Lin Zhengda

Lin Zhengda

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Lin Zhengda, who lived around 1200, was a poet of Song Dynasty. The name is Jing Zhi, and the name is Sui An. The year of birth and death is unknown. He was born around Qingyuan of ningzong of Song Dynasty. Kaixizhong (1206) was an official in Yanzhou. His poems are better than those of his predecessors, and his meaning is different from that of his predecessors. Therefore, he is known as the most "professional" poet in Song Dynasty. Handed down works include two volumes of Fengya Yiyin, a total of 41 words.

Life experience

Lin Zhengda, named Jingzhi and Suian, was an official of Yanzhou during Kaixi (1205-1207) of Southern Song Dynasty. According to Chen Ziwu's postscript, Professor of Chuzhou state studies in the fourth year of Jiatai (1204), "Mr. Lin Zhengda of Yongjia respects him, the son of the envoy of Daozhou, and the grandson of Kaifu Duke of the Ministry of official affairs. He grew up in Huazhou and did not change from the secular to the secular. He abided by the instructions of poetry and rites. He hoped to plant his own calligraphy, to appreciate the mountains and rivers, and to express the meaning of the book of changes at any time According to Taishun's "Si Xi Lin's Genealogy", the "Kaifu Gong" of the Ministry of official affairs here is "the famous Qi of the sixth generation, the Jinshi of song Chongning". Qi Zhongshuai's office staff and the official department secretary who presented Jin Ziguang and Lu to Kaifu specially entered the Kaifu ceremony, together with the three divisions to add Shaobao ", which refers to Lin Qi. And Taishun "Fen Jiang Lu · Xiang Yi Zhuan" has: "Lin Boli, Qi sun, the word Zhengda, the number with the nunnery, like reading, chanting, for the ceremony can text, seclusion not official." According to Lin Jingzhi's Elegy in volume 7 of Ye Shi's collection of essays on the heart of water, it can be seen that Lin Zhengda resigned his teaching post and lived in Xinhe street, where he studied Mencius. He was desolate behind him. When he died, it was the ninth year of Jiading (1216) when Yongning Zhi was just completed. Xue Shishi also said in his book Wan Lin Jing Zhi: "what's the reclusive meaning of reading the book of changes behind closed doors. There is wine to dispel boredom, and there is no rank without sand. Find old friends in leisure time, and walk in the new river on a moonlit night. I'm also a fugitive from fame. I'm sorry for the stele. " He was known as a recluse who read the book of changes, which coincided with Chen Ziwu's saying: "the meaning of the book of changes can be understood at any time, so he called himself Suian Jushi.".

