Zhang Xunpeng
Zhang Xunpeng, female, Han nationality, was born in 1941 in Shanghai. The second batch of national intangible cultural heritage project representative inheritors of Kunqu Opera, national first-class actors.
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In 1994, he held a special performance in Shanghai. The first performance was "garden tour", "dream", "dream seeking", "tryst", "Reunion". The second performance was "flowers give sword", "Pavilion meeting" and "jade hairpin - autumn river". The performance style was rated as "a combination of Chinese and Western" and "Queen of Oriental Dance". In 1996, he produced the Kun Opera drama "Peony Pavilion". At present, he is a teacher of Shanghai Opera School.
Paeonia lactiflora Zhang Xunpeng
Beauty is like a flower. Zhang Xun Peng hesitated about what kind of flower he should be. That kind of flower must be big and gorgeous to be comparable to Zhang Xunpeng. Think about it, peony difference can be compared. Professionals seem to criticize her performance, her figure, singer and her style, saying that she has many problems. Nevertheless, her poor skill does not hinder her artistic expression. It's hard for a conservative aesthetic to appreciate her beauty.
Looking at her Du Liniang for the first time, she felt that she was not a young girl, but a young woman with all kinds of manners and feelings. Even so, when her dream came out, she danced in a variety of ways. Her performance is very infectious. Her infinite intoxication, infinite obsession, let the audience and her intoxication, memory. She was born for beauty, for love. The passion in her eyes, the style of the tip of her brow and the corner of her eyes, are hot and hot. However, there is tension in her beauty. Although she is gorgeous, she is noble; although she is soft, she is unrestrained. It is this tension that enriches her performance.
Most of the women created by traditional Chinese aesthetics are flat. Women with strong vitality seem to be bad women, such as Yan Poxi. It is this aesthetic view that limits Zhang Xunpeng's performance: it seems difficult to find a suitable role for her. But for the weak and timid, such as Du Liniang, they represent the majority. But for Pan Jinlian and Yan Poxi. Zhang Xunpeng is a beauty along the way of Chanel coco. She has a kind of heat, obsession and passion for life and beauty, which makes them not belong to this category.
What about Li Xiangjun? From Kong Shangren's plays, it is difficult to have a clear understanding of her character. But judging from her words and deeds, she should be very strong. As a famous prostitute, there should be elegant style and some amorous feelings. But most of Li Xiangjun's characters are vague. Actors act according to the traditional standard of beauty, but whether it can make people feel like Li Xiangjun is another matter. Zhang Xunpeng was absolutely a beauty when she was young. If she was allowed to play li Xiangjun, she would be brilliant if she could refine her skills.
You may not appreciate the beauty of Zhang Xunpeng's journey, but you can't deny her beauty. I didn't think it was Du Liniang when I saw her play "dream seeking", but it didn't prevent me from watching it over and over again, and I was attracted by her passion in her character and all kinds of Customs in her performance.
The flowers are red when they fall into the water
Kunqu Opera is an old moon of 600 years ago. It has been handed down to the present with its unique charm. Today, 600 years later, there is a woman standing on the stage, her face is colorful and colorful, and her style is various. The wind blows the long rhyme, and she dances, breaking the rainbow and feather songs. He is Zhang Xunpeng, a famous Kunqu Opera player. I always like the Peony Pavilion. It's clear and sentimental. Zhang Xunpeng is the most charming and enchanting person who interprets Du Liniang. Her appearance can be described as "a smile of eternal spring, a tears of eternal sorrow.". And her dance. I remember the "dream" that out, wearing a cloud of Luoyi, fine step Xiangchen. A look back, red Fu vermilion, powder thick cheek Yan, dancing, eyes do tell the love, curl smoke without trace smile nightmare. Every time I see this one, I forget the dynasty in the eyes of this pair of fans. I am amazed at this dream of turning all living beings upside down. I always feel that Zhang Xunpeng belongs to the past. Her unparalleled face, withered by wind and rain, is still left to dance alone in Kunqu Opera - this old dream of prosperity.
Amazing beauty of matching image
Look at Zhang Xunpeng and Cai Zhengren, Yu and Yan's dream of visiting the garden. At that time, Zhang Xunpeng had an invincible noble temperament, which other actors did not have. She really learned everything from the Pearl of speech. Smile does not show teeth, every style curls, end ground a my fair lady. Her eyes, small movements, and a girl's innocence. Many actors, including Hua Wenyi now, are more like young women than young women. Maybe it's because of her portrait of the teacher. She is very delicate and pays attention to every detail. Although she still raises her shoulders and shrugs her chest, she is the most similar Du Liniang I have ever seen, far more than her stage performance in recent years.
