Jia Pingwa literature and Art Museum

Jia Pingwa literature and Art Museum

Jia Pingwa literature and Art Museum, or Pingwa Museum for short, was built in May 2006 and officially completed and opened to the outside world in September 2006. It belongs to Xi'an University of architecture and technology. Jia Pingwa literature and art museum is a non-profit cultural exhibition hall with the theme of comprehensive collection, arrangement, display and research of Jia Pingwa's literature, painting, collection and other artistic achievements and growth experience. Jia Pingwa literature and art museum is a two-story single family building with grey tiles facing the street. The shape of the museum is not a regular three-dimensional shape, but a creative and unique building with modern style assembled with steel bars and large pieces of tempered glass. Entering through the gate, a huge picture of the writer is painted on a towering black wall. In the picture, Jia Pingwa covers his left eye with his hand and looks at the visitors with this unique shape.

Introduction to the Museum of Art

Jia Pingwa Museum of literature and art has held Lu Xun's reading and living exhibition, "Miss Lu Yao" photo exhibition and "watch Lu Yao" launching ceremony, Jia Pingwa painting and calligraphy exhibition and "Jia Pingwa painting and calligraphy" launching ceremony, Chinese folk sports photography exhibition to welcome the Olympic Games, "I am the Olympic torch bearer" photo exhibition, primary school students' painting and calligraphy exhibition attached to Jianda University, based on literature and creating brilliance -- Jia Pingwa from "full moon" to "full moon" The 30-year award-winning history exhibition of Qinqiang, the new edition of Jia Pingwa's anthology and postscript's audio-visual disc premiere, and the compilation of China's hundred stones appreciation into the stone friends' fraternity and other activities attract a large number of viewers. Each activity not only improves the campus cultural atmosphere, but also better realizes the extensive radiation of university campus culture to the society.

The reason of Architecture

In 2006, among the "60 century literature" sponsored by sina.com and Beijing Yanshan publishing house, jointly selected by literary critics at home and abroad and the public, Mr. Jia Pingwa ranked sixth after Lu Xun, Zhang Ailing, Shen Congwen, Lao She and Mao Dun, ranking first among the living writers. At the same time, the first World Chinese novel "dream of Red Mansions Award" was announced, and Mr. Jia Pingwa's new novel "Qinqiang" won the top of the list. In order to show the writer's growth process and creative experience, show the writer's literary achievements and creative life, and provide a place for literary lovers to learn literature and exchange experience. Xi'an University of architecture and technology decided to establish "Jia Pingwa literature and Art Museum" for the famous writer Jia Pingwa on campus.

Preface:

Jia Pingwa (1952 -) is one of the few literary masters and talents in the contemporary Chinese literary world. He is the most rebellious, creative and influential writer with world significance in contemporary China. He is also one of the few famous writers who can enter the history of Chinese and world literature. With his unique literary and artistic talent, he created a unique literary world integrating traditional Chinese aesthetics with the universal humanistic spirit of the contemporary world. He has rich and profound Chinese national character and psychological connotation, and is a figure of his time in the way of man, life. He is not only a literary artist who constantly pursues and creates beauty, a proud man of life and times, but also the son of the motherland and the people. He named the times he lived in with his own pen and imprinted his name on the monument of the times.

In more than 30 years of literary creation, Jia Pingwa has created such classic literary works as "heavenly dog", "ugly stone", "impetuous", "waste capital", "Gao Laozhuang", "nostalgia for the wolf" and "Qin opera". He has his own unique achievements in the exploration of literary style innovation of novels, prose, poetry and other literary genres; in the literary content, he accurately and profoundly shows the painful and tragic social transformation of rural China in the process of modernization from the end of the 20th century to the beginning of the 21st century with a unique perspective, which not only completely recovers and reproduces all living beings in real life In a kind of original ecological narrative, it goes deep into the spiritual world of contemporary Chinese people and highlights the unprecedented cultural embarrassment that the Chinese nation has encountered in the global context of modernization.

