Return to prosperity

Return to prosperity

Guichangshi (1573-1644), a native of Kunshan, emigrated to Changshu. At the end of Ming Dynasty, poets, calligraphers and painters, Seal Engravers, and prose masters were the descendants of Guang and the father of Zhuang. Ming Zhusheng was a brilliant scholar. He was able to write poetry and prose when he was ten years old. He lived in the Jin and Tang Dynasties and was good at calligraphy and painting. He was especially good at cursive calligraphy. He was good at painting and calligraphy. He was good at painting and calligraphy. He was good at painting and calligraphy. When Wang Zhijian and Li Liufang got the family law, they were called three talented men. He organized a painting society with 13 Kunshan painters, such as Pan Cheng and Gong Xian, and was known as the "Thirteen hermits in Yushan Mountain" in history. At the end of Chongzhen period, he waited for the imperial edict to be issued. There was "the poetry of the false nunnery".

personal works

He is good at cursive script and seal cutting. His landscape style is Ni Zan and Huang Gongwang. His breath is dark, his spirit is full of interest, and his bone is sharp,. He, Wen Peng, Xing Dong and he Zhen were all famous for painting orchid and bamboo. The works handed down from generation to generation include the axis of the wind painting of Weishui River, the axis of the wind bamboo painting, the axis of the bamboo painting, and the volume of the ink bamboo painting

[seven Miscellaneous Poems by He Tao]

the universe is so vast that the same dust rises and dies. Hu for a day, each camp for a hundred years. Huatang and Chongqiu, those who go to Shulai are close to each other. I don't have my own house. Look around who is my neighbor. like a traveler, he has given up the morning on the evening. You can't wait to have a heart. It's hard to raise your eyes. Qingxi zhicunwu, Xiuzhu with adjacent music. The flowers are still in bloom, the wind is warm and the sleep is full. There are two or three Taoist partners, playing chess. The night is full of laughter, and the candle is extinguished when the guests stay. The watchman rings the bell, the crowd crows the morning sun. Morning light policy, day off to martingale. Walking in the forest and water, I think of Haopu. When you see passers-by, how can you go. The sower is better than the rain. Wild boat can cross, no longer worry about river wide. He deeply felt Tian Fu's words, and cultivated him to avoid recklessness. Autumn is deep, frost and dew are numerous, and elms and willows are rare on the plateau. No boats and cars on the journey, no geese in the sky. Wandering on the wrong side of the road, the thin cold blows my clothes. It's a long way from the world, but it's against you. If you have a long way to go, you will never be old. When the evening is beautiful and the morning is bright, many young children will become young. The old and the young are different, and current affairs change. Hidden several quiet burning incense, and ink book Huangting. There is no distant vision in the grass, and the crowing of chickens in the morning. The soldiers' food is in the southeast, which hurts my feelings. Spring half warm early return, sparse rain and wind. the new sunshine is on the Xiaojiang River, and everything is in a mirror. The staff visits the sengliao, and the hazel path leads through. Sanskrit makes people quiet, and everything in the world is bow. Although it has the wisdom of learning from things, it is not easy to be false or true. Although he has the right of reincarnation, he will not return to Chunyu. The universe is so poor that the sun and the moon are still new. Sihao is the wing of the Han Dynasty, and the three families died in the Qin Dynasty. Sages and sages hand over the sky and make dust in the air. Gu Bixi went to work as a farmer, but he was diligent in hoeing. Drink wine more call each other, from and fishing woodcutter pro. There are cars and horses in front of you. Stop to ask for help. It's hard to tell you how to go, but it's not easy to be generous. Long call to return, low back to shame people.

[chanting the fallen leaves]

Apart from the worries and worries, we will return to the track of the past. In autumn, the wind blows, the birds go to court, and the moon shines. looking back, I worry about thousands of trees and count two or three peaks in the forest. The vast haggard early winter color, SA Da when the smell of five night clock.

Personal achievement

seal cutting

Guichangshi seal cutting was first carried out in Wenpeng, and later absorbed nutrients from the seals of Qin and Han Dynasties. His seal is based on emotion, and most of them are written directly on the chest, reflecting the simple, quiet and elegant personality. Zhu Wenyin imitates the mottled and rusty effect of Han bronze seal, and its strokes show the clue of inner square and outer circle. The Ming Dynasty said that its seal cutting is equal to Wen Peng and Wang Wulin, which opened a precedent for Zhejiang style Zhu Wenyin. GUI Changshi was rigorous in his studies, erudite and versatile. He often had deep thinking in art and had great insight in his seal work. He paid great attention to the expression of spirit and thought: "making seals is not just to learn from the ancients, but to explore its origin. The source is the author's spirit. When the spirit comes out, the Dharma is born, and the God is with him. " He also said: "I'm not addicted to hanging a bun. Every article skill can't reveal my temperament. Why do I doubt it only when I print it? I'm just using a knife and changing it in my hand. When I understand it, I won't let the world know. Yu Qin's seal has spread all over the country, and those who have not provided enough knowledge will ridicule him. " This kind of aesthetic view of him is fully shown in seal cutting works. His seal of "always ploughing in the grave" comes from Miao Zhuan, but it is flexible, steady and neat, with its original style. The seal is round and elegant in the middle. It blends the seal style of Han Dynasty and song and Yuan Dynasty. It is a good work.

painting

Guichangshi is good at landscape, and he is good at Ni Zan and Huang Gongwang. His breath is dark, his bone structure is strong, and his precision is exquisite. He takes off the rough flavor of the middle Ming Dynasty. The composition of orchid and ink bamboo is wonderful, and the branches and leaves are pure wine. It is full of spirit and interest. It is intended to be between the ivy and Baiyang. Guichangshi writing ink bamboo, carrying rain dance wind, clear sprinkle rhyme extremely. Guichangshi painted bamboo, "silent history of poetry" said: "the branches and leaves are clear and beautiful, playing with the rain and dancing with the wind, thinking of Weichuan and Qi'ao." The characteristics of the review of the history of painting are as follows: "the pines are calm, the spirits are overflowing, between Xu Wei and Chen Chun.". in the picture of wind bamboo, which is handed down from generation to generation, the bamboo pole is strong, the bamboo leaves are swaying with the wind, and the bamboo pole is straight and unyielding. The strokes are straight and straight, showing the strong temperament of bamboo, and containing the pure and elegant sentiment, which is the sentiment of the people of song and Yuan Dynasties. This painting was made in his later years.

Chinese PinYin : Gui Chang Shi