Yangzhou Eight monsters Memorial Hall

Yangzhou Eight monsters memorial hall is a professional memorial hall to publicize and carry forward the artistic achievements of Yangzhou Eight monsters. "Yangzhou Eight monsters" are a group of creative painters who were active in Yangzhou painting circle in Qing Dynasty. Including: Zheng Xie, Luo pin, Huang Shen, Li Fangying, Gao Xiang, Jin Nong, Li Yi and Wang Shishen.

The Baqi memorial hall was rebuilt from the Western temple. Jinnong, the representative of Baqi, lived in the temple in his old age. His former residence is the museum. There are paintings and calligraphy of Baqi and representative works of Yangzhou painters and calligraphers. There are nanmu hall and millennium old trees in Ming Dynasty.

Yangzhou Eight monsters Memorial Hall

Yangzhou Eight monsters memorial hall is located in the West Temple, Jinnong's former residence in Yangzhou City, Jiangsu Province. In addition, Jinnong sojourn room was set up to display the historical atmosphere of "eight strange" painting and calligraphy creation.

"Yangzhou Eight monsters" are a group of creative painters who were active in Yangzhou painting circle in Qing Dynasty. The art works with new composition and new techniques have created a new generation of painting style and made immortal contributions to the development of Chinese painting and calligraphy.

brief introduction

"Yangzhou Eight monsters" are a group of creative painters who were active in Yangzhou painting circle in Qing Dynasty.

Yangzhou Eight monsters memorial hall is a professional memorial hall to publicize and carry forward the artistic achievements of Yangzhou Eight monsters. The memorial covers an area of 4452 square meters. The existing nanmu Hall of the Ming Dynasty is now the main exhibition hall, showing the local conditions and customs, convenient transportation and prosperous economy of Yangzhou in the 18th century Therefore, eight monsters were born.

There are "eight strange" paintings and representative works of Yangzhou painters and calligraphers for tourists to enjoy. In addition, the restoration display of Jinnong's sojourn room shows the historical atmosphere of "eight strange" painting and calligraphy creation life. There are thousands of years old trees preserved in the museum, and a rockery pool is added. The green grass is clean and quiet. It is a unique scenic spot in Yangzhou.

Yangzhou Eight monsters memorial hall is a professional memorial hall to publicize and carry forward the artistic achievements of Yangzhou Eight monsters. Yangzhou Eight monsters memorial hall is adjacent to the prosperous Wenchang business circle of Yangzhou in the East and the famous thin West Lake Scenic Area in the West. It is built by using the ancient buildings of the Western temple where Jinnong, one of the "eight monsters" of Yangzhou, once lived. The nanmu hall 700 years ago is now the main exhibition hall of Yangzhou Eight monsters memorial hall, which focuses on the causes and artistic achievements of Yangzhou Eight monsters; the East and West galleries display Yangzhou Eight monsters' calligraphy and painting, showing the individual creation of each painter; the Abbot's room where Jinnong lived restored to its original appearance, showing Jinnong's creative life in his later years; the boutique exhibition room displays the paintings of Li Yaru, the successor of "Yangzhou Eight monsters" Nearly 60 pieces of "Yangzhou Eight monsters" calligraphy, painting and stone carving reproduce the charm of traditional Chinese steles. "Millennium ginkgo", "ice in Hechi", "moon in Lianchi" and "bamboo spring". Beautiful landscape and profound cultural heritage complement each other. Yangzhou Eight monsters memorial hall is a unique tourist attraction in Yangzhou.

Layout structure

The internal structure of Yangzhou Eight monsters Memorial Hall: the existing ancient building, nanmu hall in Ming Dynasty, is now the main exhibition hall. The structure of the main hall is mostly made of Phoebe, and its beam frame is very distinctive. The color painting in the main hall is rare in Yangzhou area, because the beams in Yangzhou are well carved and seldom painted, but the color painting in the main hall is all over the beams, even without caisson, but with five colors. From the only small pieces of color painting, it is clear that the color painting of the beam purlin Fang is in the style of Song Dynasty. The well preserved style of the blockbusters is that of the early Ming Dynasty: the composition is bright, the pattern is simple, and the color is green, yellow and white, showing the pattern and background color. There are "eight strange" paintings and representative works of Yangzhou painters and calligraphers for tourists to enjoy. In addition, the restoration display of Jinnong's sojourn room shows the historical atmosphere of "eight strange" painting and calligraphy creation life. There are thousands of years old trees preserved in the museum, and a rockery pool is added. The green grass is clean and quiet. It is a unique scenic spot in Yangzhou.

Landscape collection

The existing nanmu Hall of the Ming Dynasty is now the main exhibition hall, showing the local conditions and customs, convenient transportation and prosperous economy of Yangzhou in the 18th century Therefore, eight monsters were born. There are "eight strange" paintings and representative works of Yangzhou painters and calligraphers for tourists to enjoy.

In addition, the restoration display of Jinnong's sojourn room shows the historical atmosphere of "eight strange" painting and calligraphy creation life. There are thousands of years old trees preserved in the museum, and a rockery pool is added. The green grass is clean and quiet. It is a unique scenic spot in Yangzhou. The baguai memorial hall was rebuilt from the Western temple. Jinnong, the representative of baguai, lived in the temple in his later years. It is really rare to use his former residence as the hall. In the Sui Dynasty, the Western temple was built as a shelter, facing the river. It is said that in the Tang Dynasty, three stone Buddhas were excavated in front of the temple. Emperor Taizong of the Tang Dynasty granted the "Western Zen Temple". Soon after, the monk Zhiwan moved the temple to the present site.

