a pair of swallows

a pair of swallows

Shidazu (1163-1220?) He was born in Kaifeng, Henan Province. He was an important poet of the graceful school in Southern Song Dynasty. His style was ingenious, which promoted the basic formation of Song Ci. In his early years, he served as an assistant. When Han Zhuzhou was in power, he was the most trusted Hall official, responsible for writing documents. After the failure of the North Korean expedition, he was tortured and died of hardship.

Shidazu's Ci is mainly about chanting things, and there is no lack of sense of life experience. He was also envoy Jin to the north of ningzong Dynasty. This part of northbound Ci was full of painful feeling of home and country. Today, there is "Meixi Ci". 112 words are deposited. The representative work "Shuangshuang Yan · Yong Yan" is exquisite and beautiful in style, which shows that under a tortured appearance, it is a flexible and light soul.

Profile

Shi Dazu, a Han nationality, was born in Kaifeng, Henan Province. Since Han Zhuozhou was in charge of the power, he did not arrest the Dusi. He first discussed it with Su Shidan and later discussed it with Shi Bangqing, but Dusi failed in his duty. Han Zhuozhou was a Pingzhang, who had no decision. He relied on Shi Bangqing, the official of the Tang Dynasty, to follow the writing, to write the gist, and to set his own hand. The letter of the servant, to use Shencheng. In the third year of Kaixi, Han cuzhou was killed. Lei Xiaoyou begged to send Shi Dazu, Geng Tam and Dong Rubi to Dali temple for investigation, and then demoted to death. There is a volume of Meixi CI. In the first year of Jiatai (1201), Zhang Zhe wrote a poem about Meixi. When Zhang Kai was nearly 50 years old, he called shidazu "Sheng", and said: "I am old, and my hair is not white." Obviously, he was later than Zhang. In the first year of Jiatai, Han kuozhou and jingboring, the main warring factions of the Southern Song Dynasty, were in power for five years. Shi Dazu served as a "provincial official" in Han's mansion, which was highly relied on by Han. The notes of the Song Dynasty say that Han's "writing style, writing style and writing purpose are all his own", which shows that his articles are also well written. In the past, according to the view of the history of Song Dynasty compiled by Yuan people, most historians regarded Han kuozhou as "treacherous minister" who failed to resist the enemy, so they also belittled Shi Dazu and his works. As a result, his writings may not have been collected after the hostile political forces came to power (1202), or lost despite the collection. Shi Dazu's Ci used to be compared with Zhou (Bangyan) and Jiang (Kui). Jiang Kui called his Ci "picturesque and elegant, with the rhyme of Li Changji (Li He)". Zhang Zhe's timeixi CI says that "Ci is full of emotion. Woven silk spring bottom, to dust eyes. As for the other things, as for the beauty of sweet potato in spring scenery, the sad sound in shangsu, there is a strange alarm, fresh and carefree, but no (lost) loss of wanton pollution. Duan can be divided into halal (Zhou Bangyan) and Pingli Fanghui (Hezhu). And three changes (Liu Yong) line generation, a few less than the number. Zhang Zhe was also a famous lyricist in the Southern Song Dynasty. He had a collection of Nanhu, which was in harmony with the time of such celebrities as Xin Qiji, Xiang Anshi and Hong Mai. His comments on shidazu can represent the standard of the CI circle in the Southern Song Dynasty. in the late Northern Song Dynasty, some poets did not completely break away from the old tradition of Huajian. Although they devoted themselves to the creation and promotion of long tune, they did not give up Xiaoling. Once they touched Xiaoling, the style of Huajian would naturally revive. Liu Yong devoted himself to landscape painting, but Zhou Bangyan was more specific in general, while Shi Dazu was more in-depth and detailed in describing objects. For example, in his poem of chanting spring rain [Qi Luo Xiang], "when the shore is cut off and the new green is born, it is the place where the red is falling and the sorrow is flowing," and "when the butterflies stay in the west garden, they like to moisten the mud and the swallow goes back to Nanpu", all of which are not as good as the word "spring rain". The poem is written entirely from the image of spring rain, and none of which involves personal feelings, which are inherent in the image of things. He also described human beings as elephants: "it's the deep resentment, the red cheeks, the heavy sorrow and the late voice. I feel sorry for the easterly alleys, the grass and the spring, the soft dust and the flowers ([fengliuzi] "dispatches people's grievances, disturbs a corner of the sky, and weakens three thousand waterways.". "Also because of the beautiful sentence, the meaning flows out of the river; then with light dream, the body falls to the edge of sorrow." ([fengliuzi]) he uses Xiaoling to write about the theme of the comparison between the present and the past, which is also different from others: "tired guest is old now, old time can't be spring. How many times have you not passed on the lake The willows are still dancing in the rustling land. " ([linjiangxian]) as for his famous song [shuangshuangyan], it's not a first-class work. Although the poems of chanting things have been collected by Zhou Bangyan, it is Jiang Kui and Shi Dazu who are elaborately carved, studied and analyzed. Because he is good at using the rhetorical "pseudo personality", as if to inject the author's feelings into the chanted things, he is good at writing the landscape with fine brushwork, so it is easier to attract people's attention than the freehand or symbolic writing of Huajian. There is a volume of "Meixi Ci", which is included in "sixty famous Ci of Song Dynasty" and "Ci of siyinzhai".

