division. They found the spiritual soil and cultural derivation point in the deep lane culture. A simple courtyard, with rich historical and cultural heritage, carries the creator's future ideal, and provides rich creative nourishment and source for the gradually formed cultural development.

With the entry of a large number of enterprises and institutions, Fangjia Hutong No. 46 has gradually formed a space area covering high-end talents in various fields such as culture, art, science, technology and humanities, which has also produced a series of distinctive comprehensive culture and art gathering spaces, including pioneer performance art gathering space, range Art gathering space, art design gathering space and Experimental Media Art gathering space Public welfare theme culture and Commerce gathering space, comprehensive science and technology culture gathering space. Through the integration of comprehensive resources, activities and exhibitions, international network, academic alliance, space reorganization, regular art salons, expert lectures, forums, public welfare activities, comprehensive art festivals and other art ecological integration forms, the gathering space creates a cross-border interactive exchange platform. Through the interaction between the public and the comprehensive arts and culture, as well as between the international industry and outside, the infinite possibility of creative culture is created.

This kind of spatial agglomeration and cross-border integration structure gradually spread to every corner of the city, forming a new agglomeration effect. It is this effect that creates the culture and art community ecosystem of Fangjia Hutong No.46, which represents a new creative growth mode of Dongcheng Yonghe park. The oriental charm of community culture will gather more open new life and future. Therefore, the culture and art community of No.46 is not a simple collection of various art categories in a certain space area, but a harmonious mechanism and organic whole formed naturally through the benign interaction between the internal and external.

Urban Creative port

In area 46,

Chinese PinYin : Fang Jia Hu Tong