Laojia Art Museum

Laojia Art Museum

Huoying, located in the northern suburb of Beijing, is adjacent to Huilongguan in the west, pingxifu in the north and Lishuiqiao in the south. It was officially opened on October 16, 1997. It covers an area of 3500 square meters and a construction area of 900 square meters. The purpose of the art museum is to spread the seeds of art, create an artistic atmosphere, and carry out activities based on the theme of creation, exhibition, research, communication and popularization, so as to unite the well-known and unknown artists and art lovers in the society to do what they can for the society.

Overview of scenic spots

When you enter laojia Art Museum, a broad grassland, natural rocks and flowers show you that this is a pure land of art. The large relief sculptures outside the museum and in front of the exhibition hall have a strong flavor of freehand brushwork. Further on, through the imposing stone pillars, we arrive at the spacious and bright exhibition hall. There are several straight dividing lines, high walls, and no traces of decoration. The 300 square meter exhibition hall is quite interesting with Lao Jia's freehand brushwork. It has an indescribable feeling of both modern and Chinese. Just as the German art critic Ferdinand said, Lao Jia is deeply rooted in the classical tradition and grasps the tradition He is a modern painter who knows how to express strength and movement, confrontation and stillness, joy and pain, coercion and shock. Now he has successfully given his momentum to his art gallery.

Artistic features

Masculinity is the first characteristic of Lao Jia's works. There are only a few painters who can really be called painters in an era. Mature style is the symbol of a mature painter, but many painters can't do it. Many painters don't know what to show. They think that painting mountains and rivers means painting mountains and trees. Painting cattle and horses means painting cattle and horses. In fact, painting is to show something. For example, Lao Jia's paintings are expressive force and potential; Xu Beihong's horses show the demeanor of ancient gentlemen; Li Keran's mountains and rivers show majestic and heavy; Qi Baishi's paintings show elegant and quiet, which is the performance of painters. Because the painting to see a person's temperament and sustenance. I'm now editing the book "comment on modern masters and everyone" for Jiangsu fine arts publishing house. There are few people alive, among them are laojia's paintings. According to my selection criteria, they are modern, national and personal. The second criterion I chose for painting is outstanding artistic style, height and depth. Height is to have cultural connotation, depth is to have high expression (mainly skills). These two sets of standards are in line with the old one.

Each of Mr. Jia's paintings exudes an aesthetic shock. Now there are few paintings that can really brighten my eyes and move my heart. But after reading Mr. Jia's paintings, I can't calm down for a long time. Lao Jia's painting is simple, simple and broad-minded, which is an art of Huang zhongdalu. I realized the publicity of life from Mr. Lao Jia's paintings. I feel that in addition to strength and momentum, there is also a kind of spirit in Lao Jia's paintings, that is, the spirit of the wild, the spirit of the bold, the spirit of the blood, and the spirit of the smart. Like the music of Mr. Jia's portrait, it uses a very concise artistic language to express his strong life and has a natural affinity. Lao Jia grew up at the foot of Yanshan mountain. From the essence of his life, it is the secluded Yanshan mountain, the vast Bohai Sea, and the magnificent ancient Great Wall that nourishes his flesh and soul. It is this land vein and atmosphere. This soil and water gave birth to Lao Jia, his paintings and the spirit of Lao Jia's paintings. Mr. Lao Jia's painting "the creation of heaven and earth" can make people feel the cracking sound of mountains, while the painting of horses makes people seem to hear the sound of horses trampling. This is Mr. Lao Jia's excellence. Lao Jia's paintings, such as drinking liquor, are full of flavor.

It's not only full, but also has a long aftertaste, which can stand the taste. Look at the horse, the cow, the plum, the peony and the child in his works Is that a horse? Is it a cow? Is it a flower or a man Yes and No. If you say no, it's obviously true. It's more true than that. If you say yes, it's not true. Who has seen such horses, cows and plants? This is the power of God. The ancients said that "it's spirit that is hard to write about" and that "it's impossible to draw from the origin of ideas". But Lao Jia did. Lao Jia described the God of things and the truth of things, extended the readers' artistic imagination, deepened the readers' philosophical thinking, and helped the readers complete their dreams. Therefore, Lao Jia's paintings have the artistic effect of "one by one Hamlet". Is it masculine? Of course, because the old Jia topic itself is full of masculinity: the galloping horses, the unruly cattle, the boy and the sun, and so on.

