Sun Yi

Sun Yi

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Sun Yi, male, graduated from Qingdao University.

His works have participated in national, provincial and American exhibitions and won many awards. The works are collected by China Art Museum, Beijing Wall Art Museum, Shanghai Lu Yanshao Art Museum, Shenzhen rongbaozhai Art Museum, Taishan Art Museum, art institutions and individuals in the United States, Singapore, Spain and other countries, as well as Taiwan, Hong Kong and other regions.

brief introduction

Sun Yi, male, graduated from Qingdao University. his works have participated in national, provincial and American exhibitions and won many awards. The works are collected by China Art Museum, Beijing Wall Art Museum, Shanghai Lu Yanshao Art Museum, Shenzhen rongbaozhai Art Museum, Taishan Art Museum, art institutions and individuals in the United States, Singapore, Spain and other countries, as well as Taiwan, Hong Kong and other regions.

Personal achievements:

Publication of works

In the "art daily", "Qilu Evening News", "City letter", "Xizhi calligraphy and pictorial", "Shenzhou poetry and pictorial", "China art market", "painting circle", "new era art masters", "Modern Life Weekly", "Aurora art", "Jiuzhou calligraphy" and so on.

publish

Sun Yi, the artist with the most academic value and market potential in the contemporary era, Beijing Youth weekend, special issue of Sun Yi, promotion of famous ink and wash researchers, special issue of Sun Yi, 2012 time style, invited exhibition of contemporary artists with the most academic value and market potential (National Academy of painting, China)

Major exhibitions

2012 Shandong Taishan literature and Art Award Chinese Painting Exhibition (sponsored by Shandong Art Association) < br > 2010 survival - harmony and beauty - the highest award of Chinese art exhibition at Shanghai World Expo (sponsored by China Art Association) < br > 2010 love me China - excellent calligraphy and painting exhibition of voluntary service activities for caring for empty nesters (sponsored by China Art Association) < br > 2009 invitation of the third national flower and bird painting masters Outstanding award of exhibition (sponsored by Shandong Art Association) < br > 2009 "erotic manufacturing" Contemporary Art Invitational Exhibition (Shandong Dadi Ruicheng Art Museum) < br > 2009 Shandong Contemporary Art Exhibition (Shandong Art Museum) < br > 2008 contemporary art literature exhibition Xinrui exhibition won Xinrui Art Award (Beijing Wall Art Museum) < br > 2008 "inventing yourself" huitai Art Center Xinrui Art Exhibition (Tianjin huitai Art Center) Thai Art Center) < br > 2006 "vision: Beijing" Contemporary Art Exhibition (Beijing 798 cutting edge art plan) < br > 2005 Sino foreign contemporary art exchange exhibition (Barcelona, Spain) < br > 2003 the 14th National Flower and Bird Painting Invitation Exhibition (Jinan) < br > 2003 the first "Lichang cup" National Youth Chinese painting annual exhibition (China Art Museum) < br > 2002 Chinese painting annual exhibition (central) < br > 2001 "Yaheng Cup" Chinese painting and calligraphy exhibition won the Excellence Award (sponsored by China Art Association) < br > 2001 "hundred rivers return to the sea · hundred birds return to nest" Chinese Painting Exhibition (rongbaozhai, Shenzhen) < br > 2000 "century - Chinese style" Chinese Painting Exhibition (sponsored by China Art Association) < br > 2000 cross century Chinese painting exhibition won the Excellence Award (sponsored by Shandong Art Association) < br > 2000 2000 "love China" excellent award of Chinese painting and oil painting exhibition (Beijing) < br > 1999 "99 welcome Macao's return" excellent award of Chinese painting and Photography Exhibition (sponsored by China Art Association) < br > 1999 "commemorating the 2550th anniversary of Confucius' birth" 300 excellent works of Chinese Painting Exhibition (sponsored by China Art Association)

Appreciation of Sun Yi's works

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Artists, knocking on the door of spiritual home