Jia Pingwa's literary works are full of imagination, true feelings in popularity, compassion in plainness, profound sustenance and rich writing ability. They not only have a large readership in China, but also transcend national boundaries, and are widely recognized by experts, scholars and readers from different ethnic cultural backgrounds. Especially in the nationalization of literary language, while inheriting the tradition, he created a new tradition and made outstanding contributions to the new Chinese writing. His works have been translated into English, French, Russian, Vietnamese, Japanese, Korean and other languages and spread in more than 20 countries in the world. The major international awards include the American Mobil Pegasus prize for Literature (impetuous, 1987), the French Fermina prize for Literature (waste capital, 1997), and the French Republic prize for literature and art (2003). In China, he won the first national excellent short story Award (1978), the second national excellent novella Award (1984), the first national excellent prose (Collection) Award (1989), the third Lu Xun Literature Award (2005), the fourth Chinese literature Media Award (2005), and the world Chinese novel dream of Red Mansions Award (2006). With his unremitting efforts, Jia Pingwa has fulfilled his sacred promise of "truly expressing the life and emotions of modern Chinese people in the way of traditional Chinese beauty", which he publicly declared as early as 1982. He has made outstanding contributions to the nationalization of Chinese literature and to the world.

Exhibitions and collections

Soldier baby

Bing Wa is Jia Pingwa's first collection of stories, which was first printed by China children's Publishing House in Beijing in June 1977. This is a collection of short stories reflecting the struggle between the two roads in the countryside. It has a strong flavor of life, simple and funny language, and vividly shows the new style of the rural youth at that time.

This is only a small part of Jia Pingwa's short stories. Literary works in the early 1970s were all about the struggle of "two lines". The struggle divided people into positive, negative and middle elements. The conflict between them must be the main line of the conflict in the works. The writer who skillfully uses this writing technique to reach the peak should be Haoran. As a new writer, Jia Pingwa inevitably follows this way of thinking.

These novels are not mature works, but more like exercises, like the works of asking for the way to literature. In postscript, Jia Pingwa wrote: "I continue to write this song of praise to the new generation! Praise to the Cultural Revolution! It's also my praise to open school! Here, I've selected a few of them. They'll be regarded as a graduation examination paper I handed in to the workers, peasants and soldiers. "

However, in this paper, Jia Pingwa still showed his own characteristics and talent. For example, the relaxation of the control of contradictions, such as the vividness and simplicity of language, and the calm grasp of rural life. That's his foundation. Talent, talent, these things, are overflowing from the beginning.

Qin Opera

Jia Pingwa's novel Qin opera, which has nearly 500000 words, takes the life of Dihua Street, Shangzhou District, Shangluo City, Shaanxi Province as the material, and describes the people's living situation and psychological state of mind in Qingfeng street in Rural Shaanxi Province with prose style. The high pitched and deep, stirring and sad Qin opera runs through all the time. The scattered perspective like the river during the Qingming Festival shows the living state of contemporary rural China, expresses the writer's local feelings and deep sense of hardship, and also shows the writer's new exploration and efforts in artistic creation.

The novel draws lessons from magic realism, and narrates the story from the perspective of crazy and silly bachelor Zhang Yinsheng -- he can see the flame on his head, which is big when he is in good health; he can turn into a spider to listen to the meeting of Qingfeng street; he can turn into a mantis to climb on the shoulder of his secret love snow white; he is struck by lightning but survives; he is swept up by tornado but is safe …… Through this perspective, the novel vividly shows the living conditions and psychological mentality of all kinds of people in Qingfeng Street: the intrigue of township grass-roots political power; the corruption of township cadres; the official running, important officials, offering and accepting bribes; the desolation of the fields after the labor force left the countryside; the forced collection of rural land by building national roads; the heavy burden of forced apportionment and tax collection of township government; the social and cultural degeneration of township Gambling is popular; township cadres bully the people by relying on power As the author wrote in the postscript, "after the limited land has exerted its potential to the utmost, the grain output will not increase any more, while the chemical fertilizers, pesticides, seeds and various taxes and fees will rise rapidly, and the rural areas have become the flood discharge places for all social pressures. The system has slackened its governance. The old things are scattered, like the water poured out. New things are not coming, and they can't be grasped when they come. ". The author's observation, analysis and thinking about the contemporary Chinese countryside are vividly reflected in his vivid description of the life of the villagers in Qingfeng street.

Jia Pingwa said: "Qin opera is about a lot of scattered days.". The novel, contrary to the traditional novel, uses dramatic twists and turns of plot to win. Instead, it adopts the prose structure of people's affairs. In the trivial description of township life, such as birth, death, marriage, eating, drinking, Lhasa, it shows the survival and living status of the villagers in Qingfeng street, shows the impact of the urbanization process of Chinese society on the traditional civilization of township society, and also reflects the reality He painted many personages with personality. There are two lines in Qin opera, one is Qin opera, the other is opera

Chinese PinYin : Jia Ping Ao Wen Xue Yi Shu Guan