Li Qiang

essential information

Early experience

In 1987, Li Qiang joined the Beijing Military Region. In 1989, he entered the Department of drama literature of the Central Academy of drama, and in 1989, he entered the Department of drama literature of the Central Academy of drama. In 1992, after graduation, he was assigned to work as a screenwriter in comrades in arms drama company. In 1994, he left the army and returned to his hometown. He was assigned to work in Anyang Cultural Bureau.

In 1996, he returned to Beijing. A year later, he quit his job and started writing TV dramas.

Acting experience

In 2001, Li Qiang and Jiao Gang cooperated for the first time in the drama "rich dad, poor dad". In the process of creation, Li Qiang mixed Shakespeare and other classic texts together.

On November 8, 2004, the urban love drama "I really want to fall in love" premiered on Guangdong Southern TV channel. It was co starred by Jiang Wenli, Na Ying, Luo Haiqiong and Liang Jing.

In 2005, he was the screenwriter of Gu Changwei's film peacock, which won the Silver Bear award of the 55th Berlin Film Festival. Later, he was the screenwriter of the 19 minute public welfare film mulberry and kitten directed by John Woo in the world director's short film collection forgotten angels, which was initiated by the Italian Ministry of foreign affairs and sponsored by the United Nations Children's fund and the world food organization.

In 2006, he worked as a screenwriter in Xu Anhua's plot film "aunt's Postmodern Life". With this film, he nominated the best adapted script of the 43rd Taiwan Film Golden Horse Award, the best screenwriter of the 12th Hong Kong Film Golden Bauhinia Award, the best screenwriter of the 27th Hong Kong Film Golden image award, and the best screenwriter of the 8th Chinese media film award.

In 2007, after peacock, he worked with Gu Changwei again as the screenwriter of the film "spring", and nominated the best screenwriter of the 18th Golden Rooster Baihua Film Festival.

In 2011, she was the screenwriter of Zhao Wei's first film director "to our lost youth" and won the best adapted screenplay award of the 50th Taiwan Golden Horse Film Award.

On December 2, 2013, it was listed on the sub list of "the eighth rich list of Chinese writers in 2013" -- the rich list of screenwriters.

In 2014, he served as the screenwriter of Xu Anhua's work "golden age"; on December 13, he won the outstanding youth representative award in the "youth founder award ceremony".

In 2015, the screenwriter's work "the story of the wild" started shooting; in September, he won the sixth "China Film Association Cup" excellent film drama.

In 2016, the film "no other love" written by Li Qiang and directed by Zhao Wei was launched. This is the golden couple Zhao Wei and Li Qiang who get together again three years after "to youth".

In 2016, he was the judge of the 20th Shanghai International Film Festival.

In September 2020, he won the national top ten screenwriters award at the New Era International Film Festival to celebrate the 70th anniversary of the founding of new China.

Main works

Screenwriter's works

Publishing works

Award winning record

Character evaluation

Li Qiang is widely praised for his accurate depiction of the dignity and loss of the characters in the great era. His insight into human nature, as well as his tender and poetic brushwork full of pain make him one of the most personalized and original writers in the Chinese film industry. (Netease Entertainment review)

The elder sister who dreams of being a paratrooper in peacock, the aunt who yearns for metropolis Shanghai in aunt, and Wang Cailing who yearns to sing in Paris Opera House in spring. The characters in Li Qiang's works have some common characteristics: they are "little people" with dreams in their lives, but they have a lot of ups and downs, the road to dream is rough and difficult, and they finally succumb to life until they are numb to the things they pursue. (Xinhua Online Review)

Most of the female characters in Li Qiang's works are memorable, and telling stories from a woman's perspective is easy to attract and move people (Tencent culture review). The script he wrote is known by the media as "seeing the big from the small, pulling the weight from the small". (Sina entertainment review)

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