Chen Rubin

Chen Rubin

Chen Rubin (February 21, 1932 - June 5, 2012), a native of Beijing, participated in the student progress troupe under the leadership of the underground party when he was studying in Zhicheng middle school in Peking and the high school attached to CUHK. He was admitted to Lu Xun Academy of art in 1950, and was admitted to Beijing Institute of performing arts at the end of the year. For more than 40 years, he has voiced the leading roles and important roles of more than 100 films in more than 20 countries, such as Xia Boyang, resurrection, butterfly dream, stage career, mysterious yellow rose, etc. He has won the best actor award and the best translation director award of Changying Xiaobaihua Award for many times. In addition, he has played roles in more than 10 films, such as underground vanguard, soldiers in the city, silent mountain forest, Huang yinggu, gunfire of secret service bureau and liberation. He used to be the head of the Changying actor troupe and the director of the translation factory. He died in Changchun on June 5, 2012.

Main works

As an actor, I have made films:

1. Yesterday's Promise (1998) 2. Rock killer (1993)... Zhou Tai

3. Zichen (1991)

4. Tianzihao secret order (1990)

5. The wandering shadow (1988)... Lu Mingda

6. First love, we don't understand love (1987)... Chen Bonian

7. Liberation (1987)... You Zitao

8. Impostor (1987)... Gu Fei

9. The power of women (1985)... Secretary of the provincial Party committee

10. Can Xue (1980)

11. Huang yinggu (1980)

12. The gunfire of the secret service bureau (1979) Huang Xiancai and Liu Xiaochen (dubbing)

13. Jinan campaign (1979)... Jiang Tingju

14. Sacrifice to the red (1979)... Ye Zhu

15. Steel giant (1974)... Liang Jun

16. Soldiers in the city (1964)... Fan Guoliang

17. Underground soldiers (1957)... AI Yongbo

18. Silent Woods (1957)... Jin translated 19. For life... Roger twensky (dubbing)

20. Secondary school diploma

Films you have participated in:

Still photo "soldiers in the city"

1. The summer resort (1984)

2. Dubbing early spring (1982)

3. The rare Changbai Mountain (1981)

4. Bird Island (1979)

Performance experience

（1） He has a thin, handsome face, his beautiful eyes always contain a smile. At that time, some people said he was like Kangtai, others said Kangtai was like him. In fact, he is Chen Rubin, a very energetic and successful performing artist and social and cultural activist in the Chinese film industry. Perhaps many people had heard his voice on the screen before they knew him and knew him. His first art career was as an actor in translation. If you can't remember the Soviet film "Xia Boyang" (1951, which was the first play he participated in translation) in the 1950s, you may still have some impression of the prosecutor in "Resurrection" in the 1960s, who was full of hypocritical and impassioned statements. As for "career on stage" (card) You must be more familiar with the roles played by Chaplin in a king in New York, malgerato in the mysterious yellow rose, Sasha in the war romance and Leon Hugh in the Brazilian TV series female slave. Leon Hugh is Chen Rubin's 500th role and has won the "flying sky Award" for best male dubbing actor. In addition, he has won many awards from the Ministry of culture and the film Bureau. From the dubbing of different roles, we can see that Chen Rubin has a wide range of acting skills and profound language attainments. It's hard to imagine that Carver O's old and sour, Sasha's kind and fragile, Leon Hugh's frivolous and abnormal are from one person. As the first generation of film dubbing actor in New China, Chen Rubin has a unique understanding of the artistic creativity of dubbing. He said that dubbing really needs certain timbre conditions and voice skills, but an excellent dubbing actor must first know and understand people, otherwise he will be difficult to convey the true feelings of the film roles of various countries. The foundation of dubbing creation is emotional reality, not substituting voice for emotion, but using emotion to lead voice,

"Now that there are so many dubbing films, how do you feel?" I asked.

"The art of dubbing is very prosperous. There are a lot of talented people, but there are also some unsatisfactory aspects. The main reason is that the translation period is short, and the dubbing people only want to be quick and make profits. How can you read two or three episodes a day? Dubbing is a second creation. You need to figure out the identity, character and relationship of the characters. Nowadays, there are several people in a play, one person with multiple roles, simple dialogue, the same tune, and inaccurate subtext. In the past, there was no need to "chew the words", "match the beginning" or "remake". In the first few years, I had several dramas, but I can't keep up with them in the near future. I'm afraid to be a dramatist. "

He suggested that the new generation of dubbing actors still need to practice their basic skills and learn more from Dubbing Artists, such as Xiang Junshu, Zhang Yukun, Qiu Yuefeng and Bi Ke.

