Jinnong

Jinnong

Jinnong (1687-1763), named Shoumen, sinang and Jijin, was named Mr. Dongxin, Jiliu Shanmin, Qujiang waishi and Xiye Jushi. Because his life had gone through the Kangxi, Yongzheng and Qianlong dynasties, he was named "three dynasties old people". He was born in Qiantang (now Hangzhou, Zhejiang Province) and was clothed all his life. Qing Dynasty calligrapher and painter, Yangzhou Eight strange first.

He is fond of travelling, and he never comes back. He lived in Yangzhou in the evening and sold paintings and calligraphy for himself. He is fond of strangeness and eager to learn. He works in poetry and calligraphy. Poetry is ancient and strange, and he is good at identification. Calligraphy created a flat pen style, with regular script and official script, which was called "lacquer calligraphy" at that time. He didn't work until he was 53 years old. He is good at making flower sketches with light ink, especially plum.

His masterpieces include the painting of Tuhua on the East calyx, the painting of Kong Han Ru SA, the painting of the first bloom of Chimonanthus, the painting of Jade Butterfly, the painting of tie Xuan Shu Hua, the painting of Bodhisattva and the painting of Qiong Zi waiting for appreciation. His works include Dongxin poetry anthology, Dongxin essays, Dongxin miscellaneous works, etc.

Profile

Jinnong, named Shoumen, sinang and Jijin, is also named Dongxin, liushanmin, Qujiang waishi and Xiye Jushi. There are many other names, such as Jinniu, laoding, Guquan, Zhuquan, jimeizhu, lianshenjushi, Longsuo Xianke, minchunweng, jinjijin, xinerliulang, Xiantan flower sweeper, Jinniu Lake meeting old man, Baier inkstone field rich man, etc. Born in 1686, Kangxi, Qing Dynasty, and died in 1763, Qiantang (now Hangzhou, Zhejiang). According to Jin Nong, "the family has fields and several ridges, houses and districts. It's on the Qiantang River, the middle is the Shutang, facing the river and back the mountain, and beyond the river there are endless mountains.".

Jinnong is intelligent. In his early years, he studied in the scholar he Zhuo's family. He was close to Ding Jing, one of the "eight schools of Xiling". At the same time, he interacted with Wu Xilin, who is known as the "three high scholars in Western Zhejiang", which increased Jinnong's erudition and talent. In the first year of Qianlong (1736), he was recommended by Qiu Siqin to learn a lot about CI. He failed in the exam and was depressed. So he traveled around Qi, Lu, Yan, Zhao, Qin, Jin, Wu, Yue, and finally met nothing. At the age of 50, he began to study painting. Because of his profound knowledge, numerous famous works and profound calligraphy skills, he eventually became a famous painter. Later, he lived in Yangzhou to sell paintings and calligraphy for self-sufficiency, which is the first of the "eight monsters" in Yangzhou. When a wife dies and has no children, she does not return.

Most of Jinnong's life was full of ups and downs, and sometimes "when he got a thousand gold at the age of one year, it just disappeared.". In his time of hardship, he had to rely on selling antiques, copying Buddhist scriptures, and even carving inkstones to increase his income. He also asked Yuan Mei to write colorful lanterns. Wang Chang wrote a Book of poetry in pulushan house, which describes Jinnong's "steep temperament, and the world is full of strange things. However, when meeting with comrades, it's not hard for Xiyi to feel comfortable. The year of his death was seventy-seven.

Jinnong is erudite and talented. He is fond of strange and good at antiquity. He collects thousands of volumes of inscriptions. Excellent seal cutting, appreciation, good at painting bamboo, plum, pommel horse, Buddha, figure, landscape. You Jing Mo Mei. The plum blossom, with many branches and numerous flowers, is full of vigor and elegant.

Personal achievement

Calligraphy

Jinnong is the core of the eight monsters in Yangzhou. He is a great master in poetry, calligraphy, painting, printing, music appreciation and collection. Jinnong studied books and articles since childhood, and had a high literary attainments. His strong learning and cultivation made him the first of the "eight monsters in Yangzhou".

However, Jinnong's nature is weak, and his calligraphy works are very few compared with other people in Yangzhou. He lived in the three dynasties of Kang, Yong and Qian, so he gave himself the title of "the old people of the Three Dynasties". Jin nongchu didn't take Gongshu as his idea, but his calligraphy attainments became one of the most successful among the "Yangzhou Eight monsters", especially his running script and Lishu had unique aesthetic value.

In his early years, his official script was written by the Han people. His style was regular, and his strokes were thick and simple. His strokes did not reach the front, and his structure was tight. He was more introverted and less outstretched. He had a simple and concise style. Jinnong's calligraphy art was good at being simple and honest. His first "lacquer book" is a special method of using pen and ink. "Jinnong ink" is thick like lacquer, and the characters are protruding from the paper. The brush used is like a flat brush, dipped in thick ink. The brush can only be folded, just like a brush painting. The words written in this way look vulgar, simple and unorganized. In fact, they have a broad view and a great charm.

