Wang Yi
Wang Weiyi (1912-october 8, 2013), born in Wuxian County, Jiangsu Province, is a director and screenwriter in mainland China and graduated from Shanghai Academy of fine arts.
In 1947, he was the deputy director of the plot film eight thousand miles of clouds and moon. In 1948, he and Xu Tao co directed his first film, the light of spring that can't be shut. In 1950, he directed the plot movie Fire Phoenix. In 1954, the plot film "the mountain bell rings, the horse Gang comes" directed by him was released. In 1958, he directed the movie "iron window fire". In 1963, he directed the Cantonese comedy 72 tenants. In 1966, because "72 tenants" was listed as "poisonous grass film", Wang Yi was put into a cowshed. Later, he was sent to Baiyunshan for house arrest and cut off from his family. In 1968, he began to work in the reform through labor tea farm in shashaba, Yingde County, Guangdong Province. In 1971, he was liberated from the May 7th cadre school, but still under the supervision of the masses. In 1975, Wang Yi, Zhang Bo and Wang Yi jointly directed the blue sky defense. In 1980, he co directed the war movie "an American pilot" with Wang Yi. In 1984, he directed the comedy a Hun Xin Zhuan, which won the special award of the 5th Golden Rooster Award for Chinese film. In 1987, he directed the plot film the world of men. In 1991, he was the judge of the 11th Golden Rooster Award of Chinese film. In 1999, he and Huang Tongrong co directed the comedy "five blessings at the gate". In 2001, he published an article "Nie Er and" Golden Snake Dance "in the first issue of people's music.
In 2012, Wang Yi won the lifelong achievement award of the 21st China Golden Rooster Baihua Film Festival. At 5:00 p.m. on October 8, 2013, he died in the University Town Branch of Guangdong Provincial Hospital of traditional Chinese medicine at the age of 102.
Character experience
In 1922, when he was in the senior grade of primary school, Wang one took part in the school drama against Japanese imperialist aggression, playing the younger sister of the Korean sisters in the drama. In 1926, due to the failure of his father's business, the family had an economic crisis. When I was in middle school, I joined the Anti Japanese propaganda team. When I was doing propaganda work in Shaoxing, I played the role of Chinese soldiers resisting the Japanese army in Anti Japanese dramas. In 1931, he studied in Shanghai Art College. On January 28, 1932, the "January 28 Incident" broke out, and all the school buildings of Shanghai Art College were destroyed by the fire of war. Wang Wei lost his school, and his family took refuge in Mudu, Suzhou for three months. In August, he entered the Research Institute of Shanghai Art College. In the same year, he joined the "Art Troupe" under the leadership of the left-wing dramatists' Union, and got to know the head of the troupe, who was studying in Shanghai Art College Zhao Dan and Xu Tao became close friends from then on. Zhao Mingyi, together with Zhao Dan and Xu Tao, joined the League of left-wing dramatists. From then on, he lived an organized life and was divided into Xie Yunxin (Zhang Min) group. In addition, because he was good at playing erhu, he was selected as the soundtrack of the film "Yu Guang Qu". In 1933, with the support of his father, he set up a sculpture art advertising agency on Xiafei Road (now Huaihai Middle Road) in Shanghai. In the same year, he joined Chen Liting's "camel drama club" to perform in Jiading, and starred in the stage play "put down your whip". In addition, he also set up Xindi drama club with Zhao Dan and Xu Tao. In 1934, he entered the Yihua film company and recorded on the spot. The first film he took part in was the plot film "Elegy of life" written by Yang Hansheng. In the same year, he was admitted to the folk band of EMI record company hosted by Nie Er. In April, under the leadership of Nie Er, he made a record of "Golden Snake crazy dance" and "spring dawn on cuidi" for the folk band, and accompanied the film episode sung by Hu die In October, she was wanted by the Kuomintang and introduced by situ Huimin to go to Hong Kong by boat to work for the Hong Kong global film company hosted by Su Yi. In 1935, he returned to Shanghai from Hong Kong and participated in the third public performance of Shanghai Amateur Dramatists Association. In 1936, as a team of Shanghai Amateur Dramatists Association, he formed the Qingniao drama club with Xu Tao, Tian Wei, Zhang Ke, Yu Yin, etc.; in the same year, he worked as an actor in Xinhua film company, and played the assistant of the fake imperial envoy in the drama "Carnival Night" directed by Shi Dongshan; in addition, he played the gatekeeper in the drama "singing in the middle of the night" directed by Ma xuweibang. In 1937, he planned and directed the satirical drama "pass the customs" of the Kuomintang. In August, he took part in the third team of the Shanghai National Salvation drama team to perform in Zhenjiang, and the starring "put down your whip" reserved the repertoire for the team. In December, the Kuomintang and the Communist Party cooperated in the Anti Japanese War, and the third team of the Shanghai National Salvation drama team was reorganized into the anti enemy Drama Company of the political training department, and performed in Nanjing, Wuhu, Tongling, Anqing and Jiujiang. In 1938, he wrote and directed the live newspaper drama "fight for freedom and peace" by the Anti Japanese theater company, and performed for envoys and overseas Chinese when he attended the founding meeting of the international anti aggression China branch in Hankou. In the same year, he wrote and directed the one act drama "propaganda" in