confront each other with daggers(jiàn bá nǔ zhāng)

confront each other with daggers

Jian Ba Ba Nu Zhang is a Chinese word with the pronunciation of Ji à Nb á n à zh à ng, which describes the strength of calligraphy. It's also a metaphor for the other party's setting up a position, tense situation, ready to trigger. From ancient and modern book reviews.

The origin of Idioms

In the book review of ancient and modern books by Liang Yuan ang of the Southern Dynasty, "Wei's calligraphy is as powerful as a dragon and a tiger."

Idiom usage

It is used to describe the conflict between the two sides. It is often used between tense individuals or groups of countries. (1) French warships frequently enter and leave the Minjiang Estuary, but in terms of negotiation, it seems that Fuzhou Shipping Bureau will not be spared the fire of French warships. (the second volume of Gaoyang's the history of the palace of Qing Dynasty) (2) the language version of the biography of Wang Mang in the history of Han Dynasty: "the biography of the prime minister in the middle of the province was startled, and when the troops were dispatched to the Lang department, they all pulled out their swords and crossbows." (3) Lu Xun's "two volumes of qijieting essays: three families in the literary world": "what have you done with your swords and sweats?" 4. Lao She's four generations in the same hall 4: "he's still very natural, and doesn't show the appearance of a drawn sword." 5. In the book review of ancient and modern books by Liang Yuan ang of the Southern Dynasty: "Wei's birthday books are like dragon's power and tiger's vibration, and the sword is drawn." 6. The inscription of Guisi stele on auspicious day written by Lian of Song Dynasty in Ming Dynasty: "the brushwork is strong and sharp, and it has the tendency of drawing the sword and crossbow." In the Qing Dynasty, Yang Maojian wrote in the chronicle of Ding Nianyu bamboo shoots, a miscellaneous record of Beijing dust: "by chance, he learned to draw lanhui, the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves, and the wind branches and rain leaves 8. Volume I of Bai Yu Zhai CI Hua written by Chen tingzhuo in Qing Dynasty: "Jiaxuan CI focuses too much on some aspects, such as po Tan Zi, Shui Long Yin and so on The style of the letter is vigorous, and the meaning is profound. There's no need to draw a crossbar. It's a unique skill to penetrate seven letters. "

Chinese PinYin : jiàn bá nǔ zhāng