Zheng Weiying

Zheng Weiying

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Zheng Weiying, female composer in France. Graduated from Shanghai Conservatory of music and Paris higher normal Conservatory of music. The music style is unique. He is good at combining electronic music with environmental music and integrating it into classical music. His works include mohai.

Profile

Female composer in France. Graduated from

Shanghai Conservatory of music

With Paris higher normal Conservatory of music, new film sounder.

Zheng Weiying's music style is unique. Be good at

The combination of electronic and environmental music, into the creation of classical music.

Composers are also good at fusion

Eastern sound elements and Western techniques

The melody language is full of Oriental women's graceful beauty. The style of the song is classical and not archaic at all. The selection of timbre has a broad perspective, bold and extensive involvement. It is good at creating the artistic conception of the song full of strong images through sound materials, and has a strong sense of picture, which brings the audience a fresh trial revolution.

The composer's works have an excellent sense of space. While widely using traditional musical instruments, the electronic original sound makes his works more concrete

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Such as "mohai", "wind", "deciduous Temple" and other songs fully express their love for Fengshui transformation and nature. The piano and string music in the song lead to an exciting, low-key and charming main melody. With the chaotic and dreamy electric sound and bold technique, it produces a unique poetic flavor and tension.

Zheng Weiying's music is inseparable from literature. Music is still in the quiet temperament with deep penetration, and gradually fluctuates between classicism and avant-garde, literature and music, image and abstraction, loss and hope, darkness and light. And poets

Wu Boju

The music works are accurate and deep in rendering the artistic conception of poetry. For example, in Narcissus, melody and soundtrack create a quiet, elegant and psychedelic scene, which highlights the lyrics written in personification, so that the image of Narcissus in the lyrics is completely integrated with the song environment, thus revealing pure but sad feelings.

Composers have a lot to offer

Buddhism

He often thinks about the traditional Buddhist culture of emptiness. Even through bold and avant-garde methods, such as wind up, chime bells and other sounds to reflect the abstract rational concept, so as to lead the audience to develop the understanding of life and death and history.

Music is still in the deep penetration of quiet temperament gradually ups and downs, in the West and East; hell and Buddhism; classical and avant-garde; literature and music; image and abstract; loss and hope; dark and light collision.

The music of the album "mohai" is dominated by piano and string instruments, exuding classical breath. However, the occasional addition of a little bit of environmental sound source and even noise material makes the music feel not archaic and unique.

Album introduction

"Mohai" is an album that interprets samsara with psychedelic artistic conception. The music in the album is like the scene in a dream, and the dreams are connected with each other smoothly. Listening to this album, it's as mysterious as shuttling through a dream at night.

The album is divided into two parts, the upper part from Narcissus to fallen leaves temple. The music style is either fresh or resentful, all with the color of "blue". It seems to depict the three good ways of "heaven, man and Asura" in the "six ways".

In the "three ways", Narcissus, as the beginning, depicts a fresh and elegant artistic conception, and tells a love story full of fantasy in the light of resentment, with calm mood and a little sadness. After walking through the sea of ink, which is played by string music, in the second half of the music, with disharmonious ending, we enter the piano rain. It's like the dream after the dark deep sea of injustice, the sky began to rain, and there are some lights, the dream returned to the world, people recall a sad love. Then came the wind, which opened with a peaceful atmosphere, but made the dream restless. It was not so much that people experienced the grassland scenery all the way, as it led people on a journey full of fluctuations. In this uneasiness, we heard the peaceful bell, here we came to the "fallen leaves Temple", pure and far-reaching, it is this artistic conception that gives us the feeling.

From then on, we went through six ways. "Six ways" is placed in the middle of the eleven songs, which just explains the samsara between the upper and lower ways. It has to be said that it is a wonderful idea. The wind up sound in the song makes us feel that time is distorted, as if the whole mind and even the whole body are twisted, as if through a slit, and then begin to enter the second half of the night dream.

From "dust star" to "getting married", most of the songs are strong and thick, with the feeling of ghost and evil, giving people a strong "red". This depicts the scene of "animal, evil spirit and hell".