Wuhan. In September, he entered the Chinese film studio and went to Chongqing to rehearse "fight for freedom and peace"; later, he performed in the drama "under the eaves of Shanghai" He played the role of a primary school teacher and a farmer in the drama national mobilization. In September 1939, Wang Yi took part in the Anti Japanese drama "battle" in Dihua, Xinjiang. In early October, Wang Yi, Zhao Dan, Xu Tao and others took part in the establishment of the first professional drama group in Xinjiang, Xinjiang experimental drama troupe, as the director of the performance department. In January 1940, Xinjiang experimental troupe performed the drama "Hometown"; in April, with Zhao Dan, Xu Tao, Yu Cun and other groups, they created a four act report drama "long live new Xinjiang", which was performed by the experimental troupe, reflecting the comparison and changes of Xinjiang society before and after the "April 12" coup in 1927; in November, the experimental troupe performed Yang Hansheng's three act drama "Eve". In January 1941, the experimental troupe performed the multi act drama "the roar of the ancient city"; in February, Wang Yi was jailed in Xinjiang. In 1945, he was released in Xinjiang; in May, he returned to Chongqing, where he returned to the Chinese film studio as a director; in the same year, he established the Chinese art drama society; in addition, he performed the drama "before and after Qingming" written by Mao Dun, which exposed the corruption of the Kuomintang. In August 1946, he returned to Shanghai and joined Lianhua film art club. Later, he changed to Kunlun film company, and Wang Yi served as deputy director. In the same year, he served as deputy director of the plot film "eight thousand miles of cloud and moon". The film was set from the beginning of the Anti Japanese War to the early victory of the Anti Japanese war. In 1948, he and Xu Tao co directed the plot film "the spring light that can't be locked up", which reflects the intellectual women's resistance to bondage and yearning for freedom, implying the people's demand for liberation. In the same year, he played the Japanese aggressor in the plot film "beautiful people's journey"; in addition, he played the Japanese spy chief Hashimoto in the plot film "hope in the world". In February 1949, he was transferred to Hong Kong as director of Nanguo film company. On July 26, he was elected as a member of the first National Congress of all China Film Artists Association. In the same year, he directed the first Cantonese film Pearl River tears by Nanguo film company, which was set in the countryside on the Pearl River Bank of Guangdong Province after the victory of the Anti Japanese war. The film was made in 1949-1955 At the Film Awards Conference, he won the honorary award. In 1950, after the Nanguo film company ceased operation, Wang Yi joined the Hong Kong film company in the 1950s and directed the plot film Fire Phoenix, which tells the story of love and ideal. In 1951, Wu Xingzhi and Fei Mu invited Wang Yi to join Hong Kong Longma film company; in August, they appointed Guangzhou to prepare for the construction of Zhujiang film studio as the director of the studio; in the same year, they served as the director of the drama department of South China Institute of literature and art. In August 1952, Zhujiang film studio was suspended; Wang Weiyi was transferred to Beijing Film Studio as a director; in the same year, at the invitation of situ Huimin, he took part in the shooting of China's first color documentary "August 1st movement conference". Wang Weiyi, a leading photographer, shot the mid shot and close-up of the team members wearing ethnic costumes and headgear, as well as two singing programs. In August 1953, he filmed the documentary "Qi Baishi" for the news documentary film studio. He was seconded to Shanghai Film Studio on the way, and changed the children's stage play "the garden of the motherland" to a stage documentary. In 1954, the plot film "the bell rings in the mountains and the horse Gang" directed by him was released. In 1955, he directed the plot film "garden of youth" starring Su Manyi and Liu Jie. In the same year, he was officially transferred to Shanghai "Tianma factory" and his family moved to Shanghai. In 1956, he joined the Communist Party of China. In 1957, he directed the plot film "the coconut grove song"; in the same year, Wang Yi organized the folk songs of Kazakh singer Harman Akti, who was known in prison in Xinjiang, into "the song of nomads". In 1958, he directed the plot film "iron window fire", which is based on the real historical data of Shanghai workers' revolutionary struggle before liberation. According to the deeds of Wang Xiao and martyrs, he created the heroic image of the worker leader, Communist Zhang Shaohua. The film truly reproduced the atmosphere of 1947 and won the China excellent film award. In August, Zhujiang film studio was rebuilt and the whole family moved to Guangzhou In addition, he also served as the first people's representative of Guangdong Province. On December 25, he edited and directed the artistic documentary "competition between the two sides of the river". In 1959, he was director of the director's studio of Zhujiang film studio. On October 3, he served as a member of the second CPPCC of Guangdong Province. In 1960, he was elected to the first board of directors of the China film workers association, and in March, he participated in the documentary art film heroic poems, which was collectively edited and directed. in 1960, the plot film "Poems of heroes" directed by him was released. In 1962, he co directed with CAI Chusheng
Chinese PinYin : Wang Wei Yi
Wang Yi