Han Lu
Han Lu
Han Lu, whose name is Yi pan, is the master of Suzhai. He was born in Haidian District, Beijing in 1969, graduated from the high school attached to Beijing Medical College in 1985, Beijing practical fine arts school in 1988, and Chinese Academy of Fine Arts (formerly Zhejiang Academy of Fine Arts) in 1994. He majored in flowers and birds in the Department of Chinese painting and stayed in school to teach.
Personal profile
Han Lu, whose name is Yi pan, is the master of Suzhai. He was born in Haidian District, Beijing in 1969, graduated from the high school attached to Beijing Medical College in 1985, Beijing practical fine arts school in 1988, and Chinese Academy of Fine Arts (formerly Zhejiang Academy of Fine Arts) in 1994. He majored in flowers and birds in the Department of Chinese painting and stayed in school to teach. Now he is Professor of Chinese Painting Department of China Academy of fine arts and doctor of literature (Chinese painting). Secretary and deputy director of the Department of Chinese painting, master's supervisor; member of the Chinese Artists Association, member of Zhejiang Federation of overseas Chinese, member of the Standing Committee of the 10th Hangzhou Youth Federation, former vice president of the school of continuing education of China Academy of fine arts, member of the 9th Zhejiang Youth Federation. He has published 26 monographs and 11 papers. He has held many personal exhibitions and invited academic exhibitions at home and abroad. His works are mostly collected by collectors and government agencies at home and abroad.
Chronology of major exhibitions
In 1994, he created four seasons and eight sceneries and was selected into the Eighth National Art Exhibition. Won the provincial excellent work award.
In 1995, Chen Lu was selected into the third flower and bird painting exhibition of Zhejiang Province and won the Bronze Award.
In 1996, he held a personal painting exhibition in the exhibition hall of the Chinese Academy of fine arts. Record the feature film "Han Lu's flower and bird painting art" Hangzhou TV station.
In 1997, his creation "September wine" was selected into the "national contemporary fine brushwork Art Exhibition" and won the best Creation Award.
In 1998, Lao Gen won the third prize of Zhejiang Youth Art Exhibition.
In 1999, he created the painting of bird and dew, which was selected into the 9th National Art Exhibition and won the national excellent work award and provincial Bronze Award.
In 2000, he created "Ruixue zhaofengnian" and participated in "Zhejiang young and middle-aged flower and bird painting exhibition" and served as the judge of this art exhibition.
In 2001, he created four masters of Tianmu and participated in Shanghai Pujiang international ink painting exhibition.
In 2002, he created a preliminary study of Lingfeng and participated in the exhibition of works of 100 contemporary Chinese painting masters.
In 2003, he created "far winter with different rhymes" and was selected into the first Chinese flower and bird painting art exhibition.
In 2004, he created "Tianji Rongjing", which was selected into the 11th Zhejiang Art Exhibition and the 6th Zhejiang flower and bird painting exhibition, and won the Bronze Award.
In 2005, he took part in the academic invitation exhibition of "flowers and birds in North and South China". (Beijing)
In 2007, he participated in the exhibition of Chinese painting from life, China Academy of fine arts
In 2008, he participated in "Zhejiang scenery · Provincial Art Exhibition" by Zhejiang Art Association
In 2009, Hao Pu Jian Xiang was selected into the 11th National Fine Arts Exhibition, and was nominated for the silver award of the 12th Zhejiang fine arts exhibition.
Major publications
Flower and bird painting techniques, Jiangxi 21st Century Publishing House.
Meticulous flower and bird painting, Henan fine arts publishing house.
Charm and techniques of flower and bird painting, Tokyo, Japan (Japanese version).
Freehand flower and bird painting, Zhejiang People's fine arts publishing house.
Meilanju bamboo painting, Anhui people's fine arts publishing house.
"Selected demonstration works of college entrance examination of fine arts colleges" (Chinese painting flowers and birds) Zhejiang photography press.
"Collection of techniques of Chinese famous artists of all ages" (three volumes of flowers, fish and insects, fruits and vegetables) Shandong Fine Arts Publishing House.
From sketching to creation, China Academy of fine arts press.
"Model copy of flower and bird painting" (fine brushwork) (small freehand brushwork) (large freehand brushwork) Shandong Fine Arts Publishing House.
The essence of Chinese painting techniques -- the cold fragrance of sparse shadow, Shandong Fine Arts Publishing House.
Master's road, Hebei Huashan literature and Art Publishing House
Han Lu collection, Department of traditional Chinese painting, China Academy of fine arts, China Academy of Fine Arts Press
Nanshan buhuoji, recommended by Wenxuan Gallery, China Academy of fine arts press, July 2010.
The power of academy: collection of works of Chinese painting sketch Nomination Exhibition, 2012, China International Book press
Main papers
Wu Xin Shuo, Shi Ping Lu by Yan Bian, the expression of situation and the creation of artistic conception
"Zou Yi's eight methods of osmanthus flower and bird painting" and "Reflections on some problems in the basic teaching of flower and bird painting";
Appreciation and creation: the expression form and aesthetic connotation of flower and bird painting;
The expression and construction of emotion and environment in flower and bird painting;
"The state of things, the image of things, the state of mind and the image of mind" in flower and bird painting;
Some thoughts on contemporary flower and bird painting;
Feeling God;
The theme of flowers and birds in Zen painting and its extension of meaning;
"Technology is close to the Tao · water stop";
"The inheritance and promotion of flower and bird painting" and "the accumulation of Chinese Confucianism, Taoism, Buddhism and Neo Confucianism and the development of literati painting".