Artistic feeling

But do we feel the same from it? Even I feel that there is a feminine beauty in him, the charm hidden in the depth of masculinity that can only be expressed but not expressed. Otherwise Lao Jia's painting would not be so beautiful. Don't you feel that Lao Jia's horse has some inner connection with the beauty? It is in this sense that Lao Jia's paintings help readers fulfill their dreams. The art that can continue and extend other people's dreams is a great art. This art itself is also a dream, a second nature and a poetic habitat. All the objects described are nothing but the carriers of dreams. Everyone has a dream, but Lao Jia's dream is more chaotic, more atmosphere, more atmosphere; everyone wants to have a dream, so we are intoxicated by Lao Jia's dream.

Personage introduction

brief introduction

Jia Haoyi was born in Jiming village, Zunhua County, Hebei Province in 1938. He was admitted to the Fine Arts Department of Beijing Academy of Arts in 1958. After graduation, he stayed in school to teach. In 1962, he was transferred to Chaoyang District Cultural Center of Beijing. He was transferred to Beijing Painting Academy in 1978. In 1987, he was rated as a first-class artist. In 1997, laojia art museum was completed in the northern suburb of Beijing. His representative works include Barthel, the painting of horses, the shadow of cattle, the man of Hulunbeier, etc. His works have been exhibited in Canada, Singapore, Romania, Switzerland, France, the United States, Japan and South Korea. He has published the collection of laojia's paintings, the collection of laojia's paintings of grass style, the collection of laojia's freehand brushwork, etc. The so-called "heaven and earth have great beauty but not words", Guan laojia's paintings give people great beauty. Lao Jia likes to travel. His footprints are all over the mountains and rivers. He goes to the countryside to sketch for two or three months a year. His thick sketch book shows people his diligence and free and easy. His creation comes from life, but it is more refined. The thick ink and wash clumps build a vigorous, powerful and simple art world, which sweeps away the elegant and elegant style of ancient literati's ink and wash painting, and gives people a strong visual impact. He said to himself: "I draw what I want to draw, and use the method I may use to achieve the effect I want to achieve - follow my own feelings."

He graduated from the Fine Arts Department of Beijing Academy of Arts in 1961 and then stayed in school to teach. After his alma mater was dissolved, he was transferred to Chaoyang District Cultural Center as a cultural officer. In 1978, he was transferred to Beijing Painting Academy as a professional painter and began to sketch the development of freehand brushwork expression vocabulary. Since 1988, he has held individual art exhibitions in China Art Museum, Jiangsu Art Museum, He Xiangning Art Museum, South Korea, Singapore and other domestic and international art museums. His work "Hulunbeier man" has participated in China's Centennial art exhibition. He has published a number of his own paintings and a collection of his works, Lao Jia: what is said inside and outside the painting world. His works are included in the complete works of modern Chinese art, Chinese contemporary art, contemporary Chinese painting, and other important historical materials of national artists. In 1997, laojia took the lead again and set up a private art museum with an area of 3500 square meters on Beijing Badaling Expressway: laojia Art Museum. Add a green landscape to Beijing's culture and art!

Life

He was admitted to the Fine Arts Department of Beijing Academy of Arts in 1958

After graduating in 1961, he stayed in school to teach

In 1962, he was transferred to Chaoyang District Cultural Center to do mass art work

In 1964, a comic strip exhibition was held in the Chinese Art Museum. Art magazine publishes "for the masses of art workers"

Laojia Art Museum

The author's letter.

In 1970, he was invited to create party history paintings for the Chinese Revolutionary Museum and accepted the task of creating six episode comic strips by Renmei society. (collective creation)

In 1973, the second episode of "sunny day" was selected into the national Chinese painting exhibition.

In 1975, the fourth episode of the comic strip sunny day was selected into the national excellent art exhibition.

He was transferred to Beijing Painting Academy in 1978.

In 1979, he went to Gannan Tibetan area for sketching.

In 1981, he went to Jiuzhaigou and Three Gorges of Sichuan for sketching.

In 1982, four works including "traveling on the plateau" were exhibited in Vancouver, Canada. He created a huge work, bloodstain. The work "come back" participated in the joint exhibition of Chinese and Japanese works. I went to Xilinguole grassland in Inner Mongolia to sketch.

In 1983, the work "August" participated in the "exhibition of art works in the 1980s" sponsored by Beijing Artists Association and was collected by the organizers. He went to Huian, Fujian, Pingliang, Gansu, Tianjun, Qinghai and Yangkang Tibetan areas for sketching.

In 1984, he went to Guilin for sketching.

In 1985, 15 works such as "the way home" were exhibited in China Art Museum, Hong Kong and Singapore. I went to Inner Mongolia Horqin grassland for sketching.

In 1986, Barthel participated in the joint exhibition of Chinese and Japanese art works. Spring rhyme and other four paintings

Chinese PinYin : Lao Jia Yi Shu Guan