Liu Yi
Liu Yi
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Liu Yi (January 25, 1931 - December 25, 2016), formerly known as Wang Ping, is a member of the Communist Party of China (CPC) of Taichung City, Taiwan. Famous calligraphers enjoy special allowance from the State Council. He has won the "special contribution award" of China Book Association. He is proficient in modern and Zhangcao calligraphy, and is good at running, regular script, official script and seal script. He once served as vice chairman and consultant of Chinese Calligrapher Association, director and editor of Creation Review Committee, honorary chairman of Chinese red culture calligraphy and Painting Association of Military Museum, etc.
At 20:10 on December 24, 2016, Mr. Liu Yi died in Beijing due to invalid medical treatment at the age of 86.
Life figures
Liu Yi, born on January 25, 1931, is from Taichung, Taiwan. Liu Yi grew up in a family with a strong artistic atmosphere. His father, Liu Jintang (also known as Wang Yuezhi), is a famous oil painter and art educator. He graduated from the Western Painting Department of Tokyo Art School in 1921 and was the first painter in Taiwan to study in Japan. In the early 1920s, he came to Beijing, engaged in art education, and devoted himself to creating a Western painting with his own unique style, based on realism and rich in Oriental colors. He published a lot of eye-catching works and became one of the pioneers of the Chinese new art movement in the same period as Xu Beihong and Lin Fengmian. More than 40 pieces of his works were donated to the state and collected by the China Art Museum. Liu Yi has been influenced and taught by his father since he was a child. He began to practice calligraphy since he was 7 years old. Although he is over 80 years old and has studied calligraphy for more than 70 years, he still keeps on writing. In 2011, Mr. Liu Yi authorized the National Palace Museum in Taipei, and Rong Baozhai wrote the preface and postscript of the cross-strait famous painting "Fuchun Mountain Residence" according to the original 1:1 perfect combination. This is another famous calligrapher's postscript after Yuan Xingkai, director of the Central Museum of culture and history, and Ouyang Zhongshi, Shen Peng, Hou Dechang, Cheng Yizhong, Fu Xinian, and Shu Yi, seven highly respected industry leaders, wrote the same volume postscript on the painting of Fuchun Mountain Residence in 2010. On January 26, 2011, Li Changchun, member of the Standing Committee of the Political Bureau of the CPC Central Committee, visited and met with five famous calligraphers and painters Liu Yi, Shen Peng, fan Zeng, Zhang Hai and Liu Dawei, accompanied by Liu Yunshan, member of the Political Bureau of the CPC Central Committee and director of the Propaganda Department of the CPC Central Committee. since the late 1990s, Mr. Liu Yi's works have entered large-scale buildings for the second time. When the Diaoyutai State Guesthouse celebrated the 40th anniversary of its establishment in 1999, Mr. Xu created eight foot four screen cursive script, which was displayed in the hall of Building 5 and several sketches in the presidential building 18. Later, the CPC Central Committee and Zhongnanhai, the seat of the State Council, invited Mr. Liu Yi to create several large-scale works and arranged them in various halls. The Great Hall of the people, the Central Military Commission building, the Organization Department of the Central Committee and other units have also collected Mr. Wang's works for display. It is more difficult to collect his works in places of interest and public places. Some carved steles, some made plaques. Near the Lugou Bridge, far in the border of Mishan, you can see the trace of Mr. The central authorities have also repeatedly invited Mr. Liu Yi and other calligraphers to provide works for party and state leaders' visits and present them to foreign leaders as national gifts. in calligraphy education, he is a professor of the training center of the Chinese Calligrapher Association and the director of the creative assessment committee of the Chinese Calligrapher Association. Over the past 20 years, he has taught tens of thousands of students about calligraphy history and creative theory. in the aspect of calligraphy organization, since 1983, when he was the Deputy Secretary General of the China Calligraphy Association, he has done a lot of work in the organization construction of the China Calligraphy Association, especially in the prosperity and improvement of the art of calligraphy. He directly organized and evaluated the second to seventh national calligraphy and seal cutting exhibitions, as well as various domestic and international exchanges and special exhibitions sponsored by the China Calligraphy Association, and provided support and guidance to important calligraphy activities in the society. in recent years, the price of works in the calligraphy and painting market has doubled and gone up, and Liu Yi's calligraphy works have reached 20000 yuan per square foot. Although these figures can be used as reference, Mr. Liu doesn't pay special attention to them. He pays more attention to the quality of his works. No matter when and where they are not satisfied with the work never hand. At 20:10 on December 24, 2016, Mr. Liu Yi, an outstanding member of the Communist Party of China, retired cadre of the Chinese Calligrapher Association, consultant of the Chinese Calligrapher Association and third vice chairman of the Chinese Calligrapher Association, died in Beijing at the age of 86 due to invalid medical treatment.