During the war, the main hall of Ming Dynasty was still standing. The structure of the main hall is mostly

It is made of Phoebe, and its beam frame is very distinctive. The top of the column is rolled to form a basin. All the beams are made in the open, the middle seam is used to lift the beam, which is in the shape of moon beam, and the mountain surface is in the form of crossing. The color painting in the main hall is rare in Yangzhou area, because the beams in Yangzhou are well carved and seldom painted, but the color painting in the main hall is all over the beams, even without caisson, but with five colors. From the only small pieces of color painting, it is clear that the color painting of the beam purlin Fang is in the style of Song Dynasty.

The well preserved style of the blockbusters is that of the early Ming Dynasty: the composition is bright, the pattern is simple, and the color is green, yellow and white, showing the pattern and background color. During the restoration, the theory of "returning the old with the old" was adopted to protect the historic sites, so as not to damage the shape and painting of the beam frame as much as possible, so that modern people can have a glimpse of the architectural art of song and Ming Dynasties.

Wang Zhenshi's "Yangzhou Tour" records: "Qing qianlongzhong, Renhe painter Jin Dongxin visited Yangzhou, tasted the Hakka temple, and later died." In his later years, Jinnong believed in Buddhism and specialized in painting Buddhist scriptures. Today, Jinnong lives in a hermit's room and has restored the furnishings of his living paintings.

He once wrote a poem on the wall of the temple: "there is no Buddha or monk, there is a lamp in the empty hall. A cup of wine kills every vine. Dream of today should be, flatter old failed. What do you think here? The crane on the pond peeps at the ice

It seems that the situation at that time was very bleak. The painter was lying alone. He was only a single figure. But the respectable man "flattered others and never followed the trend. He preferred" the crane on the pond peeping at the ice "to keep elegant and noble. He won people's memory with his character and art. What can comfort you is that now his former residence has become a place to commemorate them - the memorial hall of eight monsters. The achievements of eight monsters and their fragrant calligraphy make later generations pay attention to the magnificent style of eight monsters.

The main exhibition hall of the memorial hall is the nanmu Hall of the Ming Dynasty, which is an ancient building. It shows the local conditions and customs, convenient transportation and prosperous economy of Yangzhou in the 19th century. There are "eight strange" calligraphy and painting and representative Yangzhou calligraphers and painters in the East and West Gallery room and the Treasures Exhibition Hall for tourists to enjoy. There is also a restored room display of Jinnong to show the historical atmosphere of "eight strange" calligraphy and painting creation life.

Yangzhou Eight monsters memorial hall is adjacent to the prosperous Wenchang business circle of Yangzhou in the East and the Slender West Lake scenic spot of Shugang in Yangzhou in the West. It is built by using the ancient buildings of the Western temple where Jinnong, one of the "eight monsters" of Yangzhou, once lived. Nanmu hall, 700 years ago, is now the main exhibition hall of Yangzhou Eight monsters memorial hall, which focuses on the causes and artistic achievements of Yangzhou Eight monsters; the East and West galleries display "Yangzhou Eight monsters" calligraphy and painting, showing the individual creation of every painter and calligrapher; the Abbot's room, where Jinnong lived, restores its original appearance and attaches importance to Jinnong's creative life in his later years; the boutique exhibition room displays Mr. Li Yaru, the descendant of Yangzhou Eight monsters Nearly 60 pieces of "Yangzhou Eight monsters" calligraphy, painting and stone carving represent the charm of traditional Chinese steles.

Introduction to eight monsters

There are eight painters in Yangzhou: Zheng Xie, Luo pin, Huang Shen, Li Fangying, Gao Xiang, Jin Nong, Li Yi and Wang Shishen. They were a group of creative painters who were active in Yangzhou in Qing Dynasty. "Eight monsters" like painting plum, bamboo, stone and orchid best. They express their interests with the pride of plum, the hardness of stone, the purity of bamboo and the fragrance of orchid. Among them, Luo pin also likes to draw ghosts, and all kinds of ghosts are in his works.

Yangzhou's eight monsters were well-known before they died. Li Yi, Li Fangying, Gao fenghan, and Li Mian were summoned, tested, and appointed by the emperors of Kangxi, Yongzheng, and Qianlong, respectively. In the eighth year of the reign of Emperor Qianlong, Hongli saw the painting of cherry shoots by Zheng Xie, which was inscribed with the seal of "treasure of Emperor Qianlong". In the 13th year of Emperor Qianlong's reign, Zheng Xie was granted the title of "history of calligraphy and painting". Luo pin had a taste of the three tours. "At that time, the prince Qing Yin, the corporal of the west garden, the East Pavilion Yanbin, the king Fu at the door, and he was afraid that it would be too late. Meng Gong was surprised, and he could see it in his face."

Cultural heritage

Yangzhou Eight strange bold innovation wind, continue to be inherited by later generations of painters. Famous modern painters, such as Wang Xiaomei, Wu rangzhi, Zhao Zhiqian, Wu Changshuo, Ren Bonian, Ren Weichang, Wang mengbai, Wang Xuetao, Tang Yun, Wang Yiting, Chen Shizeng, Qi Baishi, Xu Beihong, Huang Binhong, Pan Tianshou, etc., are all influenced by the works of "Yangzhou Eight monsters" in some aspects. Most of them spoke highly of the works of "Yangzhou Eight monsters". Xu Beihong once wrote on a painting of orchid and bamboo by Zheng Xie: "Mr. Banqiao is one of the most outstanding figures in China in the past three hundred years. His thought is strange, his writing is strange, and his painting and calligraphy are especially strange. Looking at his poetry, calligraphy and painting, he not only wants to see Gao Zhi, but also shows his benevolence and sorrow in wonder, which is especially rare in ancient and modern times. "

Landscape Tour

diet

Yangzhou fried rice, feicui Shaomai, wild duck bag

Chinese PinYin : Yang Zhou Ba Guai Ji Nian Guan