Liu Junhui

Liu Junhui

Julius Liu, director in France. CEO of Millennium Oriental film Beijing Co., Ltd. and huayingyi times film (Los Angeles) Co., Ltd. He has been active on the international stage for many years, and has special nicknames such as "global director" and "financial director". He has been a director of film, television and advertising in Europe and America for a long time, and has been a member of the Organizing Committee of international film festivals in Europe and America for many times. Because I have mastered English, French, Spanish, Italian, Korean, Japanese and other foreign languages, and because I have traveled all over the world to shoot spirit country, La terredu feu, l'Avenue Martinon, Le Jardines simples is a director of "global communication"; as a producer, screenwriter and director, he returned to China to cooperate closely with the financial sector, boating in the ocean of capital operation, and he is also a "financial director"; he is "Yapi" in appearance, but he is a very low-key filmmaker, always putting doing practical things first, and he is a devoted and loving person The public interest personages of the government. He once rushed to the front line of earthquake relief and made public welfare films that were totally incompatible with his commercial and financial principles. In 2015, the science fiction love blockbuster "the age of beauty" will be launched in Beijing by Liu Junhui and Pierre Bufan, the king of special effects in the world.

Profile

Julius Liu has been a film, television and advertising director in European and American countries for many years. He is one of the few Chinese directors who can write scripts in foreign languages. He has written La lettre, La Pomme and other screenplays in French. In recent years, he has created many screenplays, such as "red temptation", "Moon River", "wolf butterfly", "senior three and five classes", "the ultimate dream of houseboy and leftover girl", "Paris grandson Beijing cat", "how to hold your husband", "Fujian girl", "55 times" and so on. Among them, the Chinese French bilingual screenplay "the sky is the most beautiful place on earth" won the most creative screenplay award of the 2009 summer Yanbei cup.

From 1995 to 2010, he cooperated with Chanel, Dior, Yves Saint Laurent, Versace, Louis fero and other international fashion brands to shoot advertisements, and participated in the film shooting of international master Bernardo Bertolucci. The director's works include Arthur, lalettre, spirit country, laterredu feu, l'Avenue Martin, lejardindes simples, little pianist, l é a, coryfees, senior three girls' blog, etc.

Liu Junhui is not only a wonderful flower in the international film world, but also a legendary figure. Too many to count as a Chinese Chinese, he is always speaking to foreign languages in front of his international counterparts. He often faces a movie in different countries. He often switches to "language channel" like a radio station, which makes his friends surprised. He is regarded as a great number of people from South Korea, the Japanese, Chinese mainland, Hong Kong and Taiwan even ABC. That's one of the reasons why international masters like Pierre Bufan (special effects director of fantasy rafting of youth school and avatar, who made Thor, Spiderman, Batman, Empire of hackers and against the world) are willing to cooperate with him.

Director experience

Different from other film directors, Liu Junhui seldom emphasizes the artistic attribute of film in front of his peers, but pays more attention to its commercial attribute. It has something to do with his experience. For him, "art" took root and sprouted in his blood as early as his childhood, and "only lived an art" in his whole adolescence. In the flowering and fruiting stage, the most important thing is the commercial attribute. In the face of angry young artists, he often takes Picasso and canville as examples to persuade them not to complain about society and business. Professional people do professional things, Picasso is responsible for the creation, canville is responsible for business, only to create the world's greatest artist.

His film art experience is a personal life experience. His films attach great importance to "language" and "music". It is most appropriate to use "language" and "music" to divide every stage of his life (the musical film "you know, I am" employs him as a director, which illustrates this problem).

English age / rock age (80-90's intersection period);

French era / Classical Era (90-00's intersection period);

Spanish era / Latin era (the intersection period of 00-10's);

Global communication era / multilingual era (current era).

At the present stage, Liu Junhui, as a producer, director and screenwriter, is committed to capital operation, closely combining film and finance, and operating a film culture fund with initial scale. He is in the forefront of China's film and international standards. For him, the biggest defect of the traditional production company's "go it alone" mode is that it can't effectively protect the rights and interests of investors. When a film is made well and the box office is considerable, it's good. If a film loses money, many production companies can't slow down for three years, and some even close down. In this case, the film lost money, but the actors, directors, crew, workshop workers, and even the old ladies who sold boxed lunch all made money, while the investors had to cry. Then, the film fund mode in line with Hollywood is just a mode of "professional people do professional things", which allows the production companies and financial companies to do their respective duties. The creation of the creation, the fund-raising of the fund-raising, through a complete, scientific and reasonable system, will reduce the risk of film investment to the maximum.

Character evaluation

One of the most remarkable characteristics of Liu Junhui's characters is "global communication". Language advantage makes him feel like a duck to water in International Film communication. It is also a convenient condition for him to obtain the latest international resources.

The second characteristic of Liu Junhui's character is the connection between China and the West. He really did "read ten thousand books, travel ten thousand miles."

"Road". Not only can the works of hundreds of Chinese schools of thought come out in his mouth, but some of them can

Liu Junhui and Oscar chairman Gannis

know sth. thoroughly by heart. This is one of the few Chinese filmmakers who live abroad all the year round and deal with foreigners. It also makes his films more international.

The third characteristic of him is that he is not stingy with his life. As long as the identified project, will not be afraid of any difficulties, adhere to go on. In the face of the difficulties and dilemmas in the operation of the film, he always smiles and uses the famous words of Hollywood producers to encourage them: if the film is an easy thing to do, then all the fools will do it!

The fourth characteristic of his character is fashion and avant-garde. What he likes is always ahead of most Chinese. The life of rock youth in "English age / rock age" is not understood by others. At that time, people equated "rock music" with "hooligan ALFY" music. At this stage, what he likes is all law

Liu Junhui talks for Hou Yaohua

Literary and artistic films such as the new wave of Chinese films, the new realism of Italy and the new films of Germany are called "incomprehensible films" by others. When he entered the "Spanish age / classical age", he found that a large number of young people were infatuated with "rock music", which must be called STI

The fifth characteristic of his character is to do practical work in a low profile. It doesn't seem to match his "Yapi" appearance, but it does. For him, he seldom mentioned his previous experience, and the purpose was to "clear up". Don't let the past "accumulation" turn into "complacent" talk, but with the new domestic environment and new environment

Liu Junhui, Guo Degang, Yu Qian and Li Jing at the press conference

Taking the opportunity of meteorology, starting from "zero" and using the "spiritual wealth" accumulated in the past "three stages" on a new platform, the excellent opportunity for Chinese culture and film industry can never be wasted. Ng, direstraites, Pink Floyd et al. When he absorbed the nourishment of literature and art films and turned into the field of commercial films, he found that most people in the circle were infatuated with literature and art films. Not only the major film and television academies list "new wave" and "new realism" as the classic teaching scope, but also a large number of literary and artistic films that have won the awards of International Film Festival have emerged. Therefore, in terms of the overall environment of the film, he is ahead of the others, so he lacks common aspiration

Daohe's friends of the same age, and even some director friends around him who "regard literary and art films as their lives", even called him "an art traitor". In fact, he is not a traitor. He just advocates the principle of "left hand commerce, right hand literature" and pays attention to the dual attributes of film.

For him, after entering the "global era", everything in the film industry has changed. Today, with the post-90s as the mainstream audience of movies, young people have extensive contact with European and American blockbusters through the advantages of network, intelligent machine and big data, and the pace of integrating with the international standards has taught their predecessors to take a step faster, which is in line with Liu Junhui's fashion and avant-garde, his friends

Chinese PinYin : Liu Jun4 Hui