——Sun Yi's landscape paintings < br > Xu en Cun / Wen < br > when reading Sun Yi's landscape paintings, we can feel a strong feeling and homesickness between the form, image and pen and ink, and his cultural feelings and emotional orientation are contained in the nostalgia and even melancholy of the appearance. In the ancient landscape symbols and traditional images, it conveys the artist's clear artistic choice and artistic trend; obviously, the painter does not hide his mentality of returning to tradition and pursuing classicality; as a young painter growing up in the contemporary cultural context, the fracture of tradition or classicality has become the missing link in his growth process, even the eternal pain, for Sun Yi, To return to tradition is not to go back to the ancients, but to seek spiritual resources and the soil for self cultivation and growth.
Sun Yi's landscape paintings, which are based on Gaogu, are free from vulgarity in clouds, rain, mountains and houses. What the painter creates is a pure place far away from the world, flashiness and noise, and is the condensation and concentration of contemporary people's spiritual home and ideal realm. Today, it is undoubtedly a spiritual need to review and reproduce the classical landscape poetry with contemporary cultural feelings In the face of market economy, it also reflects the precious spirit of art's persistence and eternal pursuit. It can be said that what Sun Yi wants to show is a pure land of spirit. His pursuit lies in his unremitting efforts and tireless pursuit, knocking on the door of spiritual home.
In this regard, Sun Yi is persistent, and his mind is calm. Only in this way can he create the tranquility, remoteness and serenity in his works.
It can be seen that the freehand landscape in Sun Yi's works is neither publicized nor wild. In a gradual and orderly way, he studies the classic works of landscape since the four schools of Yuan Dynasty, Ming Dynasty, Dong Qichang and the four kings of Qing Dynasty. His research and study focuses on the understanding of the previous experience and the feeling and grasp of his artistic spirit, that is, in the art of advocating interest and charm Li Zhong focuses on the expression of spirit in specific images. Therefore, in Sun Yi's works, ink and brushwork are closely related to lyricism, and image is closely related to poetry. Moreover, the landscape image in the picture shows the characteristics of image symbolization. What he emphasizes is the individuality in generality and the typical meaning in universality. It seems that ordinary classical landscape images and symbols all show the characteristics of remoteness, emptiness, Hunran and high antiquity in a specific context, and obtain unusual results The form and meaning of the concept.
Sun Yi's landscape paintings are characterized by the common images of landscape, trees, houses and clouds in his predecessors' works, which are changed and interpreted in the three distant laws of high, far-reaching and flat, and in the context of different themes, so that they become the carrier of empathy and the expression of emotion.
The potential theme of Sun Yi's works is to change the difference between the ancient and the modern, to replace the classical context with the modern context, and to transform the tradition into reality. We can see that after the integration of the landscape symbol space, the same mountains, rivers, clouds and trees are no longer the classical remnants of the mountains and rivers, sweeping away the desolate and desolate atmosphere, the ink and dots are full of vitality, so the picture is full of vigor and vitality. In the traditional landscape pattern, the mountains and rivers show a consistent rational order of green and luxuriant, flowing water, fresh and free spirit, and the trees are strong and towering, gradually becoming perceptual and vivid, while the "leisurely flowing water, the heart is free and far away", and then appearing in the perceptual and emotional communication; and in the two-dimensional plane In space, the time factor is dispelled, which makes it appear as "the view of heaven and earth through the cave, wonderful and innocent", and produces the grand realm of the world.
It can be seen that the image symbols in the works, in the symbolic meaning, become the spiritual boat of "the painting results carry the heart, the rest of the heart send". Contemporary people living in the fast pace, need such a spiritual home too much.
Many of Sun Yi's works have become the spiritual sustenance and the expression of perceptual and vivid life forms. In the integration of ink and ink, dots and lines, the construction of spiritual home has been completed. In this way, all things can linger in it, and the breath can flow through it. Only in this way can we look up to the sky and observe the earth widely, which shows the theme and realm of "praising the cultivation of heaven and earth" to realize the unity of all things and heaven and man. On this basis, Sun Yi established and formed his own life feelings and emotional atmosphere. Every landscape is a picture of the soul and a picture of the spiritual home. The book of changes has the following words: "if you look at your life, the gentleman will have no fault", "if you look at your life, the gentleman will have no fault". The extended meaning is that you can broaden your mind and experience the universe by looking at the world of life. With this feeling, you can browse the nature of heaven and earth, and naturally overflow with the spirit of life and the way of life existence.
To let the spirit of "heaven, earth, biology and meteorology" return to landscape painting is not only a new understanding of tradition, but also the mission and responsibility of artists. In this way of strengthening life tradition, art can be enriched, tradition can be replaced by modern, and the door of spiritual home can be opened. Therefore, in the face of such works as the painting of secluded forest in Qingsi temple and the painting of autumn listening to dusk clouds, we suddenly have the feeling of "floating in the air and flowing in the shadow". In the hidden and obvious, we can feel the spirit of nature's popularity and endless flow, because the mountain, water, tree and cloud all contain the spirit of awe inspiring charm, and are overflowing with vigorous vitality, which makes us feel comfortable in "all things are quiet" ”In this way, we can obtain spiritual liberation and freedom, and obtain spiritual pleasure without physical fetters.
The ancients talked about painting, one is that the weather is degraded, the other is that it is full of vitality, that is to say, the work should be in the whole weather, the scenery should be collected, and in the atmosphere, it should be reflected in the spirit and charm of rich and colorful, desolate and rash; they also said, "the brush and ink work together, the intention is still, and the meaning is there, a little spirit is in the boundless, and it is about to jump out." That is to say, landscape painters are the best painters

Chinese PinYin : Sun Yi