Through the "six Samsara", human body and mind are broken into dust in an instant, just like the fragments of stardust in the universe. This is where dust star takes us. Through this zone, we began to hear the ghost's steps from far and near, slowly came to a strange but noble dance. In this dance, a penetrating voice sounded, and the song of "sexy" revealed the feeling of depravity in the enchanting charm. "Copper world" is a depraved abyss. In the sound of steel, people can feel the heat beating like lava. Finally, in the intense red, we went out of the hell of terror and embarked on the road of getting married with a sad color.

I had the chance to appreciate the painting of Mr. Ma Zelin, a famous French Chinese artist. Suddenly, I found that this painting perfectly explained the idea of the sea of ink, from pure to strong red and blue, with the dreamy reflection of the sea color, as if the emotional conflict was reflected in the opposition of Taiji and Liangyi. I took the liberty to ask Mr. Ma Zelin on the spot to authorize the painting to us as the cover. Unexpectedly, he readily agreed on the spot. Here we thank him again.

Repertoire introduction

01. Narcissus: Zheng Weiying CI: Wu Boju sing: Zheng Weiying

The fresh air is permeated with a touch of sweetness. The afternoon sun casts the shadows of the trees in the courtyard. A narcissus stands quietly at the foot of the stone brick wall. On a windless day, she is so quiet. The dark green flower stems grow gradually, like the blood under the young girl's skin. She looked at the growth of the sun, in my mind gradually grow into a familiar woman. There is a kind of fresh and elegant temperament in CI and Qu, pure and beautiful, and beautiful expectation in the light sadness.

02. Mohai

The introduction of violin solo is full of singing, just like aria. After the prelude, a group of themes from bass to treble began to enter, making the music gradually become full. And throughout the violin from the beginning of the two tone fluctuations, after the trill, as waves, restless. The black night, the Black Sea, the restless and inescapable heart, like a tight violin, floats powerlessly in despair like a boat.

03. Piano rain: Zheng Weiying CI: Li Fuhong sing: Jiang Yang

The sound of rain, fuzzy windows, haze sky, wet street lights The people in the room are looking through the glass windows at the gorgeous night lights on the street and the people on the way, with cool loneliness, familiar feeling and familiar melody

04. The wind

The breeze across the grassland seems to have a trace of green color, blowing down the river from the grassland. We listened to the sound of the grassland along the way, but lost our way to the deep forest. The dreamy forest is full of sunshine in the dark, which makes people feel mysterious. With the re emergence of the theme, we found the way back to the grassland. The music here is walking and seems to travel with the audience.

05. Fallen leaves wasteland Temple

The clear chime bells ring, and the courtyard full of yellow leaves is empty and pure. When you close your eyes, you even seem to hear the sound of chanting sutras, which means a lot of Qingxiu. After the introduction, the piano prelude appears, and the descending harmony is as beautiful as falling yellow leaves. After that, the theme of violin finally appeared, beautiful melody, such as the flowing stream, fresh and pure, wash all the noise and lead China.

06. Six ways

The so-called six ways: the way of heaven, the way of Asura, the way of humanity, the way of animals, the way of hungry ghosts and the way of hell. Samsara six, life and death, come and go back and forth. The mysterious, chaotic and slightly evil beginning seems to mean the bottom of the six ways. With the progress of music, the harsh wind breaking the normal extension of time and space, seems to change, but also more like reincarnation. Is it going to be bright to walk out of the nightmare? Or is it reincarnation to the dream of the night, to continue the dream like journey? Let's try to play the ending of the "cycle" of the "dream"!

07. Dust star

From the aurora to the sky, the broken music seems to take us to the vast universe. Hundreds of billions of stars have their own shapes and brightness. In extreme disorder, they have their own orbits and laws. They are as messy as dust, but they seem to be uniform. In this unfamiliar dimension, big and small, stillness and flow seem to have no absolute meaning. Don't try to figure out the absolute meaning inside, let your thoughts drift away with the Stardust!

08. Tango

After a long and lonely introduction, the bass enters the slow and sad tango. It's a tango with a lot of character and plot

Chinese PinYin : Zheng Wei Ying