Jiang Kemei

essential information

Personal experience

As the daughter-in-law of Chaoyang people in Shantou, Jiang Kemei has traveled to many countries in Asia, Europe, North America, more than 40 large and medium-sized cities in China, Hong Kong, Macao, Taiwan and other regions

Born in Shenyang, Liaoning Province, Jiang Kemei was intelligent, good at singing and dancing, and fond of folk opera. At the age of 13, she was admitted to the Central Conservatory of music and studied under Professor Li Heng, an educator of Banhu. After several years of study, she studied hard. In addition to her major in Banhu, she systematically studied several kinds of huqin, such as Jinghu, Gaohu, erhu and Zhonghu. In these huqin, although there are similarities, there are more obvious differences. In order to learn from her teachers, she went north and south, got careful guidance from famous teachers of huqin in North and south, and learned from others to form her own unique performance style. In early 1988, on the eve of her graduation from University, she held a "Jiang Kemei Hu Qin solo concert" at the Beijing Concert Hall. She used five kinds of Hu Qin to perform works of different styles, which was rare before.

Looking at her more than ten years of artistic history, with the constant pursuit of folk music art, she has a deeper understanding and understanding of music works, and has a deeper artistic self-cultivation. As for her performance style, we can see a little bit. Almost every time she appeared on the stage, she would walk along the front of the stage from the right side of the stage, with her head slightly lowered, one hand on the violin, one hand on the skirt, and a beautiful appearance. When she entered the performance state, she was more careful with her deep understanding of the music. She understood the music so thoroughly and pondered so delicately, but everything was so ordinary, natural and simple.

Over the past decade, she has cooperated with many famous orchestras and conductors at home and abroad to successfully hold a series of huqin solo and Concerto concerts. She has recorded a large number of music and individual solo concerts for many domestic and foreign media, such as CCTV, CNR, CRI, French and Thai TV stations. She has also contributed to many films, music, music, music, music, music, music, music, music and so on Hu Qin music is recorded in TV series. In addition, he also recorded a number of personal albums of huqin works for a number of companies, including Chinese Banhu, huqin light music, Jingfeng, etc. In recent years, she has also launched a number of influential national instrumental music TV works, among which "Yu Ji", "Chun Xiao" and "both sides of the Han River" won the gold medal of "the second, third and fifth national urban instrumental music TV program competition" respectively. She is now a member of the Chinese Musicians Association, a member of the Chinese national orchestral Association, and a member of the all China Youth Federation.

In 1988, he became famous in Beijing for holding five kinds of Hu Qin concerts, and has won the reputation of "Wu Hu Music Girl". Yesterday, Jiang Kemei, who returned to her hometown Shenyang ahead of schedule for the "love of China and charm of summer" comprehensive national concert hosted by Liaoning National Orchestral Association and undertaken by new taste Culture Communication Co., Ltd. on July 15, gave an interview with reporters, telling her artistic experience and insights.

Talking about her road to fame, Jiang Kemei is very indifferent: "artists should be able to stand loneliness, and cultivating their talents is the fundamental." It's just that the director of "Zhang Kemei" and "Zhang Kemei" can't make music for her. I only met Zhang Yimou once in the recording studio. In Jiang Kemei's eyes, director Zhang is serious and strict. He is a very real person to art.

At 19:00 on July 15, a number of famous performers will perform in the National Concert held in Liaoning Grand Theater, including young guzheng player Wang Zhongshan, huqin player Jiang Kemei, Shenyang Conservatory of music associate professor erhu and Gaohu player Yin Zaishen and Shenyang Conservatory of music associate professor Yangqin player Yu Haiying.

At 15:30 on June 29, 2017, he signed a contract with Harbin Conservatory of music as director of the Department of folk music and master's supervisor.

Character evaluation

Sitting on the stage, you are radiant, and the Hu Qin in your hand is even more intoxicating. Yesterday, Jiang Kemei conquered the audience in Dalian with her wonderful piano music, but the reporter drew a big question mark in her heart: is this the reporter who just interviewed her at noon? Jiang Kemei arrived in Dalian from her hometown of Shenyang on the Liaodong Peninsula. After a brief lunch, she was interviewed by reporters. She said that in her life, she advocated comfort and nature. And this kind of feeling is a kind of enjoyment in her eyes, because even if it's half day leisure, it has to be "stolen" by her. Now, her schedule is almost full of all kinds of performances. This year alone, she has performed abroad eight times. After talking about these digressions, the focus was on her playing skills and characteristics. As we all know, Jiang Kemei became famous at the unprecedented concert in 1988. At that time, she was still a student of the Central Conservatory of music. On the eve of her graduation in 1988, she held a concert at the Beijing Concert Hall. She played Banhu, Jinghu, erhu, Zhonghu, Gaohu and other members of the "huqin family" all at once, causing quite a stir - this form of performance was later known as the "jiangkemei mode". For example, at last night's "Chinese music master · 2005 New Year Concert", she played three classic folk music with Jinghu, Banhu and erhu, such as "deep night", "brother back" and "horse racing". It seems that she wants to keep the "Jiang Kemei mode" forever. The reporter asked her: the technique profession has specialized, her this kind of practice can let the human feel miscellaneous but not fine? Unexpectedly, this question suddenly opened her voice. Jiang Kemei told reporters that although Jinghu, Banhu and erhu belong to the huqin family, they are also separated from each other like mountains. People who play Jinghu usually can't play erhu, and few can play well. It may be OK to draw a few strokes and play with tickets, but few people want to reach the artistic level. Fortunately, when she was a child, she studied Jinghu and erhu. After entering the Central Conservatory of music, she majored in Banhu, which laid a solid foundation in all aspects. Rao is so, in order to cross these boundaries, she still paid several times the efforts and hard work of ordinary people. According to her, in those years of studying in the Central Conservatory of music, she wasted no winter or summer vacation. She hardly went to the streets, not to mention traveling. Every year she went to school with her piano, and even went to Guangzhou to study with her teacher for a holiday. After school, she returned to school. After years of hard work and constant training, she finally mastered the performance skills of more than ten kinds of huqin, such as Jinghu, Banhu and erhu. "If my attempt is successful, it doesn't mean how many kinds of huqin I can play, but that I can grasp the charm and characteristics of each kind of huqin and make them show their brilliance in my hands. I think the difficulty is here. ”

Chinese PinYin : Jiang Ke Mei