What can best reflect the artistic realm of Jinnong's calligraphy is his cursive. He combined the style of regular script, the style of official script and the style of seal script into a unique style. Its stippling is like official script, regular script and grass. Its long horizontal and vertical hooks are in the shape of official script, and its posture is often close to that of Wei tablet, which is especially vigorous and smart. In particular, those poems and letters are simple and elegant. They have a kind of natural charm and artistic conception, which makes people love them. Jinnong's running script has been unconventional since its early days. The cursive script, which is composed of stele method and his own "lacquer calligraphy" method, is frank and free to use. The strokes are smooth and mellow, with thick head and rotten clothes. It's amazing that it's rustic and childish. Its regular script of "Sutra writing and engraving" seems to be in the same line with folk calligraphy, with no heavy line change and mellow style The turning pen does not have the wave and pick in Teton. With uniform lines and square and hard turning, it can write a calligraphy style similar to single line art characters, but also has the ancient Mao like instrument characters. Its calligraphy enlightenment is very far-reaching. The book trace handed down from generation to generation is "measuring like a sea note", which is now flowing into Japan. Sheng Zhong Jiao Zan is a silk lacquer book.

painting

He began to work in painting in the fifties of 1949. He was involved in ancient painting. He broke away from the painter's habit and saw many historic sites. At the beginning, he wrote about the old man in the stone room of the bamboo master, who was called the missing mountain people. After painting the plum master Bai Yuchan, he was called the old evil hermit. Painting Buddha's name and becoming a monk. The painting of horses is called Cao and Han FA. It is not enough for Wang sun of Zhao. Its landscape flower and fruit layout is quiet and strange, and its color is cool and leisurely. When asked, it is said that Bedouin's Dragon Nest and so on. He painted plum, claiming to be "wild plum on the river and road", and demanding "fragrance thousands of miles when the weather is cold". He painted a horse and said, "it's desolate and cool to paint a horse today. It's sour and self pitying. Is it hard for him to travel? When there is no Bole in the world, even if you meet someone, you will be gone? I don't want to seek knowledge between the wind and the dust, the desert and the wild. " It shows that he is in the mood of not meeting his talents. On one album, he drew a picture of a scholar bureaucrat lying high in a pool pavilion with ventilation on all sides. He said, "the wind comes from lying on all sides.". He is not as carefree as the world, and he also regards himself as "lofty". Jinnong declared that he should see his "life on the high shore" in his paintings one by one. "To express is not to sing peacefully". In a painting of ink bamboo, he even wrote: "grind the ink five times, draw this crazy bamboo, not catch anchovy, but also catch princes." Like painting thin bamboo, said "painting bamboo should be thin, thin longevity, natural full wind frost ear". At the end of each painting, there must be an inscription, such as "the virtue of bamboo is to be modest, upright and unyielding, and not to change its operation for a long time." The poem in the painting of repairing bamboo after rain says: "repairing bamboo after rain is very green. Xiaoru is in the pavilion across the stream. The world is heartless, only autumn sounds the best. "

The figures in the painting are exaggerated, simple, and vivid; the composition of the landscape is unique, and they are simple and elegant; the plum and bamboo strokes are clumsy, concise and heavy. Calligraphy comes from Tianfa shenchen stele, mountain stele of Zen state and Gulang stele. It is flat and square in use, light in vertical and heavy in horizontal. It has a unique style and is called lacquer calligraphy. Jinnong's calligraphy and painting were well-known at that time, one of the eight monsters in Yangzhou. It has been handed down from generation to generation, such as the book of mountains and rivers, the painting of moonlight, the painting of carrying staff, the painting of East calyx Tuhua and the painting of ink bamboo. His works include Dongxin poetry collection, Dongxin essays, Dongxin miscellaneous works, etc.

Related works

Jinnong self portrait axis

The axis of self portrait, written by Jin Nong, is 131.3cm in length and 59.1cm in width.

Photo 1 shows a self portrait of Jinnong, one of the eight monsters in Yangzhou, when he was 73 years old. In the painting, the old man is dressed in cloth and stands on his side with a staff. His posture is firm and his expression is detached. His head painting is more realistic, with the characteristics of portrait painting, thick long beard, thin hair braid, hale eyes, vividly depicting Jinnong's stubborn and arrogant personality.

The figure in Figure 1 is exaggerated and caricatured. It is a portrait by a literati painter. The painter, who is eager to draw characters with ink, has simple lines, which are born out of the "blue leaf painting" of Ma Hezhi in the Southern Song Dynasty. Together with the "lacquer painting" of the title and poetry, the painter embodies his unsophisticated and unsophisticated style.

Art chronology

In 1687, Ding Mao was one year old

Born on March 22 of the lunar calendar, ganzhejiangren: he (now Hangzhou) is on the Qiantang River, waiting at home. Outside the tide gate.

In 1688, Wu Chen was 2 years old

Gao Xiangsheng, born in Ganquan, Jiangsu Province, is a calligrapher and painter. He is a good friend of Jinnong and one of the eight monsters in Yangzhou.

Ma yueguansheng, born in Qimen, Anhui Province, is a great salt merchant, poet and friend of Jinnong.

In 1692, Renshen was 6 years old

Fang tushu was born in Xin'an, a native of Jin Nongyou.

Li Esheng, a poet, scholar, from Hangzhou, Zhejiang Province, is a good friend of Jinnong.

In 1693, he was 7 years old

Zheng Xisheng, born in Xinghua, Jiangsu Province, is a famous calligrapher and painter, one of the eight monsters in Yangzhou.

In 1695, Yihai was 9 years old

Ding Jingsheng, a neighbor of Jinnong, had a deep friendship with Jinnong; he was a calligrapher, painter and seal cutter, especially famous for seal cutting, who was the founder of Zhejiang School.

In 1696, in the 35th year of Kangxi, Bingzi was 10 years old

Hang shijunsheng was born in Renhe, Zhejiang Province. He is a writer and a good friend of Jinnong.

In 1703, in the 42nd year of the reign of Emperor Kangxi, Guiwei was 17 years old

I have just learned the theory of phonology. Xiang Shuangtian, his hometown, became a little friend and made friends with poets and monks in Tongli.

In 1705, he was 19 years old

Quan zuwangsheng, born in Yinxian County, Zhejiang Province, is a poet and scholar

Chinese PinYin : Jin Nong