social activities
On July 16, 2011, Mr. Liu Yi auctioned a "cross strait Tongchun" calligraphy work at the "cross strait Tongchun" Calligraphy Exhibition hosted by the Chinese Calligrapher Association, and donated the proceeds from the auction to poor students in Xiulin Township, Taiwan. On July 18, 2011, Mr. Liu Yi, consultant of China Calligrapher Association, went to the PLA military band to express his sympathy. To commemorate the 84th anniversary of the founding of the Chinese people's Liberation Army, carry forward the glorious tradition of double support work, and consolidate and develop the unity between the military and the government, the military and the people. On September 7, 2011, sponsored by China Calligrapher Association and Dalian newspaper group, Mr. Liu Yi donated 200000 yuan to the cross strait Tongchun special exhibition of Liu Yi's calligraphy. On March 27, 2012, sponsored by the calligraphy studio of the National Committee of the Chinese people's Political Consultative Conference (CPPCC) and the Chinese painting and calligraphy collectors association, the "cross strait same root, inheriting culture - calligraphy exhibition donated by Liu Yi and Su Shishu" was held in the auditorium of the CPPCC in Beijing. In order to show the deep friendship of mainland artists and people to Taiwan compatriots, Liu Yi and Su Shishu donated 3 million yuan to Wenlan village, Xiulin Township, Hualien County, Taiwan Province, for the construction of a love library there.
Character works
Liu Yi has written more than 80 calligraphy papers and translations. Among them, the most valuable is the research on the tendency of calligraphy creation. In the early 1980s, there was a tendency to imitate modern people's works as a shortcut in Chinese calligraphy. Liu Yi strongly advocated learning from tradition. Later, the trend of blindly imitating the ancients appeared in the world of calligraphy, and Liu Yi strongly advocated the idea of writing personality. He advocated that writing should not be finalized too early, and there should be room for development, otherwise it would be difficult to break through. "The life of art is to change something new, change a pen, use different paper, change an emotion, the face of the work will change." Liu Yi once led and participated in the evaluation of thousands of manuscripts. He was always able to accurately and comprehensively grasp the tendentious problems in calligraphy creation in each period. His articles, such as "the key issues of the Fourth National Book Fair" and "the evolution of calligraphy creation tendency in the past ten years", have had a positive and extensive impact on correcting the shortcomings of the times and guiding the creation of contemporary Chinese calligraphy. Liu Yi is proficient in English and Japanese, which enables him to read and translate foreign calligraphy materials extensively, which helps readers understand the history and current situation of the development of overseas calligraphy and its relationship with mainland calligraphy. His works "the development and evolution of Chinese calligraphy outside the mainland" and "a comparison of Chinese and Japanese calligraphy" are of great academic value. They are not only reprinted by people's daily and other newspapers, but also translated into Japanese and published in Japanese academic journals, which has aroused great repercussions in Japanese calligraphy circles. his articles, such as the key issues of the Fourth National Book Fair and the evolution of calligraphy creation tendency in the past ten years, have had a positive and extensive impact on rectifying the shortcomings of the times and guiding the creation of contemporary Chinese calligraphy. In the field of calligraphy theory research, with the theme of contemporary calligraphy creation and the comparison of Chinese and foreign calligraphy, he has published more than 100 translated papers, such as "the development and evolution of Chinese calligraphy outside the mainland", and published "wandering in the calligraphy garden" in 1997. His translations include "a hundred unique essays on Han Ou in Watanabe" and "an introduction to the techniques of Changyang stone inscriptions".
Character honor
Due to the above achievements, in May 2001, when the 20th anniversary of the founding of the Chinese Calligrapher Association, it won the "special contribution award" of the Chinese Calligrapher Association. In March 2004, he was awarded the "special contribution award of evaluation work" by China Book Association. He also won many honorary awards in Japan, and was employed as a special selection committee member of the international calligraphy exhibition of Japanese industry and economics. In 2011, Liu Yi, Li duo, Shen Peng, Jin Shangyi, fan Zeng, Han Meilin, Yan Gongda, Yang Xiaoyang and other artists were rated as the eight artists with the most academic value and the most media attention in 2011. in January 2013, Liu Yi, consultant of China Calligraphers Association, was awarded the highest award in the field of Chinese calligraphy, the "Orchid Pavilion award of Chinese calligraphy · Lifetime Achievement Award" in the just announced "the fourth Orchid Pavilion award of Chinese calligraphy".
Chinese PinYin : Liu Yi
Liu Yi
