Talk show,
Or Chinese comic dialog
Crosstalk originated in Beijing,
It is popular all over the country.
It is generally believed that in the Qing Dynasty Xianfeng
It was formed in Tongzhi period.
It is a form of Quyi that makes the audience laugh by telling jokes or funny questions and answers.
It evolved from "Xiangsheng" in Song Dynasty.
In the late Qing Dynasty,
Crosstalk has become a modern feature and style.
Mainly in Beijing dialect,
There are also "dialect crosstalk" in local dialects.
In the process of forming crosstalk, we have learned a lot from oral skills
The strong points of storytelling and other arts are embodied in harmony,
To show the truth, the good and the beautiful with satire and jokes,
Its artistic feature is to make people laugh,
"Speaking, learning, teasing and singing" are the main artistic means.
There are three kinds of performance forms: single talk, counterpart talk and group talk.
Stand up crosstalk is performed by an actor and tells jokes;
Two actors hold and amuse each other,
Generally, there are two types: yitoushen and zimukua;
Group talk, also known as "group work", is performed by more than three actors.
The traditional repertoire mainly satirizes all kinds of ugly phenomena in the old society and reflects all kinds of life phenomena through humorous narration,
After liberation, in addition to carrying forward the tradition of satire,
There are also works praising new people and new things.
Cross talk knowledge
Talking, learning and singing
Quyi terminology. There are four basic artistic means of traditional crosstalk.
"Shuo" means telling jokes, riddles and tongue twisters;
"Learning" is to imitate all kinds of bird and animal calls, peddlers, singing and all kinds of character styles and languages;
"Tease" is to tease each other;
"Sing" crosstalk refers to Taiping lyrics.
Due to some reasons, in the past, all singing categories were classified as singing in the crosstalk performances on TV, which is wrong.
As long as Taiping lyrics are sung, others are for learning.
In cross talk, there are often programs that focus on one or two of these methods,
For example, "changing career", "drama and dialect" focus on "learning" and "singing", while "eight fan screen" and "spring lantern riddle" focus on "speaking and teasing".
Actors are often good at using some means to form different styles.
introduction
Quyi noun. The opening speech of a crosstalk actor before performing a formal program,
Sometimes it is also a small program to attract the audience's attention or point out the content of the formal program.
To live
Quyi terminology. It refers to a section of content that is used to introduce the pad words into the main topic in the performance of crosstalk, which has the function of connecting the preceding and the following.
burden
Quyi terminology. It refers to the method of organizing jokes in Xiangsheng, solo, Shandong kuaishu, etc.
When a joke is brewing and organizing, it is said to be "a burden", and when it breaks out, it is said to be "shaking the burden".
Traditionally, jokes are also called "burdens".
Three turns and four shakes
Quyi terminology. Crosstalk is one of the means to organize the burden.
It refers to the comic performance in which the characters' stories are played up or atmosphere is created by repeatedly laying the groundwork and setting off, and then the burden is shaken away to produce jokes.
A heavy head
Quyi terminology. Counterpart crosstalk is one of the ways of expression.
When two actors perform, one is the main narrator;
The other is to use the form of dialogue to help the narration, that is to say, to raise the voice. Because the plot of the story is mainly about amusing, it is called "amusing".
Mother and son
Quyi terminology. Counterpart crosstalk is one of the ways of expression. When performing cross talk,
The tasks of the two actors are basically the same, such as organizing the burden by arguing with each other.
Grasp
Quyi terminology. When performing crosstalk, storytelling, etc,
The funny content interspersed in the program is used to make the audience laugh.
Actors often grab the subject of the interruption on the spot and combine it with the content of the program to achieve good results.
Actors often grab the subject of the interruption on the spot and combine it with the content of the program to achieve good results.
Chinese PinYin : Ma San Li Da Shang Shou Ge Ci
Lyrics of Ma Sanli's Da Shang Shou
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The lyrics of Xu Xiaofeng's "infatuation is no longer in debt". Xu Xiao Feng Chi Qing Wu Yong Zai Xiang Qian Ge Ci
Lyrics of love drama by Cai Qiufeng. Cai Qiu Feng Qing Xi Ge Ci
Lyrics of longmeizi's Huaxin legend. Long Mei Zi Hua Xin Chuan Shuo Ge Ci
Lyrics of Pan Xiuqiong's ten sighs. Pan Xiu Qiong Tan Shi Sheng Ge Ci
Lyrics of Nie Yu's waxwork life. Nie Yu La Xiang Ren Sheng Ge Ci
Lyrics of Fang Yiping's "may I ask your name". Fang Yi Ping Qing Wen Fang Ming Ge Ci
Lyrics of homesick in Tang Dynasty. Tang Gu Xiang Jia Ge Ci
The lyrics of He Jing's the fate of a life. He Jing Yi Shi Yuan Qian Ge Ci
Lyrics of accommodation by Zhang Jialun. Zhang Jia Lun Qian Jiu Ge Ci
Lyrics of Hu Ge's "her eyes will rain". Hu Ge Ta De Yan Jing Hui Xia Yu Ge Ci
Lyrics of love song of baigala mountain by Guo song. Guo Song Bai Ga La Shan Qing Ge Ge Ci