Jindan

Jindan

This data is participated and reviewed by the artist data authority and certification network platform.

Jindan, male, was born in May 1966 in Yangzhou, Jiangsu Province. Doctor of literature, Professor of Nanjing Art College, doctoral supervisor, head of calligraphy department. He is an expert of art project evaluation of National Social Science Foundation of Ministry of education. He is a member of the Education Committee of China Calligrapher Association, a member of Xiling Seal engraver Association, vice chairman of Jiangsu Calligrapher Association, and vice chairman of Jiangsu seal cutting Research Association.

Personal profile

Jindan, male, was born in May 1966 in Yangzhou, Jiangsu Province. Doctor of literature, Professor of Nanjing Art College, doctoral supervisor, head of calligraphy department. He is an expert of art project evaluation of National Social Science Foundation of Ministry of education. He is a member of the Education Committee of China Calligrapher Association, a member of Xiling Seal engraver Association, vice chairman of Jiangsu Calligrapher Association, and vice chairman of Jiangsu seal cutting Research Association. Jindan studied calligraphy at the age of 8 and painting at the age of 15. He was admitted to the first calligraphy major of Nanjing Academy of Arts in 1988. In 1998, he successively studied for master's degree and doctor's degree in calligraphy, and his tutor was Professor Huang dun. After graduation, he stayed in school to teach and was rated as the outstanding young backbone teacher of "Blue Project" by Jiangsu Provincial Department of education. "333 high level talents training project" is the training object. Calligraphy works have been selected and awarded in major national exhibitions for many times, and the works are included in the collection of calligraphy of award-winning authors in previous National Youth exhibitions. Besides calligraphy creation, he devoted himself to the research of calligraphy history and theory, and won the first prize of the fifth Lanting award of Chinese calligraphy (theory Award), the first prize of the Xiling Seal society contemporary seal cutting academic seminar, and the third prize of the Ministry of education's fifth excellent achievement award of scientific research in Colleges and universities (HUMANITIES AND SOCIAL SCIENCES). The papers are included in selected papers on Contemporary Chinese calligraphy, etc. He has written history of Chinese calligraphy (co authored), complete works of Chinese calligraphers, volume of Yi bingshou and Chen Hongshou, criticism of Bao Shichen's calligraphy, research on Ruan Yuan's calligraphy, from copying to creation, Dong Qichang, art of Baijiao, appreciation of calligraphy, wonderful way of calligraphy, copy of seal cutting, etc. At present, he has published more than 50 papers in Chinese calligraphy, calligraphy research, calligraphy, Southeast culture, rongbaozhai and other professional journals. He presided over the Ministry of culture's project "Kang Youwei and the study of Qing Dynasty steles" and edited the dictionary of Qing Dynasty calligraphy, painting and seal cutting figures. Since 2006, he has been lecturing "approaching calligraphy" in Jiangsu Education TV station. Special introduction of professional journals such as Chinese calligraphy, Chinese painting and calligraphy, Chinese painter and calligrapher.

