Tang Jingrui
Tang Jingrui, Chinese male director. In 2013, he was the director of the film "watch the Sky Lake".
curriculum vitae
From musical scenery film to documentary TV play
In 1982, Tang Jingrui was transferred to the recording Department of Shandong TV station to engage in recording and video recording. It's the first time that "Scar Literature" has been put on the screen. Tang Jingrui himself won the individual award for excellent acoustics for this TV play, which was recorded by Shandong Radio and Television Department once. three years later, he was transferred to Shandong film and television center and began his independent directing career. The TV series he has shot include "businessman" and "the sun is new every day", but what's more amazing is that during this period, Tang Jingrui also made a musical scenery film "quiet Lotus Mountain"; perhaps the director is naturally sensitive to music and sound, and this film with only two episodes won him the "Golden Bell Award" again. Since then, the shooting of Tapu, a man named Yao Jinlan and Sheng Zu have all won the "flying sky Award" of that year's excellent TV series. Among them, "a woman named Yao Jinlan" won the "Golden Eagle Award" of that year. This is a TV play adapted from real characters. The prototype is Yao Jinlan, director of anderi neighborhood committee of Dongcheng District. She has been working in the ordinary post of neighborhood committee for more than ten years and "leading the old sisters in 'no room, no ridge of land' or even a cent of office expenses." They have built communities from scratch and helped many "problem youth" with criminal record. Up to now, in our country, TV is still an important tool for propaganda and education to a great extent, so it is not very rare to make TV plays according to the typical life and educate the audience - but few TV plays can really arouse the audience's interest and innovate in artistic creation. "A woman named Yao Jinlan" is really a small climax of Tang Jingrui's directing career. but it was a few years later that he was really put in front of hundreds of millions of people. In 1995, the Ministry of public security of the people's Republic of China shot the record of China's major cases, which is a documentary TV series with the theme of exposing crimes. It consists of three cases: Xi'an chase, the first case of abduction in the ninth five year plan, and aslin's notes on the detection of crimes. Among them, ten episodes of Xi'an chase was shot by Tang Jingrui. The whole play adopts the documentary view to pursue and shoot major cases, publicizes the public security system's purge of social criminal groups during the "strike hard" period, reveals the insidious and cunning of criminal groups, and at the same time enhances the vigilance of the whole society in crime prevention. It is commendable that many of the "actors" in the play are police officers who go deep into criminal gangs. Their authenticity is beyond doubt, and their tension is comparable to today's Infernal Affairs.
A different kind of Justice
after the new millennium, it is also a season of plenty and harvest for Tang Jingrui. In just a few years, almost one fire was shot. in 2001, once the "justice" was broadcast on CCTV, it not only caused an upsurge of watching, but also caused some voices of doubt. Many people find it difficult to adapt to this kind of "alternative" TV series: in fact, from the perspective of theme selection, the judge is not out of the category of the main theme (which is also related to the fact that it can be broadcast on CCTV). It is an anti-corruption TV work, but at the same time, it is obviously different from other similar subjects from the perspective of non-human, it is from the perspective of judicial justice At the same time, the shooting techniques are obviously different from the previous works of the director. In this "unusual" TV play, you can even see the depth of field lens, long lens, complicated close-up, even the lighting arrangement and light treatment which are often seen only in the film. The appearance of the characters is also "dramatic", which is not only clean, but also deliberately separated from life. Its lines are also surprising. The monologue can be spelled with the words of Daming Palace. If all these treatments are caused by the director's style, people can't understand the desalination of the plot of TV series. Even for films with completely different audiences, the desalination of the plot also risks losing the audience. Incomplete stories mean that the appreciation is greatly reduced. However, the plot of the TV series "the chief justice" does give rise to such doubts: the arrest of the character Zhou Shijie, the police homicide case, which can completely capture the audience's appetite, are not unfolded, which makes people see clearly. In this regard, director Tang Jingrui said: "although these can be filmed very attractive and can be fully developed, they have been omitted by me, and even the original plot description of the script has been removed by me. The purpose of doing this is to guide the audience to think." In the words of the director himself, from scenery films to documentary TV dramas, and then to TV dramas that play down the plot, this is from one extreme to another: "because it's painful for me sometimes to let TV dramas be covered with life. As I get older, I want to return to my true colors. " when it comes to the original play of the Lord Justice, the director is full of praise, praising it as a very rare good play. As I said earlier, the lines of a TV play are very distinctive, with many monologues. This is also a respect for the original intention of the playwright, because the lines are very important for a TV play to be brilliant. Unlike a movie, the process of promoting the progress of the story depends on the information of the screen itself, which is less than the lines. As a result, the director decisively retained the lines of the original script, with few changes. To respect the script means to respect the original intention of the playwright. After the "chief justice", the "chairman of the National People's Congress" also achieved good ratings. "Chairman of the National People's Congress" is based on the novel of the same name by writer Liu Ru. It is known as "the contemporary officialdom show". The joining of Bao Guoan, Yang Lixin, Tian Hairong, Xi Meijuan and other famous actors adds a lot of color to this anti-corruption TV play.
