He Xiangning Art Museum

He Xiangning Art Museum

He Xiangning Art Museum is the first National Art Museum named after an individual in China, and the second national modern museum after China Art Museum.

He Xiangning Art Museum focuses on the collection, display and research of He Xiangning's calligraphy and painting works. It will also pay attention to the relevant artists, sort out and preserve the art historical materials, organize high-grade art exhibitions and collections at home and abroad, carry forward the Chinese cultural tradition and promote the socialist spiritual civilization and beauty of our country through the academic research of modern art and the promotion of art education Cultural and artistic exchanges between the art world and overseas.

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Construction time

The construction of He Xiangning Art Museum was approved by the central government on May 13, 1995, started on March 1, 1996, completed in April 1997, and officially opened on April 18. General Secretary Jiang Zemin personally inscribed the name of the museum.

It is the first National Art Museum named after an individual in China and the second national modern museum after the China Art Museum. It is located in Shenzhen Overseas Chinese town, the window city of China's reform and opening up, adjacent to the three famous cultural tourist attractions "Splendid China", "Chinese folk culture village" and "window of the world", and closely connected with the west entrance of the folk culture village.

Exhibits

He Xiangning Art Museum focuses on the collection, display and research of He Xiangning's calligraphy and painting works. It will also pay attention to the relevant artists, sort out and preserve the art historical materials, organize high-grade art exhibitions and collections at home and abroad, carry forward the Chinese cultural tradition and promote the socialist spiritual civilization and beauty of our country through the academic research of modern art and the promotion of art education Cultural and artistic exchanges between the art world and overseas.

significance

It provides a full range of services for artists and art audiences, connoisseurs and collectors, and integrates with the first-class environment of OCT cultural tourist attractions. In a comfortable and elegant environment, people are encouraged to pay attention to art, discuss works, listen to lectures and participate in creation; artists' personal artistic expression is emphasized to build a bridge between the art circles at home and abroad and the audience, so as to integrate artists, art works and art appreciators, and promote the great development and prosperity of China's art industry in a real sense. He Xiangning Art Museum takes the collection, research and exhibition of He Xiangning's art works as its basic academic work. It has the largest number and the most important He Xiangning's art works at home and abroad. It gathers the representative works and related literature of the artist's more than 60 years of creative career. It is not only a complete embodiment of He Xiangning's artistic creation, but also an important material for the study of He Xiangning and related artists.

architectural composition

The building area of the art museum is more than 5000 square meters. The architectural design strives to embody the character of Ms. He Xiangning's life and the principles of solemnity, effectiveness and moderation.

The broad square, connected with the entrance of the west gate of the Chinese folk culture village, is a living space for people to communicate and activities, and also a prelude to the building. Through more than ten wide granite steps and more than 20 meters long pedestrian overpass, visitors are introduced into the museum step by step. The whole building adopts gray and white colors, elegant and solemn; the concave wall and the protruding glass box form a strong contrast, the long fox shaped wall has a rectangular hole, and behind the wall, dozens of green bamboos are swaying in the wind.

Before the main exhibition hall is a courtyard style atrium design. The North-South central axis of the atrium coincides with the central axis of the pedestrian overpass and the main exhibition hall, making the courtyard an important transition space. Large area wooden lattice windows and doors are used on three sides of the atrium, which abandons the tedious decoration, and exudes the modern sense in the simple, simple and strong traditional cultural atmosphere.

The interior design fully borrows the beautiful scenery of the external environment. When visitors appreciate the exhibits on the second floor, they climb up the stairs to the third floor. In front of the stairs, the transparent glass borrows the stone forest of the folk village, just like a living landscape painting.

The atrium of "patio" is not only filled with the pleasure of Oriental courtyard, but also makes the indoor and outdoor echo each other, thus enriching the visual effect of visitors. Glass ceiling is used on the roof of public hall, etc. Under the canopy, visitors can see the blue sky and white clouds. Through the sunlight, the light and shadow of the building reflected on the ground and the wall add interest to the interior space.

Practical information

Ticket information

Free Admission

Opening Hours

From Tuesday to Sunday: 9:30-17:00 (stop entering at 16:30), closed on Monday (except holidays, special circumstances will be notified on the official website).

