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Among many Cantonese film directors, Zuo Ji produced the most (17 works directed by international / Dianmao), with the most outstanding personal style and the most bold attempt. Different from the popular and conservative Cantonese films at that time, he was proficient in scene scheduling and narrative method, and had the style of author in film language and material selection. Zuo Jifu is rich in literary accomplishment, pays attention to the psychological portrayal of characters, and prefers literary films. He has boldly reinterpreted many classic works. His early Republic of China and fashion films are also eccentric, and his depiction of morbid human nature and crazy love is bolder than that of Cantonese films of the same period.
Work style
Dailvnianhua can be said to be a masterpiece of Dianmao's Cantonese literature and art film, which creates a strange atmosphere and exposes the hypocrisy of the upper class and the grievance of being a social flower. "Soul back to heaven" is adapted from the famous literary work "roaring villa". In the film, the irresistible love, the potential vanity of women and the almost morbid paranoia of men are deeply reflected. Wu Chufan, a rogue tycoon in Pipa grudge, has a love hate relationship with the famous Cantonese Opera Huadan. With the trial of the love murder case as the prelude, "a beautiful woman's spring dream" tells us a complicated triangular relationship. The incessant love, women's indecision, and the paranoia hidden in men's heart are the motifs of the director's repetition. The trilogy of love is condensed and adapted from Ba Jin's three novels: fog, rain and electricity. It tells the pursuit of love by young men and women in the early Republic of China and reflects the love concept of an era. some of Zuo's works are full of "strange, strange and camp". "Xuangong Yanshi" and its sequel, "beauty after all the vicissitudes" and "Moon Palace treasure box" can be described as the "World Palace Quartet" on the left: Xuangong Yanshi was a hit at that time, the electronic version built a fashionable European royal scene, cruise ship night sky dance, promoted the visual enjoyment, and upgraded the Cantonese Opera song and dance film; "beauty after all the vicissitudes" borrowed from the French film and Hollywood of the same name The name card "beauty is like jade, sword is like rainbow" explores the European romantic art vision. Moon Palace treasure box is the Cantonese version of one thousand and one nights. It creates a new mixed and unified visual style with the light and shadow mood under the concentration and comprehensive skills of Zuo Ji.
cinematographic works
Rumor (1950).... director Manjianghong (1962).... director meirenchunmeng (1958).... director meirenchunmeng (1958).... screenwriter toshihijiason (1959).... director Guizhi (1959).... director Guizhi (1959).... screenwriter Xuangong Yanshi (1957).... screenwriter Xuangong Yanshi (1957).... screenwriter yimeiren (1958).... director yimeiren (1958).... director Yimei (1958).... screenwriter Yimei (1957).... screenwriter Yimei (1958).... director Yimei (1958).... screenwriter biwayuan (1957) Director \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\).... edited by The seven swords can be used to make the mountain (1959)... Director 13; golden mountains are few (1959)... Director white rabbit (1959)... Director white rabbit (1959)... Director white rabbit (1959)... Director white rabbit (1959)... Screenwriters green year (1957)... Director green year (1957)... Director green year (1957)... Director green year (1957)... Director green year (1957)... Director green flowers (1964)... Director hate sea flowers (1964)... Director hate sea flowers (1964)... Director hate sea flowers (1964)... Screenscreenwriting screenwriting \\13; there is a full of Golden Jade (196196 (19616; full (19616; a (196196196)... Screenwriting \director The years (1962)... Screenwriters 13; under the roof of Hong Kong (1964)... Writing words mother heart (1960)... Director deep night (1962)... Director Grand Hotel (1964)... Director Grand Hotel (1964)... Director Grand Hotel (1964)... Director Grand Hotel (1964)... Screenwriters love is stronger than gold (1963)... Director revisit of the dream of Mandarin (1964)... Director revisit of the dream of Mandarin (1964)... Director revisit (1964)... Screenwriters 13; the relationship between the screenwriter the relationship between the ghost (1964)...... director the relationship between the relationship between the screenwriter the relationship (1964)... The screenwriter 13; the screenwriter the word \ writing \24hours Director of the story of Tiger Mountain in 1961, There are many wrong mistakes in the following: (1961)... Director \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\) Golden tide (1947)... Director (1947)... Director (1947)... Golden tide (1947)... Director (1947)... Golden tide (1947)...... Director (1948)... Director (1948)... Director (1948)... Director (1948)... Director (1948)... Screenwriter (1948)... Screenwriter (1948)... Screenwriter (1948)... Director (1948)... Director (1948)... Director (1948)... Director (1948)... Screenwriter (1948)... Screenwriter (1948)... Director (1948)... Director (1948)... Four phoenix flying together (1948)... Director (1948)... Four phoenix flying together (1948)... Director (1948)... Director (1948)... Director (1948)... Four phoenix flying together (1948)... Director (1948)... Director (1948)... Four phoenix flying together (1948)... Director (1948)... Director)... Director (1948)... Director (1948)... Four phoenix flying together (1948)... Screenwriting)... Screenwriting)... Screenwriting)... Screenwriting (1948)... Screenwriting)... Screenwriting)... Screenwriting(1948) Acting wind and rain sending back the soul (1948)... Directing wind and rain sending back the soul (1948)... Composing double beads in tiger's Cave (1950)... Directing double beads in tiger's Cave (1950)... Screenwriting double beads in tiger's Cave (1950)... Supervising production making a fortune (1952)... Deputy director perfect couple Tiancheng (1952)... Directing perfect couple Tiancheng (1952)... Screenwriting xiluxiang (1950)... Screenwriting career of making powder (1950)... Directing night Taoyuan (1952)... Directing brother Dragon (1949) Director sea of people kaleidoscope (1950)...... director Bihai enqiu (1949)...... director Bihai enqiu (1949)...... screenwriter garbage Paradise (1949)...... director Yuhai Yihen (1950)...... director chivalrous anti rape (1949)...... director Erba's wife Yisui Lang (1952)...... screenwriter star dream (1951)...... director star dream (1951)...... screenwriter paradise spring dream (1951)...... screenwriter paradise Chunmeng (1951)... Director loving mother Jiaoer (1960)... Director loving mother Jiaoer (1960)... Screenwriter Yu's wife (1955)... Director Yu's wife (1955)... Adaptation beautiful life of Xiang Lian (1954)... Adaptation fire (1956)... Director bird out of cage (1953)... Director soul back from Hentian (1957)... Director half life wife slave (1957)... Director half life wife slave (1957)... Director assistant father and son filial piety (1954)... Director director Love Trilogy (1955)... Director love Trilogy (1955)... Adaptation wife killing case (1958)... Director wife killing case (1958)... Screenwriter husband romance (1958)... Director black Xia arrest (1958)... Director black Xia arrest (1958)... Screenwriter advertising girl (1958)... Director
Chinese PinYin : Zuo Ji
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