Zhang Xiaolin

Zhang Xiaolin

Zhang Xiaolin, an actor and head of the troupe, was born in Shanghai on November 14, 1960. He graduated from Beijing Film Academy. He is a representative of "Shanghai style" film and television in the 1980s and is known as "Shanghai style student". He has appeared in many films and TV series. In 1990, he played the role of Ji Fa, king of Wu, in the magic drama Fengshenbang, with Fu Yiwei, Tang Zhenzong and other co actors. After 2000, he gradually faded out of the performing arts circle. Now he is the deputy head of Shanghai Film troupe, and the focus of his work has shifted to the promotion troupe.

Personal experience

Zhang Xiaolin, whose ancestral home is Shandong, was born and raised in Shanghai on November 14, 1960 (September 26, the year of gengzi in the lunar calendar). However, he has the characteristics of Shandong people: tall, straightforward, and his childhood ideal is to be a sports star. In middle school, he was a track and field player in Shanghai, specializing in 110 meter hurdles and winning gold medals in track and field events. However, an unexpected trauma (1979) shattered his dream of being a sports star and forced him to bid farewell to the sports world. Then he transferred from the sports team to Shanghai No.7 wool textile factory as a mechanic and stayed for nearly three years. By chance, he met a student of Shanghai Academy of drama. Inspired by his friend, Zhang Xiaolin entered the examination room of the performance Department of Beijing Film Academy in 1982. However, he passed the exam and was admitted to the film academy with excellent results.

Four years later, with systematic knowledge of film performing arts, Zhang Xiaolin graduated and was assigned to Shanghai Film Studio as an actor. He successively participated in the shooting of "daughter's classic (1986)", "black temptation", "boys and girls", "cruel desire", "Shanghai dancer (up and down)" and other films and TV series such as "Grand Hotel". Especially in the late 1980s, in order to revitalize Shanghai's film and television industry, Shanghai film and television industry launched a number of "Shanghai style" films. Zhang Xiaolin not only had the appearance of Shandong man, but also had the alertness and dexterity of Jiangnan people. Therefore, he naturally became the representative of "Shanghai style" films. For example, he starred in murderer and pianist Liu Ke in the film "cruel desire", and played a brilliant, but not reused, headstrong murderer vividly. This piece of seafood is very strong and is welcomed by the audience. But Zhang Xiaolin's work, which is really called the most outstanding "Shanghai Xiaosheng", is the TV series Grand Hotel, which is full of the flavor of contemporary Shanghai real life. Zhang Xiaolin plays reformer Ding Dawei in the play. His real and delicate performance makes the young, promising and handsome Ding Dawei lively and interesting. From then on, the reputation of "Shanghai style Xiaosheng" spread like wildfire.

Main works

Revival: Chen Chong's last TV play before going abroad

Everythingcomstohimwants (1983)

The temptation of black in 1986

My daughter passed the bibleforgirls

The teen agers, 1987

Two in the morning

Summer rain and winter dream in 1987

1988 lusttokill

Between life and death in 1988

Shanghai dancers in 1989

1990 urban Criminal Police

In 1990, he played the role of King Wu Jifa and co actor Tang Zhenzong, Fu Yiwei, Daqi, LAN Tianye and He Wei

In 1991, love spilled over the Pujiang River

Videotape taken secretly in 1993

1993 passion detective

1995 country people, city people, foreigners

Ruo Nan and her children in 1996

In 1999, Li Kenong played: Li Kenong, CO actor: Liu Jin, Gu Yue, Kou Zhenhai, Wang Wufu

Discipline leader of performance Department of Tongji University after 2000

The cloud of the sky and the fog of the earth in 2003

In 2005, he served as the deputy head of the cast troupe of Shanghai Film Group

They were in 2008

2008 Shanghai 1976 (supporting role)

2009 lovely China (film) as: Yongyi (KMT official)

The revolution of 1911 in 2011

Unknown Hotel: Ding Dawei co Star: you Yong

Won awards

In 1999, "Li Kenong" won the five one project award of the 19th Feitian award, and the best work award of CCTV in 1999

personal anecdote

After starring in "Oriental Hotel" and "Shanghai dancer", young actor Zhang Xiaolin has gained great fame. His name and photos appear frequently in various newspapers and magazines, and he is known as a "tough guy with romantic style". Recently, he won the third China Academy of Film Performing Arts Award. At a performance seminar, Zhang Xiaolin made a speech entitled "I hope I'm not a meteor". "In our country, movie actors are probably the most famous industry," he said. Take me as an example. I've only been a filmmaker for four or five years, and I've made nearly ten films. I've won this award and that award, and I've been hailed as a "star.". It's hard to live up to its reputation. I know in my heart that I'm far from the standard of a star. " Indeed, in modern society, especially young people, there is a tendency to worship movie stars, singers and stars. Some people make a few films or sing a few pop songs, and they are praised as stars by fans. As a result, stars on the podium, newspapers, advertising, scenery is very good. Even the clothes and hairstyles of stars are regarded as "fashionable". This reminds us of the story of the French writer dolgilles who played tricks on some "trendsetters". Once, on a whim, he deliberately dipped the donkey's tail in oil paint and daubed it on the canvas. Before the oil painting was dry, he recommended the painting to the exhibition hall in person, and took a serious title for the painting: "twilight in the Gulf of Arya". Some critics have been recommended by well-known experts, and they praise "this is an amazing avant-garde painting". Of course, we have no intention to imply that today's stars are like this "painting". However, stars should be worthy of the name, and they are the cream of talent. They are too many and too numerous to be stars. Combined with his own filming practice, Zhang Xiaolin added: "in recent years, I have starred in several roles in succession, and some of them have caused a lot of repercussions. But when I think about it, I'm deeply disturbed. For an actor who is popular with the audience, it's too difficult to break through himself and blaze a new path with a new image and new performance. Actors, like singers and stars, have not been able to display their talents for a long time. Coupled with fierce competition, they are like a boat fighting in a sea of silver. If they do not advance, they will retreat. Some people are famous for playing several roles. Because they don't respect themselves and love themselves, they are short-lived in their career. Although these people are known as "stars", they are flashy, and the light is not lasting. In fact, they are just transient meteors Zhang Xiaolin sighs that some actors are going abroad to study or make a living. There is nothing wrong with conducting cultural and artistic exchanges and studying abroad. But for an actor, his career must be rooted in his own land in order to blossom. As director Xie Jin said, due to different national conditions, cultural atmosphere, artistic taste and appreciation habits, it is difficult for a Chinese star to shine in foreign film circles. A few years ago, a lot of young actors went to the United States. Some of them are well-known stars. How many of them can have a foothold in Hollywood? "Instead of relying on others outside, it's better to work hard at home. For a young actor, the film and television world of the motherland is the best way to show his talent. " That's what Zhang Xiaolin said and did. Since he starred in "Oriental Hotel" and "Shanghai dancer", he has consecutively contributed many screen and screen images to the audience: police officer in "between life and death", "King Wu of Zhou in" the list of gods ", criminal police captain in" urban criminal police ", and aerospace engineer in" return with the moon " He creates art with full passion and radiates his own light and heat in each work. I hope he is not a fleeting meteor, but a real star.