Traffic information

He Xiangning Art Museum: 101, 21, 222, 26, m123, m132, M398, m487, N6

He Xiangning Art Museum ②: 113, 204, 223, 234, 338, 369, M183, M433, M486, m488, N4

Get off at OCT station of Shenzhen Metro Line 1 and walk to it.

Profile

Personal introduction

He Xiangning (1878.6.27-1972.9.1), female, formerly known as Ruijian, also known as Jian, was born in Nanhai, Guangdong Province (now Fangcun District, Guangzhou). He married Liao Zhongkai in 1897. He went to Japan to study in the summer of 1903. In September, he met with Liao and visited Dr. Sun Yat Sen many times. He was determined to devote himself to the democratic revolution and was entrusted by Dr. Sun Yat Sen to actively carry out activities among overseas students. Introduced by Sun He Li Zhongshi in August 1908, he joined the Chinese League. In the next few years, he studied in Tokyo mubai hexiangningtu 3 women's University and the local women's art school. At the same time, he undertook logistics work such as sending and receiving sun's letters, and drew military flag and other patterns for sun's uprising. His residence in Tokyo has become a regular meeting place for key members of Sun Ji alliance.

Huanghuagang Uprising

Huang returned to Guangdong on the eve of the uprising. After the failure of the revolution of 1911, Liao Zhongkai and sun Zhongkai followed sun youzuo all the time to fight against yuan and protect the law. When Chen Jiongming rebelled, he was very concerned about the safety of sun and his wife, and tried his best to rescue Liao. Later, he strongly supported Sun Yat Sen's reorganization of the Kuomintang and became a loyal supporter and executor of Sun Yat Sen's three major policies of uniting Russia, the Communist Party and supporting agriculture and industry together with Liao. In August 1924, He Xiangning, the second female minister of the Kuomintang Central Committee, actively carried out the women's movement. In 1925, when Sun Yat Sen was critically ill in Beijing, he came to Beijing to serve him. He was one of the signers of Sun Yat Sen's dying will. After Sun Yat Sen and Liao Zhongkai died one after another, they inherited their will, maintained the three major policies, and made great efforts to promote the national revolutionary movement. In January 1926, he was elected executive member of the second National Congress of the Kuomintang. After acting as a woman minister, she actively supported the northern expedition.

From the April 12 incident to the founding of the people's Republic of China

After the "April 12" counter revolutionary coup in 1927, he communicated with Soong Ching Ling, Mao Zedong and others to attack Chiang Kai Shek. In 1929, he angrily refused with Chiang Kai Shek, and then went abroad to live in Europe. After the September 18th Incident, he returned to China to engage in the Anti Japanese and national salvation struggle and served as a member of the Standing Committee of the national salvation Federation of all walks of life. During this period, he sold paintings and calligraphy to raise goods for the 19th Route Army during the Anti Japanese War, planned relief work together with Soong Ching Ling, and founded a hospital for the sick and wounded. In 1937, at the Third Plenary Session of the Fifth Central Committee of the Kuomintang, he and Song Qingling proposed to resume Sun Yat Sen's three major policies of uniting Russia, the Communist Party and supporting agriculture and industry, and demanded the Kuomintang and the Communist Party to unite and cooperate in the war of resistance. After the victory of the Anti Japanese War, he devoted himself to the patriotic democratic movement and opposed Jiang's dictatorship and civil war policy. In 1946, he participated in the preparatory work of initiating the establishment of the Democratic Promotion Association of the Chinese Kuomintang. In January 1948, he and Li Jishen established the Revolutionary Committee of the Chinese Kuomintang in Hong Kong and served as the Standing Committee of the Central Committee. After the founding of the people's Republic of China, he served as a member of the Central People's government, chairman of the overseas Chinese Affairs Committee, vice chairman of the CPPCC National Committee, vice chairman of the Standing Committee of the National People's Congress, honorary chairman of the all China Women's Federation, chairman of the Revolutionary Committee of the Kuomintang. He died in Beijing on September 1, 1972. The book is the second volume of Shuangqing anthology.

Address: 9013 Shennan Avenue

Longitude: 113.981506

Latitude: 22.533139

Tel: 0755-26604540

Chinese PinYin : He Xiang Ning Mei Shu Guan