However, even now, her recitation is still very charming and charming. It's really decadent. Usually speaking, if you only hear his voice but don't see him, you will think that he is a beautiful woman, delicate and delicate. I've watched Zhenfei for another hundred years. In one scene, he told his disciples that the bridge was broken. There are Yue Meiti, Cai Zhengren and Hua Wenyi. Lao Cai was really handsome at that time. How could he expect that when he became fat in the future, he would inevitably bulge his belly.
It's a flash. At that time, Yue Meiti looked younger than Hua Wenyi and thought she was more beautiful than Hua Meimei. I was so surprised that I rubbed my eyes and turned the film back. After watching it several times, I still felt Yue was more beautiful than Hua. As a matter of fact, in recent years' photos of Hua and Yue, Yue Meiti is even more young and calm. As a matter of fact, Yue Da is more than one year old. Maybe it's beauty in XX's eyes? After listening to Duan Yu and Yan's sudden change in 1957. Originally, there was a music match. Cai Zhengren and Zhang Xunpeng matched it. Somehow, this one was missing at home. In the palace of eternal life, Aisha hears the bell, cries and Tanci, and has no feeling for Yang Yuhuan's plays and aria.
The famous Sheng Dan chorus, pink butterfly, has never felt better. Therefore, this recording has been downloaded for more than years, but I haven't listened to it carefully. Unexpectedly, Yu Yan's recording made a big difference to me, especially to Yan Huizhu. When she changed from a famous Peking Opera actress to Kunqu Opera, I had a preconceived idea that Kunqu opera would not taste right. However, she is gifted and diligent. Although she still has traces of Peking Opera, she still has the charm of Kunqu Opera. In addition, he has a good voice, which matches with Yu Zhenfei's chorus. After listening to the whole play twice in one breath, I suddenly realized that both of them were at their best at that time. In his prime, Yu Zhenfei's words of wisdom are truly the combination of Emperor Ming of the Tang Dynasty and concubine Yang, which has been unmatched on the stage for nearly a century. Lucky for the audience that day.
Zhang Xunpeng's mother and son
There is a special family in Shanghai's literary circle. Her mother Zhang Xunpeng is a famous Kunqu Opera artist, her father Cai Guoqiang is a basketball player, and her son Cai Yilei is a Ballet Star. Last year, Cai Guoqiang died of a sudden heart attack at an early age, which made this "three-star family" lose a star. My friends are deeply sorry for this. Recently, Cai Yilei, who is far away from Britain, asked for leave to accompany his mother, which also brought gratifying news: he was selected as one of the top 100 Scottish celebrities in 1999 for his outstanding achievements in ballet.
The arrival of CAI Yilei made Zhang Xunpeng smile again. She happily opened the introduction materials of 100 celebrities and told reporters: "the 31st is Xiao Cai." As the only Chinese selected, Cai Yilei is particularly eye-catching. Beside his photos, his artistic experience is clearly recorded. He began to dance at the age of 10 and studied in Shanghai dance school. In 1988, he went to Britain to join the Birmingham Royal Ballet. In 1998, he joined the Scottish Ballet and became the chief performer.
Cai Yilei has been invited by various international ballet festivals to perform such large-scale ballet as Don Quixote, Haixia, sleeping beauty and Nutcracker, and has been invited to appear on BBC Radio and television. During his 13 years of artistic career in Britain, he not only performed classical ballet on the international stage and on TV, but also went to ballet schools in Korea, Canada, Japan and Hong Kong to teach classical ballet courses. This time, he was invited by his alma mater, Shanghai dance school, to teach younger martial brothers and younger martial sisters.
Cai Yilei's life in Britain is very busy and monotonous. Every morning, you have to attend the class set by the troupe. In the afternoon, you have three or four hours of rehearsal training. In the evening, you have to go into the theater to prepare for the evening performance, and the performance usually ends after 10 pm. As a leading actor, he has more than 180 performances a year, with new plays coming out every season. From group dance, leading dance to chief solo dancer, Cai Yilei has gone through an extraordinary road of struggle, and has always maintained a stable state with his solid basic skills, extraordinary understanding and unique expression.
In his spare time, he likes to watch movies, most of which are art films made by famous European directors. He draws nourishment from the natural and smooth means of expression of movies and gets enlightenment. From his group of performance photos, we can see that he has tried to perform modern ballet after years of focusing on classical ballet. Cai Yilei in the photo has a unique appearance and posture. His unique body language conveys the breath of modern times. He said that modern ballet is different from modern dance, and still retains the skills of classical ballet. In the combination of tradition and modern, he is cautious and strives to be comprehensive.
During his vacation in Shanghai, Cai Yilei accompanied his mother to attend the Chinese Kun Opera Festival held in Suzhou and watched several Kun Opera performances with great interest. In his mind, the ancient Chinese opera and
Chinese PinYin : Zhang Xun Peng
Zhang Xunpeng