Song Jie

Song Jie

This data is participated and reviewed by the artist data authority and certification network platform.

Song Jie, male, was born in Penglai, Shandong Province in 1969. He is the director of Chinese Artists Association, member of Shandong Artists Association, member of Shandong Calligraphers Association, director of Shandong young Calligraphers Association, special painter of Shandong Academy of painting, vice chairman of Penglai Artists Association and executive vice president of Penglai fairyland Academy of painting and calligraphy.

Profile

Song Jie, male, was born in Penglai, Shandong Province in 1969. He is the director of Chinese Artists Association, member of Shandong Artists Association, member of Shandong Calligraphers Association, director of Shandong young Calligraphers Association, special painter of Shandong Academy of painting, vice chairman of Penglai Artists Association and executive vice president of Penglai fairyland Academy of painting and calligraphy. Huang Gesheng, a painter in the studio of National Academy of painting of China, and a researcher in the advanced research class of landscape painting in the studio of Li Tiesheng, Tsinghua Academy of fine arts. selected works of calligraphy and painting are included in "selected works of contemporary calligraphers' poetry and ink", "selected works of contemporary young calligraphers and seal carvers", "National Youth assessment" and "collection of paintings of the fifth contemporary Chinese landscape painting exhibition". It has been published in many national professional newspapers and periodicals, such as Chinese painting and calligraphy daily, painting and calligraphy guide, calligraphy art, etc.

Exhibition activities

In 1993, he won the second prize of traditional Chinese painting and the third prize of calligraphy in the "China electric power cup" calligraphy and painting competition, and his works were exhibited in the China Art Museum. I was invited to Beijing to attend the opening ceremony of the exhibition; in 1993, his calligraphy works won the second prize of the "China Japan dragon Cup" calligraphy competition, and his works were exhibited in the Beijing Capital Museum; in 2000, his traditional Chinese painting works won the "Golden Dragon Cup" calligraphy and painting competition in the new century 》Special Gold Award; in 2001, Chinese painting works won the third prize of Huangxing cup national calligraphy and painting competition; in 2001, Chinese painting works won the first prize of Shandong electric power new century rainbow cup competition; in 2004, they won the honorary title of "calligraphy elite" of Shandong electric power system; in 2005, their calligraphy works were selected into the sixth Shandong young and middle-aged calligraphy exhibition; in 2005, their calligraphy works won the National City Calligraphy award The first prize of Xin TV calligraphy and painting exhibition. In 2005, his work "Taihang monument" was selected into the fifth contemporary Chinese landscape painting exhibition and won the Innovation Award; in 2006, he won the bronze award of the national power workers' famous calligraphy and ancient seal copying competition. In 2006, his calligraphy works entered the second Shandong Youth Calligraphy Exhibition. in 2007, Chinese painting sketch works won the first prize of "new rural construction sketch works exhibition" sponsored by the Provincial Department of culture. In 2009, his calligraphy works were selected into the third Lanting Yaoshan cup new works exhibition by China Calligraphy Association. in 2010, Chinese painting "new era" was included in the exhibition of Chinese art works at World Expo by China Art Association. in 2010, he held his own "exhibition of sketching works" in Jiaodong branch of Bayi calligraphy and painting academy. In 2010, four Penglai traditional Chinese painting sketching works and one calligraphy work participated in the "exhibition of Penglai calligraphy, painting and photography works" held in Beijing visual classic art museum. In 2011, the traditional Chinese painting "Xi Shan You Ju" won the first prize of the art category of "Calligraphy Art Exhibition" in the eighth cultural and sports festival of Shandong electric power group company. The traditional Chinese painting "Taihang monument" won the first prize in Shandong Electric Power Group's calligraphy, painting and photography exhibition commemorating the 90th anniversary of the founding of the Communist Party of China. 2011 Suzhou Academy of Fine Arts Museum "excellent works exhibition of teachers and students of Tsinghua Academy of fine arts"; 2011 Qingdao Museum of fine arts "art of culture and martial arts - Exhibition of Song Jie's calligraphy and painting works"; 2011 "visiting mountains and asking water" Central Academy of fine arts Suzhou exhibition of Li Tiesheng's teachers and students' works