Take over the costume TV series
The TV series "dry wharf" started shooting in 2006, which is the first ancient costume TV series taken over by Tang Jingrui. It was shot in Zhoucun, Shandong Province, where "dyehouse" and "living" were once shot. Due to the huge investment (15 million yuan), Zhang Fengyi played the leading role, and this commercial war theme TV series aroused the interest of large and small media. when it comes to commercial war drama, there are many successful precedents: Silver Valley, dyehouse, Qiao's courtyard So for Tang Daolai to catch up with this late episode, it is inevitable that people have doubts about whether he is "following suit". Is it a follow-up work? According to Tang Jingrui himself, what he is optimistic about is that the book is good, the actors are good and the investment is large. As for whether it is a work with commercial themes, in the final analysis, he has to see whether the work has an audience. Let the market test the work itself. Chen Jie, the screenwriter of dry wharf, is also the screenwriter of dyehouse. Tang Jingrui is very optimistic about the play, which is closely related to his good opinion of Chen. In the eyes of director Tang, Chen Jie is a very excellent playwright, talented, good at learning, familiar with business. Some people say that TV plays are the art of screenwriters, stage plays are the art of actors, and movies are the art of directors. Although we go to extremes, none of us can ignore the role of screenwriters in TV plays. In a sense, an excellent TV play director must be a director with vision. He is very fond of certain types of screenwriters, and can respect them to the greatest extent The creation of drama. "Dry wharf" is a commercial history of Zhoucun from a large perspective; from a small perspective, it tells the personal history of a Chinese businessman like Yang Ruiqing. It is not only the charm of art, but also the charm of TV series to pay attention to history and individual at the same time. Yang Ruiqing is played by the famous actor Zhang Fengyi. In the play, Zhang Fengyi plays a typical Chinese businessman who is hardworking and persevering.
television work
Directed by Tang Jingrui, the sound of the clock < br > recording and video recording of snowstorm tonight < br > Song Jiang < br > in 1985, he was the deputy director of businessman < br > in 1985, he was the deputy director of the sun is new every day < br > in 1986, he was the director of quiet Lotus Mountain < br > in 1987, he was the director of Tapu (screenwriter Liu Zhenyun, actor Zhang Qiufang, Zhang Tong) < br > in 1988, he was the deputy director of a movie Director of "a man named Yao Jinlan" (screenwriter Cheng Shijian, actor Chen Lizhong) < br > director of "Sheng Zu" (screenwriter Wang Zequn, actor Li Zuguang) director of "the family of Zaomu barber" in 1990; director of "the descendant of the old divine tree"; director of "Yimeng judge" in 1991; director of "Deng Dao" (screenwriter Zhang Ying, actor Zhang Jiayi, Lin Cong) director of "the story of a mine manager" in 1992 < br > in 1993《 In 1995, director Liu Shijun and director Zhou Shijun, the great hero of Xi'an (1995) New Zhang Dongsheng) director of a lost back in 1998 (screenwriter Zhang Hongsen, actor LV Xiaohe, Xi Meijuan) < br > 20
Chinese PinYin : Tang Jing Rui
Tang Jingrui