Literary achievements

His works

Lin Zhengda is the most prolific ci writer in Song Dynasty. He has two volumes of Fengya Yiyin and 41 Ci poems. There are 41 poems by Lin Zhengda in the fourth volume of Quan Song Ci compiled by Tang Guizhang. They first record the ancient poems and articles, and then form them into CI. Lin Zhengda's preface to Fengya Yiyin, written in the second year of Jiatai (1202), introduces: "in his spare time, he reads ancient poems and essays, extracts the quintessence of them, and uses Yuefu as his temperament. When he gets one or two, he records them and titles them with this article, which is called Fengya Yiyin. It is also a kind of writing. It is euphemistic but not obscene. Seeing the pleasure of the world, we can hear it. Is it true that no one who comes out of Ziyun is as good as the rest? When he sings and sighs three times, he has a lingering flavor. " It can be seen that Fengya Yiyin is a collection of Ci by Lin Zhengda with clear compilation intention. The objects of Fengya Yiyin are mainly the works of Li Bai, Du Fu and Su Shi, which have been expanded to an unprecedented scope, showing diversity and a large time span. As far as the content itself is concerned, it's hard to say that it has any special originality. However, for the original article of 18 authors, 41 Ci poems have been written, which is unprecedented in number. Lin Zhengda's Ci poetry brings elegance to the scene of CI production. He can face the classic works that have been appraised and talk with the ancients. As Lin Zhengda said, it can bring about the effect of "not only the happiness of Yan, but also the high quality of the past". In this way, the history of the book has reached the highest point of development, marked by the emergence of the album. For example, his "he Xinliang" and Wang Xizhi's "preface to the Orchid Pavilion collection" said: "what happened in the Orchid Pavilion that day. There are mountains, forests and bamboos. The rapids and clear water flow into each other's belt, and the water flowing from the cup and meander beside it. But it's just a talk and a love affair. A song of a cup is really full of music, and I am tired of orchestral music. At the end of spring, we should practice together. It's a pleasant new day. Looking up at the universe, looking down on the categories. Between looking up and down, because of the post, outside the laissez faire. I don't know, but I'm getting old. I feel that old travel has become a thing of the past. I can read life and have fun. Looking back on the present, you see It maintains the artistic conception and style of the original and is faithful to the original in terms of wording. However, to the core of the negative attitude of the predecessors that life and death are the same and the length of life is no different, Lin Zhengda's sentence that "you can read life and have fun" is not found in the original work. Obviously, it is the active addition of the author's own outlook on life and attitude towards life, which is a breakthrough to the original work from the perspective of rewriting. Another example is "he Xinliang" and "the story of the drunken man Pavilion" written by Ouyang Xiu. Looking at the southwest, the magnificent and deep show, Langxie is also. Spring gurgling Peak Road turn, there are drunk Pavilion also. The pavilion and the prefect have their own names. Let's ask the drunkard what he is happy about. He cares about the scenery. The heart of getting, the wine. The scenery of four seasons is endless. Look at Lin Fei, sunrise and cloud return, since dawn and dusk. At the banquet, the dishes are mixed. It's a pleasure to know the governor. The eunuch is drunk and comes back to the guests. He has a pale face and white hair. It's a drunkard who's in charge. " Lin Zheng, the great general of "the story of the drunken man's Pavilion", put it into Ci, condensed the meaning of the text, entered into the rhythm and could be sung. The musicality of "the story of the drunken man's Pavilion" also made it spread in the singing. Lin Zhengda's Ci has a wide range of objects, including Fu, ancient prose, Yuefu and ancient poetry. For example, "sprinkling the moon on the Yangtze River", "Manjianghong", "song of drunkenness", "a cluster of flowers", "song of Eight Immortals in drinking", "congratulating the bridegroom", "preface to Lanting", "sprinkling the moon on the Yangtze River" by Wang Xizhi "," farewell to Tao Yuanming "," spring in Qinyuan "," biography of Mr. Daren "by Liu Ling", "song of shuidiao" by Han Yu "," preface to sending Li Yuan to Pangu "and" diaoyue Er "by Wang Ji Zuixianji, Shengshengman, Du Fu's lirenxing, he Xinliang, Ouyang Xiu's zuiwengtingji, shuidiaoge, Ouyang Xiu's lushanggao, zajiangyue, Su Shi's Chibi Fu, shuidiaoge, Ouyang Xiu's dayjintang, he Xinliang, Huang Tingjian's songwanglang and shuidiaoge Fan Zhongyan, Huang Tingjian, Huang Tingjian, Huang Tingjian, daffodils, Manjianghong, Han zicang, he Xinliang, Su Shi, Shulin and Jingshi, shuidiaoge, Fan Zhongyan, Yueyanglou, Mulan huaman, Li Bai's jiangjinjiu, shuidiaoge, Wang Yucheng's Huangzhou zhulouji, qingpingle, Li Bai's cailianqu, Manjianghong, Lu Tong's Yousi, Manjianghong, Su Shi's Haitang, shuidiaoge, Li Bai's xiangyangge, Jiang Shenzi, Ouyangxiu's mingfeiqu, yinanzhi, Li Bai's shudaonan, and Li Bai's shuidiaoge Qinyuanchun, Bai Juyi, Lushan thatched cottage, Mo Yuer, ye Qingchen, Song Jiang Qiu fan Fu, Yi Nan Zhi, Huang Tingjian, Jian Cha Fu, sprinkling Jiang Yue, Li Bai, song to Zhang Chengzu's east capital, sprinkling Jiang Yue, Su Shi, moon night and guests drinking under apricot blossom, shuidiao Ge, Li He, Gao Xuanguo, Yu Meiren, Liu Yu Xi's Wuchang old man talks about flute song, Jiang Shenzi, Huang Tingjian's title of duzimei and Huanhua's drunken return, Qinyuanchun, Fan Zhongyan's records of Mr. Yan's ancestral hall, linjiangxian, Li Bai's preface to spring banquet from my brother taoliyuan, sprinkling Jiangyue, and Li Bai's qingpingdiao CI.

First work

In his works, the only Ci poem that can be called the first one is "song of water melody · send Jing then go to Yuanzhou as an instructor": "people laugh at Du Lingke, with short brown temples like silk. When he got money to sell wine, he went to Zheng laotongjin period. Deep spring drink in the clear night, singing, light rain in front of the lamp, looking for each other without doubt. Forget to your heart and drink from my teacher. Mr. Wen, I will go today and come back early. After Mr. Wang left, Shitian cottage was afraid of moss. It's no wonder that Xiangru is like a vessel. Don't learn from Ziyun. Confucianism is also good. Who Daoguan alone cold, on the blue platform Although the sentence and artistic conception of Du Fu's song of drunken times are used in the CI, it is actually written by him when he sent him to Yuanzhou to teach him. It belongs to creation rather than secondary processing. It is to pour his own heart with the wine of others.

Historical evaluation

Ye Shi of the Southern Song Dynasty: in Xinhe city of Zafu, there is a place where people live in cold and sour conditions. He wrote Meng Ke's book alone. If the fence is broken, it will be mended by the children, and if the grass is scarce, it will be hoed by the guests. Yongjia new ambition, Mo dispatch name Shu. (Lin Jingzhi's Elegy) modern pan mengbu: Su Shi was the pioneer of the trend of kaikuo Ci, while the most "professional" kaikuo CI poet in Song Dynasty was wenzhouren Lin Zhengda, who created the largest number of kaikuo Ci and covered a wide range of objects. From his works, to a certain extent, we can see the popularity of the concept of elegance in the Southern Song Dynasty. Contemporary Song Min: Lin Zhengda's Fengya Yiyin is a poet who adheres to "the elegance of Neo Confucianism". From the point of view, the gains and losses of Fengya Yiyin reflect that "the elegance of Neo Confucianists" clearly aims at advocating elegance, but it loses the original rich subjectivity and diverse functions of CI. The implicit form symbolizes the innovation and change in the art of Ci, but it is difficult to continue, which is not conducive to the promotion of Ci to a new height. On the other hand, poetry teaches the balance of words, blurs the boundaries, and destroys the aesthetic characteristics of words.

Influence of later generations

There is no mention of Lin Zhengda in CI talks of past dynasties and Monographs on the study of Song Ci, so they are very indifferent to Lin Zhengda, which symbolizes the evaluation of his ci. The existence of Ci is almost ignored. Although it can't be said that there is absolutely no reflection of the author's personality, it can't be sought like ordinary words. As the main stream of Ci writers, we have left a lot of Ci poems

Chinese PinYin : Lin Zheng Da