Review article

1、 Take the truth from the image

---

On Song Jie's landscape painting

Ding Xuefeng Song Jie loves landscape and is infatuated with landscape. Among his many landscape paintings, his works based on Taihang Mountain and Taihang sketching are particularly prominent. The unique human geography of Taihang has aroused Song Jie's strong interest. He went to Taihang for many times to experience life and get familiar with every plant and tree in Taihang. If a painter wants to draw a good picture, he can't live without life, otherwise he will become a water without source and a tree without roots. Song Jie deeply understands this, so he takes Taihang as an inexhaustible source of creation. Song Jie loved Taihang and became interested in Jing Hao, a painter who lived in seclusion in Honggu of Taihang for a long time in the period of Houliang in the Five Dynasties. After research, he learned that Jing Hao's painting theory "brushwork notes" had a far greater influence on later generations than his landscape works. After repeatedly studying Bi FA Ji, he had a deeper understanding of Jing Hao's "theory of truth" and "six essentials": before Jing Hao, people only knew that mountains and rivers had "spirit", that is, the "spirit" of mountains and rivers. Zong Bing proposed that "we should feel the spirit, and the spirit is beyond reason". Wang Wei put forward the idea of "using a single brush to simulate the state of emptiness". Both of them emphasized the painter's in-depth feeling of the objective nature, that is, he should understand his eyes and mind, and conceive Association. Jing Hao was further promoted to the theory of "picture truth", which required "both temperament and prosperity", "painter, painting, and taking the truth from the image". Truth is the essential feature of the image, and degree is the in-depth observation and appreciation. Only by in-depth taste and speculation can we show the essential feature of the image. Therefore, Song Jie's landscape painting exploration has risen to the height of theory. Song Jie loved Taihang, and preferred the autumn of Taihang. The rocks were more rugged, the forests were more vivid, the water was cold, the mountains were thin, and the autumn wind was rustling. From a new perspective, after thousands of years of rain erosion and weathering, Taihang Mountain has formed a special mountain structure. On the top of the mountain, the exposed rock as hard as iron points straight to the blue sky. The washed soil forms a big slope, and then a layer of rock is exposed, which drags a hillside. This rock, this long slope, can convey a breathtaking emptiness and stillness in the late autumn wild wind. Through this emptiness and stillness, we can see the mountain spirit and internal tension. Isn't this the life state of Taihang? Isn't it the portrayal of the mountain's weather beaten fate? Guan Tong and fan Kuan drew the mountains and rivers in the area of Guan and Shan with the composition of "mountains and rivers, open a picture for thousands of miles". Song Jie took this picture On one side of the Taihang Mountain, a part of the mountain is painted with a thousand hectares of potential. Depicting Dashan's spirit and aura, that is Taihang's "truth", he completed his spiritual sublimation here. Song Jie paid attention to the change of brush and ink in his paintings, adding many modern people's ideas and individual language to the traditional brush and ink formula. Use pen center, side forward, drag pen and reverse pen at the same time. Wipe Yin stains, inhibitive, open and close, all at once. To appreciate Song Jie's landscape in detail, there are not only the ancient Chinese sages' "fishing for the snow on the cold river" but also the contemporary painters' mind of "freeing spirit" and "expressing ambition" on the basis of self-cultivation of personality and subjective emotion. In Song Jie's landscape works, there are not only the structure of Taihang Mountains and rocks, but also the stream flowing wantonly, and the trees with complicated branches and leaves, and even houses, animals, farm tools, and the breath of life. Song Jie wrote the "truth" of Taihang and painted the "Rhyme" of Taihang, seeking the infinite change in the tangible. Song Jie's landscape not only presents dense, vast and vigorous natural objects, but also overflows with the vitality of their absorption and operation. It is Song Jie's inheritance of Li Keran's landscape sketching that makes him consciously incline to the realm of enrichment. In his paintings, it shows the concreteness, richness and reality of the landscape image. With the most abundant means to express unlimited charm, he pursues incisively and vividly, not satisfied with the idea to the pen. The blankness, sparseness and omission in his paintings are all positive factors in his techniques of expression. Chinese landscape painting is a kind of art in which the painter "traces" in the face of natural creation. It is an art in which the painter's individual spirit and emotion are shaped. It is an art in which the painter's personality and cultivation are externalized. The key to the thorough understanding of nature lies in the thorough understanding of the relationship between Confucianism and Buddhism. Song Jie knows this well, and will continue to strive to climb. (the author is deputy editor in chief of Chinese painting Journal of Chinese Artists Association, professor and Dean of academic affairs of training center of Chinese Artists Association, and distinguished professor of Chinese painting postgraduate course of Renmin University of China.)

Pictures of works

Chinese PinYin : Song Jie