(2)

Chen Rubin is an amphibious actor in the two realms of film and television. He "hides" behind the screen most of the time, and sometimes runs to the front desk to get on the screen. Since the beginning of 1957, he has played different roles in more than 20 films, such as underground vanguard, soldiers in the city, Dadu River, Jinan campaign, the gunfire of the secret service bureau, Can Xue, the power of women, and impersonation. Since 1980, he has played more than 100 episodes in dozens of films, such as long night spring dawn, No.10 Guangrong street, and blood dripping from the sun All kinds of characters in TV plays also show the artistic plasticity of his wide range and rich color.

I once wanted to discuss with him the cultural reasons why he became a famous film actor in his family. He smiles and shakes his head. He doesn't think he has many innate advantages in this respect. He was born in Beijing on February 21, 1932, in a family of gold and silver jewelers. Although his father, who opened Jindian, was infatuated with classical opera, he never wanted his children to become "actors". Chen Rubin was sent to a private school since childhood. Because Chen's family often set foot in the theater, his mother likes Li Duokui, the old man. Unexpectedly, Chen Rubin watched all the dramas of famous actors in Beijing and planted the seeds of art in his young heart. At that time, Chen Rubin not only watched Beijing opera, but also quyi and American movies. Later, he joined the progressive students' troupe. In this way, when his family expected him to study medicine and engage in business. Instead, he applied to the literature and Art Department of Lu Xun College of literature and art in Northeast China, which made his father angry. At that time, in 1950, he was only 18 years old. At the end of the first semester, Chen Bo'er and Bai Dafang enrolled in the Beijing Institute of performing arts, and he rushed back from Shenyang to apply. When Dong Ying's yuan naichen and Bai Jingsheng went to Beijing to recruit translated film actors, they took part in the Performance Research Institute's examination and met Chen Rubin, who has entered the second round examination and is scheduled to be admitted. In January 1951, he officially entered the Department of translation and film of Dongying. Later, speaking of this experience, Chen Rubin said, "art has no inevitability of blood inheritance. I didn't go into business or study medicine according to my family's wishes. Naturally, my children don't have to engage in art. They can do whatever they can From this, I can see Chen Rubin's view. He married at the age of 18, and his wife Li Yunxiang was one year older than him. In the early 1950s, Li was transferred to Dongying as a typist. So they took root in Northeast China and had four daughters and one son. "So you find happiness in the art of film?"

"So to speak. The road I have gone through is not smooth, but I have never regretted my choice of movies, never lost confidence in life. All my life, I have always been enthusiastic and sincere. Film, for me, is not only an art, but also a career. "

Yes, Chen Rubin always faces life with a smile. In 1957, he also suffered a blow. His "crime" was that he reflected his opinions on behalf of the actors of the translated films, attended a meeting of the film Bureau in Beijing, and criticized the "bureaucracy" of the leadership of Changying. Just after the shooting of underground soldier, when several groups asked him to play, he was labeled as a "rightist" and sent down to the landscaping workshop to do chores, such as beating iron, pulling coal and burning boilers in the water heating workshop. It is said that he and Qi Xingjia still burn high-powered boilers. Later, he was driven to the deep mountains of Changbai County to build roads. It took three years to get back to the regiment. People who know him well know that even in those days he didn't go down.

(3)

In the early 1970s, he began to work as a director of a translation studio. Since entering the new era, he has become a busy man. In 1979, the rightist issue was rehabilitated. In 1981, he joined the China Association for the promotion of democracy and was elected vice chairman of Jilin Province and member of the Central Committee of China's Democratic Progressive Committee. He has been a member of the National Committee of the Chinese people's Political Consultative Conference for three consecutive times, a member of the Standing Committee of the Provincial Committee of the Chinese people's Political Consultative Conference and a municipal people's representative for several times. He once served as vice president and Secretary General of the China Film Performing Arts Association. At the beginning of 1983, he was appointed the head of the Changying Opera Troupe. A year later, he also served as the director of Changying translation film factory.

He can be called an art activist. But he's not the kind of activist who floats to the top and seeks fame. He always urged himself to do something for the masses and the cause.

In order to improve the management of the troupe, he accumulated

Chinese PinYin : Chen Ru Bin