On painting flowers and birds
Xiaoshan Huapu: a study of the theory of eight methods and four knowledge
Scientific research
In 2001, a study on the classic catalogue of Chinese flower and bird paintings of all dynasties was completed.
The curriculum of traditional calligraphy and painting appreciation in Colleges and universities and the cultivation of College Students' artistic quality
In 2005, "how to give full play to the social effect of traditional calligraphy and painting art" is a key project of Chinese Academy of fine arts.
2009 "Research on teaching practice of combining copying and sketching" scientific research project of Provincial Department of Education
2010 "plum, orchid, chrysanthemum and bamboo" excellent course of Zhejiang Province
On prize winning
In 1998, the textbook of Chinese ink and wash painting was recorded and won the title of "China's top ten e-books of 1998".
In 2001, he participated in the compilation of a large series of Chinese painting reference book "collection of techniques of famous Chinese painters" and won the third prize of scientific research achievements of Zhejiang Provincial Department of education.
In 2013, his doctoral dissertation "the origin and evolution of traditional Chinese ink flower and bird painting" won the 2011 Zhejiang excellent postgraduate Dissertation Award
Collection and publication
From 1990 to 2009, some works and papers were published in new fine arts, national painter, fine arts daily, Chinese flower and bird painting, Chinese painter, ink and wash research, contemporary Chinese fine brushwork painting, contemporary Chinese flower and bird painting, Chinese art collection, contemporary Chinese art, award winning works collection of the Ninth National Art Exhibition and award nominating works collection of the Eleventh National Art Exhibition《 Chinese flower and bird paintings of past dynasties, Chinese painting studies and other books and magazines.
Related articles
Prajna in painting
——Wu Yang
1，
On an autumn day in the mid-1980s, it rained heavily occasionally in Beijing. After the rain, a section of the road accumulated water and became a depression, which was caused by the turbid sand and stone in the water
The depth of knowledge. When a middle-aged cyclist passed by, he jumped out of the car and pushed it along the side. Another elderly man, seeing this scene, carefully bypassed the puddles and took a farther but drier winding road. After a while, a young passer-by picked up some bricks and put them on the edge of the puddle. He stepped on the mat, swayed and hopped, and passed by At this time, a group of primary school students came home from school, chasing and laughing, without scruples to "Hua Hua" waded through the muddy water, and called "Chong ah! Go The people behind the children waded through the water with ease one after another. In the meantime, a good person went through the puddle and yelled, "these troublemakers, if my children are like this, they will be beaten up when they get home!"
A teenage boy stood at the roadside station and witnessed the whole process. It is not surprising that passers-by passing through a puddle is just the most common thing we often encounter in our life. However, what I didn't expect was that the past gave a young man a key to the wisdom of life. This young man is Han Lu, who is nearly 40 years old.
Han Lu talked about his experience of "passers-by wading in the valley" when he was a teenager, which is still a lively conversation.
2，
Han Lu was born in Beijing in 1969. He lives near the tower yard of the third North Ring Road. 30 years ago, he belonged to an agricultural community. His area is called the tower yard brigade of Dongsheng commune. About 8 years old, her parents divided their flat into bungalows. Her parents bought some Korean paper to paste the roof and walls. Han Lu doodled on the paper and then pasted it on the roof and walls at will. However, one of her father's colleagues, Mr. Zhou Zhenmin, saw a painting seedling in a surprise. Then she went into the room to learn from Mr. Zhou Zhenmin about the big freehand flower and bird paintings of Qi school, and she was in a hurry Ten years later, he was introduced by Mr. Zhou and asked for advice from Mr. Fu Shishuang, the eldest disciple of Qi Baishi. Since then, Han Lu has followed Zhou and Fu to study freehand brushwork, and has been working hard in the cold and heat.
Han Lu was admitted to Beijing Arts and Crafts Vocational High School at the age of 15, and later renamed Beijing practical art school. He had a very happy childhood in this school. Recalling this period, he often mentioned a name "Wang Qiuju". She was Han Lu's teacher of Western painting. Her earnest instruction laid a solid foundation for Han Lu's later development in painting.
The advantages of Han Lu are obvious, and the good self conditions and learning conditions are enviable. But also prone to "greenhouse effect", things have a dichotomy. Where is Han Lu's adversity? Where is the puddle? Where are the failures and lessons? How to realize spiritual experience and personality hardening? Without this process, can the flower of art bloom vigorously?
At that time, he was in school for three years, and his outlook on art and life were in the formative stage.
During the period of the "Eighth Five Year" ideological trend, his thoughts were very active and his ideas were very avant-garde. Sketch, color, western art masters, western aesthetics and so on, have almost become the whole of painting study. Until I want to apply for University, I am faced with the choice of my major, which is also a choice of my life. Then I look back and re-examine whether it is painting oil painting or traditional Chinese painting? Or simply engaged in art design, practical art has a bright future
Chinese PinYin : Han Lu
Han Lu
