Luo zhuoyao

essential information

Acting experience

The first foreign film "the round moon" in 1985? 》In order to start her career as a director. In 1987, he joined the Television Department of Radio Hong Kong as an assistant director. In April 16th 1988, the love comedy movie I love astronauts was shown in Chinese mainland. The film was co starred by Gan Guoliang, Tanny Tien Niu and Eric Tsang. In 1989, he directed Pan Jinlian's past life and present life, which was co starred by Wang Zuxian and Shan Liwen. In December 6th 1990, the film "love season in other lands" was released in Chinese mainland. The film was selected for the tenth Best Picture award of the Hongkong film awards and the twenty-seventh best film award of the Taiwan Film Golden Horse Award. She won the best director award of the tenth Hongkong film awards and the best director award of the twenty-seventh Taiwan Film Golden Horse Award. In 1991, he directed the inspirational film "yes clan" co starring Liming and Li Keqin. In 1992, she directed the comedy "Autumn Moon", CO starring Masaki NAGase, Li peihui and Cai Shaoyun. The film won the Golden Leopard award at the 45th Locarno International Film Festival and was shortlisted for the best film award at the 30th Golden Horse Award of Taiwan film. With this film, she was shortlisted for the best director award at the 30th Golden Horse Award of Taiwan film. In 1993, she directed the ancient costume love film "decoy monk", which was co starred by Wu Xingguo and Chen Chong. The film was adapted from Li Bihua's novel of the same name, and was shortlisted for the main competition unit of the 50th Venice International Film Festival and the best film award of the 13th Hong Kong Film Awards. With this film, she was shortlisted for the best director award of the 13th Hong Kong Film Awards. On June 9, 1994, the war movie "the overlord of Western Chu" directed by him was released in Hong Kong, China. In 1996, the director's plot film "Floating Life" was released, which was shortlisted for the best film award of the 33rd Taiwan Film Golden Horse Award. With this film, she was shortlisted for the best director award of the 33rd Taiwan Film Golden Horse Award. In 2000, she directed the love film "meet the goddess of 1967", which was shortlisted in the main competition unit of the 57th Venice International Film Festival. She won the best director award of the Chicago International Film Festival for this film. In 2004, he directed the documentary letter to Ali and acted as the producer of the film. In 2009, she wrote and directed the plot film "dream" co starred by Wu Yanzu and Yuan Quan, which was shortlisted for the best original script award of the 46th Taiwan Film Golden Horse Award. With this film, she was shortlisted for the best director award of the 46th Taiwan Film Golden Horse Award. In 2010, he co directed the plot short film Hong Kong Quartet with Qiu Litao, Mai Xiyin and Chen Guo; in the same year, he directed the plot film Red Land starring Wu Yanzu, which tells a story about environmental protection and the end of the world, becoming the only Chinese film shortlisted for the horizon unit of the 67th Venice International Film Festival. In January 16th 2015, the self directed comedy movie "the detective of the storm" was shown in Chinese mainland. The film was co starred by Ethan Ruan, Dongyu Zhou and Yang Zishan. It mainly tells a series of stories about the Shanghai French Concession detective, Fan Yi, a rich woman, Song Xiaoqiao and blind girl.

Main works

Director's work

Screenwriter's works

Supervised production

Award winning record

Character evaluation

The construction of cultural spirit has always been the theme of Luo zhuoyao's film creation. No matter from revealing the essence of Hong Kong's floating city and floating people's spirit, or following the wave of globalization, looking at the transformation of human cultural spirit between the local and the world, and to questioning the essence of human existence across time and space, her films all reflect the profound observation and thinking of social life. She is not a filmmaker who follows the trend of the world's movies. She uses images to observe the reality and makes a profound reflection beyond the reality, which shows the extraordinary mind and realm of a Chinese American filmmaker and reflects her persistent and unique watch for movies. Her purpose is not only to discuss culture, but also to express her concern for the survival of people in culture (Contemporary Film Review).

Chinese PinYin : Luo Zhuo Yao