Yang ran
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Yang ran (1958 -), whose real name is Yang Tianfu, was born in Chengdu. He has published six personal poems such as far away date, looking for a bronze statue, the sound of snow and after a thousand years, and a collection of five poems. Yang Ran has been listed as "outstanding young poet" and "important poet of China in 1980s-1990s" by youth literature, poetry journal, international Chinese poetry circle and new poetry circle.
Character experience
Yang ran, an 18-year-old educated youth, graduated from Qionglai Normal University at the age of 21 and has been assigned to teach in township middle schools. Yang Ran is a member of the Chinese Writers Association. He is the chief editor of the large-scale poetry magazine Furong Jinjiang, and now lives in Qionglai, Sichuan Province. In 1991, he was a poet of youth Poetry Association in poetry magazine, a cover poet of youth literature in 1994, and a chief poet of Chinese poets by Chinese Poetry Society in 2005.
personal works
His main poetry works are looking for a bronze statue (1984), mid autumn moon, black hole (1985), father, we'll see you on a long journey, gate of the sea, Rhapsody of the forest (1986), stele of the sun and the moon, boulder and man (1987), wheat grain realm (1988), flower of Oriental evil. Surround (1989), afternoon: reading a painting by Margaret (1990), and man People, long live the people, please (1991), after a thousand years, I paint my eyes on a kite in spring, read a world history on the weekend of early spring (1992), write a poem for the Tang Dynasty, the last poet in the countryside, the courage of Poetry (1993), the sound of snow, the night of comet (1994), kite, I am black faced Yang ran (1995), death After (1996), "258" (1997), "the poem of the motherland" (1998), "Mai se Qingqing" (1999), "in memory of a thing, in memory of tonight" (1999), "Adilina by the water, or Huanhua girl", "black forest light song" (2000), "dreaming of children outside the star", "remembering the Anti Japanese hero", "on the back of the rain, flowers come back" (2001), "《 What can we see in the most beautiful sunshine (2002), "seeing the earth from Mars", "starry night in the countryside" (2003), "scattered books around the desk lamp", "dreaming of the earth, iceman and others in western Liaoning" (2004), "what is the most tightly held in our hands" (2005), "the story of the great flood", "the second mid autumn moon of Ran Yi" and "looking from the Bank of the river, the little moon" Mai is still green (2006), poet drunk by peach, dream of crustacean, music to sink, wandering river map (2007), national flag slowly falling in the air (2008), dream of Yang can crossing the river alone (2009), dream of flood, dream of snow and ice tomb (2010), dream of hard life in war years (2011). Yang Ran's poetry collection is published Edition poetry collection "black land" (published by culture and Art Publishing House in September 1986) poetry collection "distant date" (published by Bashu publishing house in January 2001) poetry collection "looking for a bronze statue" (published by China Federation of literary and Art Publishing House in March 2002) Poetry collection "snow sound" (published by Sichuan Nationalities Publishing House in August 2002) poetry collection "after a thousand years" (published by Chongqing Publishing House in January 2003) Mai se Qing Qing (published by writers' Publishing House in April 2010)
Social evaluation
Yang ran, born in 1958, is a famous contemporary poet. As a pioneer, he walked on the realistic road of urban and rural areas, paying unremitting attention to the theme of the people and people's livelihood, and also walking in the inquiry and thinking of some grand propositions such as the times, history, time, destiny and culture. In addition, he is also a poet who is devoted to large-scale production. With his long journey of parallelism in the style of Han Fu, he has revealed the above proposition in his passion, wealth and eloquence, which makes people feel the unique spiritual direction and generous cultural base of a poet born in the 1950s. However, Yang ran chose a special way: compared with the radical avant-garde poets of the same generation, Yang ran seems to lack the sharpness of the text, but he also refuses the extremes; compared with the traditional poetry in Chinese new poetry, he inherits the firmness of the people's livelihood emotion and texture, but in the spiritual and cultural form, he also presents a distinct modernity. In this sense, he shows the sincerity of a poet. He insists on leaning forward on the base of reality, but refuses to perform in a posture. It is this kind of firmness of my heart that makes this master of poetry in the 1980s still maintain a stable and lasting writing situation. If we compare Yang ran with the following four, we will find that his writing has almost become a lonely product in today's poetry world. The so-called transformation, even fission, has become a kind of revolutionary happiness in the poets born in the 1960s and 1970s after him. (originally published in Chongqing Publishing House's 2003 Anthology of five Poets)
Chinese PinYin : Yang Ran
Yang ran