Appreciative Remarks

Brief list of academic works

paper

1. Three appraisers and calligraphy and painting appraisal (cooperating with Zheng Qi, rongbaozhai, No.3, 2001) 2. Ruan Yuan and Lanting preface (southeast culture, No.7, 2001) 3. Ruan Yuan and the northern and southern calligraphy schools, the northern stele and the southern calligraphy (Art and design, No.2, 2002) 4. The origin of Confucian classics and Ruan Yuan's calligraphy thoughts (calligraphy research, No.2, 2003) 5. Ruan Yuan and Chunhua Pavilion calligraphy (Shanghai Cultural Museum, No.3, 2003) 6. Preface to Wang Shengjiao (calligraphy, No.10, 2003) 7. A study on the friendship between Ruan Yuan and Zhejiang School printers (Proceedings of the International Symposium on Printing studies of the century famous society, No.3, 2003) 8. Chronology of Ruan Yuan's Jinshi calligraphy (calligraphy research, No.1, 2004) 9 Criticism View (World of calligraphy and painting, September 2005) 10. To return to the ancients for liberation: the connotation of Ruan Yuan's "Two Treatises" (Collected Papers of the Symposium on Stele Study and Kang Youwei's calligraphy, 2005) 11. To discuss Bao Shichen's calligraphy Criticism View from the calligraphy of the Guochao Dynasty (Art and design, No.4, 2006) 12. On Bao Shichen's calligraphy school and its phenomenon (the seventh national calligraphy discussion) On Bao Shichen's calligraphy schools and their phenomena (Journal of calligraphy and painting, Taiwan University of the arts, No. 3, 2007), radical and variation: on the two sides of Bao Shichen's calligraphy thoughts (Proceedings of the Sixth International Symposium on the history of Chinese calligraphy, 2007), 15. On the different influences of Bao Shichen's calligraphy thoughts on the calligraphy circle in recent years (Art and design, No.3, 2008) 16. Review of Bao Shichen's calligraphy stages and styles (calligraphy and painting world, September, 2008) 17. Qing Dynasty people and burying crane inscriptions (collection, No.7, 2008) 18. Criticism of Bao Shichen's calligraphy techniques (Proceedings of International Symposium on calligraphy history of Ming and Qing Dynasties, July, 2008) 19. Bao Shichen's imperial examination life and academic thoughts（ Rongbaozhai (issue 3, 2009) 20. Radicalism and variation: on the two sides of Bao Shichen's calligraphy thoughts (issue 7, 2009) 21. On Gao Ershi's style of writing (issue 8, 2009) 22. A review of the calligraphy history of Qing Dynasty from Bao Shichen's case study (the first issue of the famous city of Chinese calligraphy, 2009) 23 On Bao Shichen's criticism of calligraphy techniques (Part 1, rongbaozhai, 2010), 25. Criticism of Bao Shichen's calligraphy techniques (Part 2, rongbaozhai, 2010), 26. On Dong Qichang's creative concept of calligraphy (Part 3, Chinese calligraphy, 2010), 27. Huaining and Anwu（《 Research on the calligraphy style of modern Jianghuai, 2010; 28. On the new horizon of Ruan Yuan's epigraphy Research (Collected Papers of the International Symposium on revitalizing epigraphy of Xiling Seal Engravers society, 2010); 29. Criticism on Bao Shichen's calligraphy techniques (selected papers on Contemporary Chinese calligraphy (techniques, creation, education), 2010; 30. On the calligraphy creation mode of the combination of northern stele and southern calligraphy in Qing Dynasty 》(please follow the book: Proceedings of the International Symposium on the study of ancient calligraphy creation, 2010) 31. Generality and individuality: Discussion on the regularity and particularity of higher Calligraphy Education (Proceedings of Hangzhou International Forum on higher calligraphy education, 2010) 32. On the new horizon of Ruan Yuan's epigraphy research (rongbaozhai, No. 2, 2011) 33. Snowball 》(Chinese calligraphy, No.2, 2011) 34. Textual research on the friendship between Deng Shiru and Mei Liu -- Also on the inaccuracy of Bao Shichen's biography of wanbaishan people (Collected Papers of Deng Shiru award national calligraphy exhibition, 2011) 35. Random thoughts on creation (Chinese calligraphy and painting, No.8, 2011) 36. The relationship between Wu Xizai's view of seal study and Bao Shichen's friendship (the third Gushan seal society) Papers of international Indian Studies summit, 2011) 37. Jinnong and longbi Bafen (reader appreciation (theoretical Edition), lower November 2011) 38. The relationship between Wu Xizai's view of Indian Studies and Bao Shichen's friendship (Part I) (rongbaozhai, No. 2, 2012) 39. The relationship between Wu Xizai's view of Indian Studies and Bao Shichen's friendship (Part II) (rongbaozhai, No. 4, 2012) 40 Methods: the study of Ruan Yuan's epigraphy (Chinese calligraphy, No.3, 2012) 41. Youmu and engraving: a textual research on Chen Hongshou's travels and seal cutting in Ruan Yuan's shogunate (Proceedings of the International Symposium on the history of seal cutting in Ming and Qing Dynasties, 2012) 42. From the theory of the origin of mufang ink to the authenticity of Lanting preface (rongbaozhai, No.5, 2013) 43 A study on the friendship between stone and stone (Part 1) (rongbaozhai, No.8, 2013) 44. A study on the friendship between Ruan Yuan's calligraphy and stone (Part 2) (rongbaozhai, No.9, 2013) 45. A study on the friendship between Deng Shiru and Liang Yao, Mei Liu (Xiling Seal Society International Symposium, 2013) 47. A study on the history of jijinle stone : Two Treatises on Ruan Yuan's works on epigraphy (rongbaozhai, issue 6, 2014) 48. Research on Ruan Yuan's calligraphy process and style (Proceedings of academic seminar commemorating Ruan Yuan's 250th birthday, 2014) 49. Yunzhuang Yinhua and Yangzhou Yintan in Qing Dynasty (Proceedings of the 4th International Yinxue summit of GUSHAN Zhengyin Xiling yinshe, 2014) 50 "Da Ya Yun Tai: Theses of the International Symposium on Ruan Yuan Studies", 2015) 51. "Ruan Yuan's calligraphy history and its style" (Chinese calligraphy, No. 10, 2015) 52. "Bei Xing: calligraphy interpretation of Kang You wei's manuscripts" (collected works of the 11th National calligraphy and seal cutting exhibition, 2015) 53. "Yangzhou seal altar in the middle of the 20th century" And its phenomenon: focusing on Cai Yi'an, sun longfu and sang Baosong (Collected Papers of Xiling Seal society contemporary seal cutting symposium, 2015; also published in Xiling art cluster, issue 1, 2016) 54. Fragments of seal history: Yangzhou seal cutting from the founding of the people's Republic of China to the cultural revolution, issue 1, 2016) 55 (Chinese calligraphy · calligraphy, 2016, issue 3)

work

1. History of Chinese calligraphy (co authored with Huang Dun et al.)

Chinese PinYin : Jin Dan