Character story

Shi Dazu failed in the imperial examination many times. Later, he was appreciated by Han Yuzhou and was responsible for confidential documents. After his death, he had a deep influence on him. After all, the reason is due to his arrogant and arrogant personality. At that time, he was impeached. After being put in a position by Han Zhuozhou, he not only obeyed his advice, but also "accepted bribes from the public for the purpose of profiteering". At that time, Han kuozu's subordinates had to use the words "Shen" and "Cheng" respectfully when they wrote to him. It can be seen that shidazu was also rampant for a time by virtue of the prestige of the prime minister. He had a friend surnamed Li who wanted to warn him when he saw this situation, so he wrote a few big words on his several cases: "danger, Bangqing! The attendant Shen Cheng At that time, he did not absorb the construction of his friends, and acted recklessly, which made him a total failure. Shidazu is a man of old love. This can be seen from his kindness to his dead wife. His personal love and marriage have no test, but it is known from his Ci that he lost his spouse, and his shoulouchun was written by shidazu for his dead wife. "Song Ci anthology" said: "this word was written for mourning the passing of spring clothes. It is a famous hand for its emotion and writing, forgetting that it is constrained by the tone and helping his wife rhyme." At that time, he was still Han kuozhou's important period, and he still couldn't erase his sadness. It can be seen that his affection for his wife was extraordinary, which made people lament.

Characters

Shi Dazu, a poet of the Southern Song Dynasty, wrote a volume of Meixi CI. His Ci is well-known in the field of Ci Poetry in the Southern Song Dynasty and is one of the three great poets of Fengya CI school. Shi Dazu was in the last years of the Southern Song Dynasty. Many of his works express sentimental facts and worries about his family and country. At the same time, because he once attached to Han Danzhou, he was despised by scholars.

Comments on the past dynasties

Main works

Drunk young master

There is no God.
Qiong train and zhupei roll down the dust road.
Xiugu Yiyi, mistakenly went to the mountains, got to know each other.
River bank side.
Relying on high emotion, self-locking yancui, time point kongbi.
Read Xiangjin touch hate, crisp hand Jian worry, the future dream soul apart. Acacia startles the chanters.
Three hundred trees in front of Yuzhao hall.
Goose wing frost light, phoenix feather cold deep, who protect spring.
Poetry is white.
There are many reasons, such as drinking in water village and clogs in smoke villa.
More time to bring, with the moon, and flowers for the table virtue.

Qiluoxiang · yongchunyu

Do cold bully flowers, will smoke trapped willow, thousands of miles steal urge spring dusk.
All day and all night, I want to fly and live in sorrow.
Jingfenzhong, diesu Xiyuan, ximirun, Yangui Nanpu.
Most of all, it's romantic, and the car can't get to duling road. < br > it's hard to find Guandu because of the high tide.
Faint remote peak, and tears Xie Niang charming eyebrows.
Near the broken shore, when the new green is born, it is the place where the red falls and the sorrow flows.
Record the day, door cover pear, cut lamp late at night language. analysis: This is an ode to things, which depicts the scene of lingering spring rain with various artistic techniques. The last film is about spring rain. The butterfly is frightened by the powder, but the swallow likes the mud. If the wedding day is blocked, the mother of Pearl car will not work. The next film is about spring rain in the distance. The spring tide is late, the mountains are misty, the new green falls red, and the sorrow flows away. There is no word "rain" in the whole article, but it is suitable for the title everywhere. The language is beautiful and the artistic conception is quiet.

Shuang Shuang Yan

It's past the Spring Festival. In the middle of the curtain, it was cold last year.
If you want to live in a bad place, try to join the old nest.
It is also a caisson.
And soft language, uncertain.
Floating fast brush flower tip, green tail separate red shadow. Fangjing.
The celery mud is moist with rain.
Love to fly close to the ground, boast light Jun.
When the red chamber is late, the willows are full of dusk.
The fragrance should be stable.
Then forget, Tianya Fangxin.
The two moths of Cui and Dai are worn away by sorrow, and the painting is done every day. Comment and analysis: This is the representative work of Shi Dazu. This is a very beautiful chant. The first one describes the happy scene of swallows flying back to their old nests; the second one describes the scene of swallows playing in the spring and returning to their nests when night falls. It not only depicts the vivid image of the swallow, but also expresses the feeling of boudoir resentment, which implies the emotion of life. The whole word adopts personification in rhetoric, white lines in diction, and ingenious in structural arrangement. It uses spring swallows to set off the yearning for a woman's return, which is complete and natural.

The first branch of east wind

Qiaoqin orchid heart, steal sticky grass beetle, east wind to block new warm.
It's hard to keep a green tile, but it's hard to keep a letter.
Walk into the mirror, make it easy and soft.
It is expected that the old garden will not roll up the heavy curtain, which will lead to the mistake of Shuangyan. The green is not over, the willow is white.
Red to break, apricot open Su Mian.
The old tour recalled the shadow of the mountains, and the later alliance obstructed Shangyuan.
Cold stove heavy warm, then slow down the spring shirt sewing.
Fear Phoenix boots, pick vegetables back, in case Baqiao meet. comment and analysis: with exquisite brushwork, this poem depicts the characteristics of spring snow and the beauty of plants and everything in the snow

Chinese PinYin : Shi Da Zu